Here are 100 books that Costanza fans have personally recommended if you like
Costanza.
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As well as featuring kick-ass female lead characters, all the books listed delve into why people do what they do – and this has always fascinated me; it’s why I became a journalist. Talking to victims of crime, I was always struck by their strength (and that was never more true than when I fronted an award-winning campaign for victims of domestic abuse). Prior to that, I worked at a high-security men’s prison, and getting to know the prisoners had a profound impact on me. Now, whether reading or writing a book, I love to get under the skin of characters and find their ‘why.’
What’s better than a strong female lead character? A whole cast of them! A group of servants gang together to pull off the ultimate heist, clearing an entire house during a party. How audacious is that?! As soon as I read that premise, I had to find out how on earth they would pull it off.
Rather like an Edwardian, all-women Ocean’s Eleven, the plot has clever twists and turns that kept me turning the pages. I really enjoyed getting to know each one of the gang, too, as they’re all so different, and the book as a whole was such a refreshing take on both historical fiction and the heist genre.
The night of London's grandest ball, a bold group of women downstairs plot a daring revenge heist against Mayfair society in this dazzling historical novel about power, gender, and class
Named a Best Book of Summer by The Washington Post * Good Housekeeping * Harper's Bazaar * Reader's Digest
“Rollicking fun and entirely original... Anyone who relishes a good party gone wrong will devour this.” —Sarah Penner, New York Times bestselling author of The Lost Apothecary
Mrs. King is no ordinary housekeeper. Born into a world of con artists and thieves, she’s made herself respectable, running the grandest home in…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As well as featuring kick-ass female lead characters, all the books listed delve into why people do what they do – and this has always fascinated me; it’s why I became a journalist. Talking to victims of crime, I was always struck by their strength (and that was never more true than when I fronted an award-winning campaign for victims of domestic abuse). Prior to that, I worked at a high-security men’s prison, and getting to know the prisoners had a profound impact on me. Now, whether reading or writing a book, I love to get under the skin of characters and find their ‘why.’
From the very first page of sublime writing, I knew I would love this story. Set in 1839, it features a lot of gothic tropes that really appeal to me: a creepy house, a cemetery, murder, and a charming man who can’t be trusted. But most of all, I loved the lead character, Bonnie–although I didn’t always like her!
Bonnie is a head-strong young woman whose life has been mapped out for her by men–her father, the ancient rector who ‘fell in love with her’ when he baptized her as a baby, and the charming, dangerous Crawford. I felt her frustration, desire for more, anger at never being listened to, and fear. However, clever, ambitious Bonnie is willing to do whatever it takes to survive–and thrive.
'I genuinely could not put this down' - Stacey Halls, author of Mrs England 'A tour de force of a gothic thriller. I devoured it' - Gillian McAllister, author of Wrong Place, Wrong Time 'Taut, propulsive, beautifully done' - Susan Stokes-Chapman, author of Pandora
From Elizabeth Macneal, the Sunday Times bestselling author of The Doll Factory, The Burial Plot is a spellbinding Gothic thriller about murder and manipulation.
London, 1839. With the cemeteries full and money to be made in death, tricksters Crawford and Bonnie survive on wicked schemes and ill-gotten coin. But one blistering evening, their fortunes flip. A…
As well as featuring kick-ass female lead characters, all the books listed delve into why people do what they do – and this has always fascinated me; it’s why I became a journalist. Talking to victims of crime, I was always struck by their strength (and that was never more true than when I fronted an award-winning campaign for victims of domestic abuse). Prior to that, I worked at a high-security men’s prison, and getting to know the prisoners had a profound impact on me. Now, whether reading or writing a book, I love to get under the skin of characters and find their ‘why.’
Call me strange, but I love a book that walks a moral tightrope. This book does just that because it tells the fictionalized but true story of Guilia Tofana, the first documented female serial killer in history.
What she does is abhorrent: poisoning men. But it’s why she did it that caught my interest because she killed men who beat and brutalized their wives, and she operated at a time when there was no redress for these women.
All out of options, desperate, and in terror of their lives, they would turn to Guilia. I found myself both repelled by her and drawn to her, and I couldn’t put this book down until the final page…
Discover the dark and gothic historical novel inspired by the true story of Giulia Tofana, the first documented female serial killer in history. Perfect for fans of The Familiars and The Lost Apothecary.
