Books like Costanza — picked by fans

What’s better than a strong female lead character? A whole cast of them! A group of servants gang together to pull off the ultimate heist, clearing an entire house during a party. How audacious is that?! As soon as I read that premise, I had to find out how on earth they would pull it off.

Rather like an Edwardian, all-women Ocean’s Eleven, the plot has clever twists and turns that kept me turning the pages. I really enjoyed getting to know each one of the gang, too, as they’re all so different, and the book as a whole was such a refreshing take on both historical fiction and the heist genre. 

From the very first page of sublime writing, I knew I would love this story. Set in 1839, it features a lot of gothic tropes that really appeal to me: a creepy house, a cemetery, murder, and a charming man who can’t be trusted. But most of all, I loved the lead character, Bonnie–although I didn’t always like her!

Bonnie is a head-strong young woman whose life has been mapped out for her by men–her father, the ancient rector who ‘fell in love with her’ when he baptized her as a baby, and the charming, dangerous Crawford. I felt her frustration, desire for more, anger at never being listened to, and fear. However, clever, ambitious Bonnie is willing to do whatever it takes to survive–and thrive.

Call me strange, but I love a book that walks a moral tightrope. This book does just that because it tells the fictionalized but true story of Guilia Tofana, the first documented female serial killer in history.

What she does is abhorrent: poisoning men. But it’s why she did it that caught my interest because she killed men who beat and brutalized their wives, and she operated at a time when there was no redress for these women.

All out of options, desperate, and in terror of their lives, they would turn to Guilia. I found myself both repelled by her and drawn to her, and I couldn’t put this book down until the final page…

Complex, clever, and cunning Gruoch is fighting for her survival and the crown of the ancient kingdom of Scotland–and she isn’t going to let anything or anyone get in her way.

She has no one to look out for her, so she must take on the world herself, and no matter what was thrown at her, she kept on, as single-minded as ever–and I kept cheering her for that, despite her villainy.

Bernini shows the culmination of the Baroque era in which the artist himself played a significant part in forming and exposing how art can be an intersection between painting, sculpture, and architecture. The level of detail and expression that he can imbue his sculptures with is an experience in itself. The book also gives insight into his process, internal rules, and definitions of art as well as the historical context behind many of his works. His larger works, along with his smaller, far more personal portrait busts, are all detailed with rich photography showcasing the incredible detail of his work. 

Giordano Bruno and the Hermetic Tradition was published by the University of Chicago Press in 1964, which led me to compile the first biography of the renowned British historian, Frances Yates. In her pivotal study of the 16th-century itinerant Catholic priest, who was burned at the stake in Rome in 1600. Yates revealed a strain of an ancient universal creedless spirituality, which was anathema to the established Church. Yet, five centuries later, spoke to this seeking feminist pilgrim, dissatisfied with traditional patriarchal traditions.

I really think this book has also been underappreciated and overlooked by students and enthusiasts.

It contains a remarkable (and again) unsurpassed collection of written sources from the Iron Age in regard to the history, culture, and religions of the Celtic speaking peoples of ancient Europe. In some places it focuses on interactions between the Celts and population groups from the Mediterranean and other parts of ancient Europe.

But it also goes into a great deal of detail about the Celts themselves; where they lived; the names and activities of many of their leaders, warriors, druids, and others; and fascinating information about their cultures, beliefs, and religions... in accurate historical context which makes for a very engaging - and at times a surprising read.

Without a proper understanding of the historical realities, and the context from which information derives... whether Greek and Roman accounts, inscriptions, other written sources, archeology, and… show more.

Caracalla was described by Gibbon in his Decline and Fall of the Roman Empire as the “Common Enemy of Mankind.”

But much of what is known about this third-century Emperor was written by Cassius Dio, a Senator who served under him, and hated him. Caracalla certainly committed his fair share of evil deeds, but arguably not to any greater extent than some Emperors who are lauded today such as Augustus, Marcus Aurelius, and Constantine.

Ilkka Syvanne, a Finnish history professor, attempts to rehabilitate Caracalla’s reputation, with mixed success. You may not agree with all his arguments and conclusions, but you will learn a lot about a fascinating Emperor.

My own copy is covered with notes and highlights as a vital source for my Imperial Assassin series. 

This book is a treasure-trove of wise and gorgeous sentences—like, “Knowledge of Rome must be physical, sweated into the system, worked up into the brain through the thinning shoe-leather. Substantiality comes through touch and smell, and taste, the tastes of different dusts.”

Like the Eternal City, A Time in Rome by the Irish-British novelist Elizabeth Bowen doesn’t fit into tidy categories.

Is it a guidebook to the city? Is it a memoir? Is it a history of Rome? Yes and no.

Though I can’t quite put my finger on what it is, I love it. It’s a perfect book for reveries over a mid-morning caffé.

I never miss an opportunity to recommend this book for its broad scope and human courage.

It’s such an immersive and very human story full of adventure, challenge, will, and passion. Auriane is brought to such exquisite life as a woman born to a destiny meant to free the people she loves.

This book lands on my list for a call to destiny answered by love because Auriane’s life is an example of how we can’t see ourselves, or how we often don’t know where to fit, whom to challenge, and where to connect—but we find our way by being relentlessly devoted to doing what feels right to us, guided by that internal flame until we unite with the force that gives us a purpose, place, meaning.

Often, if not always, that destiny is deeply anchored in love. 

For Auriane, that love is her tribe, and her community, family, friends,… show more.