Here are 100 books that King Kelson's Bride fans have personally recommended if you like
King Kelson's Bride.
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I love British history. I am fascinated by ancient roots; legends and myths arising from around the Roman invasion. Stories of Boudicca, Casswallen, Celtic legends, and Arthurian tales hold me in a world of imaginings and anticipation. These exciting stories have been told and retold, but Cartimandua, Warrior Queen of Brigantia is new to me. She, a Yorkshire lass like me – led the largest tribe in Britain. I have become absorbed into the iron-age lives and loves of her Brigantia. The interwoven links between known facts and fantasy intrigue me. My favourite books here encouraged my journey of discovery; the old birthing the new. The legends from Britain grow.
I devoured this book with gusto. I guess we all seek a bit of magic sometimes.
When I read this book some thirty years ago, I had hit a rough patch. I wanted to escape the harsh reality surrounding me. The pages of this Celtic story transported me to a better place. You know the feeling, when fear drives you through heavy fog into the unknown? Once through, the landscape opens to excitement and promise.
Steven Lawhead used wonderful imagery to transport me to a time when warriors and kings held the future; when myths were the reality, and ordinary people became heroes. I want to live in a place where bravery and magic link hands. This is where ‘Song Of Albion’ led me. It’s my past and my future.
Wolves in Oxford; extinct beasts in Scotland: the barriers between our world and the Celtic Otherworld are breaking down. Two men are drawn into Albion, and changed for ever.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve been reading fantasy novels since around 1989, when I was twelve. I actually – stupidly! – thought it would be much easier to write a fantasy novel than a historical fiction one. Well, after writing about eighteen historical novels, I turned my hand to fantasy with Singers of the Sword Song and finally discovered just how hard it is to create a compelling new world completely from scratch. The books in this list are the ones that have inspired me for decades and continue to do so as I work on my second fantasy novel with a newfound appreciation, and love, for this magical genre.
This was my introduction to fantasy, and wow, what a story!
Of course, I eventually realised what everyone else had already known, that Sword of Shannara is basically a simplified retelling of The Lord of the Rings, but, as a first fantasy novel for a teenager to read, well, it made a huge impression on me. The second in the series, The Elfstones of Shannara, built on the strong foundation and moved away from LOTR as the author let their own imagination run free.
I liked the characters, particularly the giant druid, Allanon (yes, I have a thing for giant druids as readers of my own novels will know!), and the titular magical weapon, the Elfstones. Exciting stuff that really made my young mind full of possibilities, and having listened to it again more recently as an audiobook, I found it was still a really fun book.
Ancient, ultimate evil threatened the Elves and the Races of Man. For the Ellcrys, the tree of long-lost Elven magic, was dying, loosing the spell of Forbidding that locked the hordes of Demons away from Earth. Already the fearsome Reaper was free. Only one source had the power to stop it: the Elfstones of Shannara. And the valiant companions must ride again in an impossible quest to find them.
Tolkien and Lewis got their hooks into me when I was a teen and this led me to spend many hours playing RPGs, devouring fantasy novels by the armful. Unfortunately, many books were disdainful of faith (particularly of the medieval European variety) but the respectful ones inspired me. Years later, I decided to write my own novels and add a science-based perspective from 20+ years as an engineer. The result is a series of 5 epic fantasy novels. I have plans for more, branching out into sci-fi, romance, children’s books, and historical fiction. My recommendations showcase a few of the writers who inspired me and still provide a model for my work.
A rousing tale of a scarred count sent to revitalize a dilapidated province in an alternate-world version of medieval France, this gem by Brittain and Bouchard features the interaction of religion and magic, engaging characters, a budding romance, and a whodunit worthy of a mystery novel. I especially liked the friendship between the Count and a magically-talented monk and how the authors handled the relationship between the Church and wizardry (a trait of Brittain’s other works from the Yurt series). Since it’s the first in a series, there is a follow-on and hopefully, more to come.
Magic, heresy, and treachery: Count Galoran must face them all to keep his high castle. - Galoran is a scarred warrior and younger son, cast aside by the emperor when his days of service seem over. - Melchior is a priest trained in the difficult and highly dangerous magical arts, with dark family secrets to hide. The two are thrown together when Galoran unexpectedly inherits the castle and county of Peyrefixade, and Melchior is assigned as his spiritual advisor. Galoran soon learns that others covet his castle, the heretics who were supposed to have been defeated in the great war…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
Tolkien and Lewis got their hooks into me when I was a teen and this led me to spend many hours playing RPGs, devouring fantasy novels by the armful. Unfortunately, many books were disdainful of faith (particularly of the medieval European variety) but the respectful ones inspired me. Years later, I decided to write my own novels and add a science-based perspective from 20+ years as an engineer. The result is a series of 5 epic fantasy novels. I have plans for more, branching out into sci-fi, romance, children’s books, and historical fiction. My recommendations showcase a few of the writers who inspired me and still provide a model for my work.