'A mesmerizing story of power and subjugation... gripping and poignant from beginning to end' - LAURA CARLIN
'Gorgeous. . . brimming with rich detail and intrigue.' C. J. COOKE
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Murderer or saviour? You decide. . .
Rome, 1656
In the shadowy backstreets of the Eternal City lies an apothecary's shop - a place for women to take their heartbreaks and troubles. Herbs for childbirth. Tarot readings…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As well as featuring kick-ass female lead characters, all the books listed delve into why people do what they do – and this has always fascinated me; it’s why I became a journalist. Talking to victims of crime, I was always struck by their strength (and that was never more true than when I fronted an award-winning campaign for victims of domestic abuse). Prior to that, I worked at a high-security men’s prison, and getting to know the prisoners had a profound impact on me. Now, whether reading or writing a book, I love to get under the skin of characters and find their ‘why.’
Complex, clever, and cunning Gruoch is fighting for her survival and the crown of the ancient kingdom of Scotland–and she isn’t going to let anything or anyone get in her way.
She has no one to look out for her, so she must take on the world herself, and no matter what was thrown at her, she kept on, as single-minded as ever–and I kept cheering her for that, despite her villainy.
LONGLISTED FOR THE CWA HISTORICAL ASSOCIATION DAGGER 2024
LONGLISTED FOR THE GOLDSBORO GLASS BELL AWARD 2024
'Suspenseful, atmospheric and full of twists and turns, I loved the brutal, backstabbing world that Isabelle Schuler conjures up where only the most ruthless can survive' - Jennifer Saint
'Dazzlingly clever and difficult to put down' i
Power. History. Love. Hate. Vengeance.
She will be Queen. Whatever it takes...
Daughter of an ousted king. Descendant of powerful druids. Destined to take her place in history.
As a child, Gruoch's grandmother prophecies that she will one day be Queen of Alba and reclaim the lands…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Bernini shows the culmination of the Baroque era in which the artist himself played a significant part in forming and exposing how art can be an intersection between painting, sculpture, and architecture. The level of detail and expression that he can imbue his sculptures with is an experience in itself. The book also gives insight into his process, internal rules, and definitions of art as well as the historical context behind many of his works. His larger works, along with his smaller, far more personal portrait busts, are all detailed with rich photography showcasing the incredible detail of his work.
Gian Lorenzo Bernini (1598-1680) was the greatest and most influential sculptor of his age. Endlessly inventive and gifted with extraordinary skill, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that perfectly expressed the fervour of Counter-Reformation Rome. Intensity and drama also characterize his remarkable portraits and his world-famous Roman fountains.
Rudolf Wittkower's classic monograph and catalogue raisonne has been the standard established work on Bernini since 1955. It is now available in an updated and expanded edition.…
A so-called “recovering lawyer,” after 20 dreary years shuffling papers, I decided to pursue the Life of the Mind with a degree in Historical Studies at the Graduate Faculty of the New School. For an assignment regarding a significant historian, I chose Frances Yates, whose bookGiordano Bruno and the Hermetic Tradition spoke to me. Culling her papers at the Warburg Institute in London led to her first biography, Frances Yates and the Hermetic Tradition. Since then, I've transformed Dame Frances into a sleuth, who explores other unorthodox faith traditions, accompanied by another “recovering lawyer,” whose story mirrors my own, thus enabling me via bio-fiction to further enhance my spirituality.
Giordano Bruno and the Hermetic Traditionwas published by the University of Chicago Press in 1964, which led me to compile the first biography of the renowned British historian, Frances Yates. In her pivotal study of the 16th-century itinerant Catholic priest, who was burned at the stake in Rome in 1600. Yates revealed a strain of an ancient universal creedless spirituality, which was anathema to the established Church. Yet, five centuries later, spoke to this seeking feminist pilgrim, dissatisfied with traditional patriarchal traditions.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
In my college days, I majored in dance and political science. It was the 1960s, so marrying art with politics made countercultural sense. After realizing I wouldn’t become the next Martha Graham, I chose to pursue a doctoral degree in political science. But I never abandoned my first love, the arts. Following a more than twenty-year career teaching about women and politics at several universities, I returned to school myself, completed an M.F.A. in creative writing, and published my debut novel, Cities of Women.
In seventeenth-century Rome, a talented young woman artist, Artemesia Gentileschi, is put on trial for accusing her painting instructor of rape. Unwilling to bow to convention, Artemesia pours her rage into her art, inventing an aesthetic against the voyeurism and female submissiveness found in traditional artistic representations of women.
Fremantle heightens the drama and contemporary relevance of Artemisia’s life and art by telling her story in the present tense. Drawing subtle connections between women’s struggles for autonomy and dignity in the past and those in the present, this page-turner of a novel is a searing, nuanced portrait of a woman’s passion for art, determination to right being wronged, and steadfast resolve to be recognized as a great artist.
'This is the ring that you gave me, and these are your promises.'
Rome 1611. A jewel-bright place of change, with sumptuous new palaces and lavish wealth on constant display. A city where women are seen but not heard.
Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters - men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She belongs to her father and will belong to a husband.
As Artemisia patiently goes from lesson to lesson, perfecting her craft, a mysterious…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
One of the issues I have sought to counter in my work is our sense of the Romans as boring. At times they even saw themselves that way. We know the Romans by way of their contributions to law, constitutionalism, administration, and oratory. This collection of essays is engaging because of the surprising ways in which Rome not only figures into popular culture, from Broadway to the movies, but is employed in explorations of marginal identities.
The phenomenal success of the recent film Gladiator ensures that ancient Rome will continue to inspire moviemakers and attract audiences as it has done since the dawn of cinema. Indeed, the creators of popular culture have so often appropriated elements of Roman history and society for films and television programs, novels and comic books, advertising and computer games that most people's knowledge of ancient Rome derives from these representations. In Imperial Projections, scholars from a variety of fields-classics, history, film studies, and gender theory-provide an interdisciplinary look at how ancient Rome has been depicted in the media and what these…
I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
The supreme classic of western literature and all that, but what fascinates me is the paradoxes. Here is a poem about success, victory, and empire, yet it is suffused with grief and melancholy. It is an imperfect poem written by a perfectionist; it wears a sovereign authority, but no epic poem seems more personal. None ends so abruptly, yet the ending seems entirely complete. Virgil is a ‘civilised’ poet, literary, self-conscious, and controlled, but he is also intuitive and instinctive: he finds dark and wonderful places, and who can match his sense of mystery, his power to evoke the indescribable? Dryden’s translation is an English classic, or if you prefer a modern version, I recommend Sarah Ruden.
"The translation is alive in every part. . . . This is the first translation since Dryden's that can be read as a great English poem in itself."-Garry Wills, New York Review of Books
This extraordinary new translation of Vergil's Aeneid stands alone among modern translations for its accuracy and poetic appeal. Sarah Ruden, a lyric poet in her own right, renders the classic poem in the same number of lines as the original work-a very rare feat that maintains technical fidelity to the original without diminishing its emotional power.
Ruden's translation follows Vergil's content faithfully, and the economy and…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I studied art history in Florence, Italy, while there for six months during college. I’ve always loved Italy and am fascinated with art and World War II, because my father was a top-turret gunner on a B-17, flying missions over Europe, including on D-Day. WWII historical fiction is my favorite topic to read and write. I write in a variety of genres, from women’s fiction to historical romantic thrillers and romantic suspense to paranormal. My latest project is a cozy mystery series about an American college graduate who goes to work for a flailing Italian art detective agency in Florence and works with her sexy Carabinieri boyfriend (later husband), to solve Nazi stolen art crimes.
She’s known for her crime fiction, but this is her first foray into historical fiction and I fell in love with the book. It doesn’t necessarily have to do with art theft but it’s one of the best WW II books I’ve ever read.
I fell in love with her characters and didn’t want the book to end. She has a new book coming out (March 2023) called Loyalty about the rise of the Mafia in Sicily, which is also fascinating and unforgettable.
#1 bestselling author Lisa Scottoline offers a sweeping and shattering epic of historical fiction fueled by shocking true events, the tale of a love triangle that unfolds in the heart of Rome...in the creeping shadow of fascism.
What war destroys, only love can heal.
Elisabetta, Marco, and Sandro grow up as the best of friends despite their differences. Elisabetta is a feisty beauty who dreams of becoming a novelist; Marco the brash and athletic son in a family of professional cyclists; and Sandro a Jewish mathematics prodigy, kind-hearted and thoughtful, the son of a lawyer and…