A young college student with confidence issues and a knack for verse is transported to a fantasy world where he finds a beautiful queen under siege by a multitude of malevolent actors, a set of unusual companions, and an environment wherein poetry is literally magical. Stasheff’s treatment of faith and magic is thoughtful, his characters interesting and the plot engrossing. I particularly like rooting for the protagonist as he grows, learns, and overcomes. The magic system based on poetry is pure gold and the series has stood the test of time: it’s still as fun of a read now as it was when it first came out.
The first of a light fantasy series, by the author of the "Warlock" series. Matt Mantrell finds himself suddenly transported to a world where magic is worked by the reciting of rhymes. Thrown into jail for practising sorcery, he conjures up a drunken dragon and falls in with a beautiful princess.
I started writing romance stories when I was about 15 and it was terrible fan fiction with me as the main character interacting with the “romantic hero,” but after a while, I got tired of that, and then I discovered my author mentor, Anne McCaffery and I began to think about creating actual fantasy characters and having them interact with one another in different worlds. The Stone Harp also let me have somewhat of an extra role in the books. My background in art and graphic design also let me use those skills in designing covers and marketing materials as well as illustrations in The Stone Harp and in other projects currently in the works.
This book is filled with a blend of magic, mages, and medieval mysticism! A complete fan of all things medieval, I found this book at the beginning of my jump into world-building. Kurtz’s character development is stellar and taught me to try even harder to develop characters a reader could love or hate. Throughout the entire “Dernyni” series you find many characters that you grow to care deeply about and some you cheer when they meet their demise!
Magic and mysticism come alive in this magnificent historical fantasy from the New York Times–bestselling author of the Chronicles of the Deryni.
Long before Camber was revered as a saint, he was a Deryni noble, one of the most respected of the magical race whose arcane skills set them apart from ordinary humans in the medieval kingdom of Gwynedd.
For nearly a century, Camber’s family has had little choice but to loyally serve the ruling Festils, Deryni usurpers who employed dark magic to wrest the throne from the rightful Haldane liege.
I’ve been a lover of fantasy stories, mythology, and folklore for a long time, mostly because fully realized fictional settings beyond our world enthralled me. My first forays into writing dwelt on fantasy with a strong historical slant, even when I dabbled in romance. It was also then that I realized my male characters had more chemistry with each other than with the females I’d paired them with. This is how I wound up in fan fiction, where virtually anything goes. During those years, I honed my writing, deepened my fascination with world-building, and crafted stories that would feed the wellspring of my first historical fantasy novel.
It was this book that disabused me of the notion that fantasy had to be written in a specific way, often in highfalutin or profound language. It encouraged me to put my own stories into writing.
Though very much a historical fantasy novel, this book was easy to understand despite the unfamiliar terms and background details of a fantastical universe. I think it’s due to Katheryn Kurtz’s initial use of simple, down-to-earth language and a fairly straightforward story, which, looking back now, was probably aimed at teenagers or young adults. I was sometimes reminded of the first volume of JRR Tolkien’s epic novel, especially because the succeeding books got progressively darker and more complex.
In this introductory book, the world of the Deryni, a race of mortals with magical powers, is fleshed out so well that the kingdom of Gwynedd, its people, and its neighboring realms feel so real that…
In the kingdom of Gwynedd, the mysterious forces of magic and the superior power of the Church combine to challenge the rule of young Kelson. Now the fate of the Deryni -- a quasi-mortal race of sorcerers -- and, indeed, the fate of all the Eleven Kingdoms, rests on Kelson's ability to quash the rebellion by any means necessary . . . including the proscribed use of magic!
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I consider myself both a student of satire and also a master practitioner with an innate and instinctive aptitude for it—like those born with perfect pitch or hand-eye coordination, kind of like an idiot savant, only without the idiot part, hopefully. Satire is the perfect literary platform because it allows both the writer and the reader to explore the landscape of the human experience—the absurdity, the grandeur, the mystery, the dismay—not with a sermon or a polemic or a sigh, but with a laugh and a nodding smile of recognition.
I loved this book because it’s such a great concept.
It’s a delightfully intoxicating cocktail of Cervantes, Ian Fleming, with a twist of Beckett—shaken, not stirred. Fantastically fun and propelled by an extraordinary character who is obviously totally crazy, or maybe that’s just his cover story. An absolutely ingenious concept for a character and a book that is surprising, funny, ludicrously action-packed, yet strangely plausible, weirdly believable, and ultimately, completely enjoyable!
The characters, the locations, the menus, the yachts, the clothes, the witty repartee—I felt a little classier and more sophisticated just from having read it.
"A brilliant homage to everyone's favorite super-spy, and a hilarious, action-packed, made-for-the-movies thriller about a man suavely dancing along both sides of the thin line between heroism and madness." –Matt Forbeck, New York Times bestselling author of Halo: New Blood
James Flynn is an expert shot, a black belt in karate, fluent in four languages and irresistible to women. He's also a heavily medicated patient in a Los Angeles psychiatric hospital. Flynn believes his locked ward is the headquarters of Her Majesty's Secret Service and that he is a secret agent with a license to kill.
I always wanted to be an archaeologist and literally dig up the past, touching objects telling me about people I could never know. Why did Shetland Celts make spherical stone balls? Whose hand held that bone needle? Was that a natural or a sacrificial death? In a different way, using the great gifts of words and imagination, reading historical fiction satisfies the same desire. Yes, that was what it felt like to work for William I, known in his time as William the Bastard; yes, that was how it felt to fear for your partner’s life every time he went to sea or into battle. Please, let these books open your eyes, your mind, too.
Edward Marston is a really prolific writer – he’s written seven or eight series of historical novels.
My personal favourite is the Domesday series, which follows the adventures of a group of men ordered to put right any mistakes in the Domesday Book, which William the Conqueror used to tax his English subjects. En route, Ralph Delchard and his colleagues also find time to solve a brand new crime – proto-private detectives, I suppose. The book roisters along with some strong female characters to lighten the masculine darkness.
The main reason I chose this is because when I read it I contacted the author to say how impressed I was. And then – Reader, I married him!
Hugh Lupus, Earl of Chester, is enraged when his hawk is killed by an arrow in the Forest of Delamere. When two poachers are caught, he orders their execution yet neither of them fired the arrow. As Ralph Delchard and Gervase Bret come to Cheshire to settle a series of disputes between Church and State, they are guests of the Earl. But when they explore the castle and discover that the Prince of Gwynedd is being held there as a hostage, a number of questions arise. Who is trying to rescue him? Why is Idwal, the over-zealous Welsh priest, lurking…
A retired professor, an art historian who taught at Berkeley, Northwestern, and the University of Pennsylvania. Since my main interest is the emergence of Europe from the late Middle Ages and into the Early Modern period around 1500, I naturally gravitate to non-fiction books that engage with the shifting interests and values of that era, and my own books include similar efforts to discuss visual art in relation to religion, literature, politics, and wider contemporary cultural movements. Among my own books I would cite: Rubens, Velázquez, and the King of Spain (with Aneta Georgievska-Shine); Europe Views the World, 1500-1700; and the forthcoming Art and Dis-Illusion in the Long Sixteenth Century.
One of the great works of historical recreation, which reads like a novel but is based on a voluminous study of texts, art, and history. Huizinga recreates the violent tenor and pervasive Christian spirituality of late medieval life, as well as a corresponding chivalric secular side, lived out by French and Burgundian nobility.
This new English translation of Huizinga’s Autumntide of the Middle Ages (Herfsttij der Middeleeuwen) celebrates the centenary of a book that still ranks as one of the most perceptive and in¿uential analyses of the late medieval period. Its wide-ranging discussion of fourteenth and ¿fteenth century France and the Low Countries makes it a classic study of life, culture, and thought in medieval society. The new and now unabridged translation of the original text captures the impact of Huizinga’s deep scholarship and powerful language. The translation is based on the Dutch edition of 1941 – the last edition Huizinga worked on.…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
Vivian Nutton is an emeritus professor of the History of Medicine at UCL and has written extensively on the pre-modern history of medicine. He has lectured around the world and held posts in Cambridge and Moscow as well as the USA. His many books include editions and translations of Galen as well as a major survey of Greek and Roman Medicine, and he is currently writing a history of medicine in the Late Renaissance.
A lively account of the ways in which the philosophical and medical ideas of the Greeks were transmitted to Rome, the Arab world, and medieval Italy. What Plato, Aristotle and Galen had said was often changed and even lost on the way, and only partially recovered in Renaissance Italy. A vivid reminder of the influence of the Greeks over many centuries.
'A lovely debut from a gifted young author. Violet Moller brings to life the ways in which knowledge reached us from antiquity to the present day in a book that is as delightful as it is readable.' Peter Frankopan, author of The Silk Roads
In The Map of Knowledge Violet Moller traces the journey taken by the ideas of three of the greatest scientists of antiquity - Euclid, Galen and Ptolemy - through seven cities and over a thousand years. In it, we follow them from sixth-century Alexandria to ninth-century Baghdad, from Muslim Cordoba to Catholic Toledo, from Salerno's medieval…
