Here are 100 books that Conquest fans have personally recommended if you like
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I spent most of my childhood hiding under the table reading science fiction and fantasy books to avoid having to communicate with the weird people claiming to be my family up in the world above. After a while, the local library turned me away saying they had no more books left on those shelves, so I started writing my own. I like a mix of urban themes like in Angie Thomas’s The Hate U Give and dystopias like George Orwell’s 1984. That said, I love most futurist novels that have a love story at their centre, because despite everything I’m a romantic.
This is a bit of a cheat selection because it’s a set of short stories and not all of them are speculative or future-focused. Still, sometimes cheating is worth it.
Okoije has a wonderfully warped imagination and a wide-ranging set of edgy interests that seed her stories with such invention and energy that she expands your idea of what a good story can do.
Fancy some fluorescent, scaly fish wriggling out of mouths? Try ‘Outtakes’. Want to hear from a girl with a long, furry grey tail? Have a read of ‘Animal Parts’. Keen on psychopaths with a penchant for sending unsuspecting women poetry? Then ‘Fractures’ will float your boat.
Why Okoije is not a major literary star I have no idea. But I love her writing the way I love cream cakes.
"Precise and illuminating." - Bernardine Evaristo OBE.
Shortlisted for the Edge Hill Short Story Prize, the Saboteur Awards, the Shirley Jackson Award and the Jhalak Prize.
Lovelorn aliens abduct innocent coffee shop waitresses. Ghosts of errant Londoners haunt the Underground, caught between here and the hereafter. Brave young women seek erotic empowerment... at their own peril.
These are the worlds of Speak Gigantular, the startling debut short story collection from acclaimed author Irenosen Okojie MBE. Understated in her humour and razor-sharp in her observations of humankind, Okojie's eclectic anthology offers an unflinching gaze into the darkest corners of the human…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I took an early plunge into literature because of my very smart, highly literate parents, and it shaped my young brain. When my brilliant mother came down with Alzheimer’s, I had been a professional published writer for years, with a penchant for the non-pollyanna side of life. Here was the perfect subject matter. My aim was to take on her disintegration and downfall and turn it into art, to produce something as pitiless and unladylike as the disease itself. If people learn something about Alzheimer’s by reading it, that’s fine. But my larger purpose was to do her (and my) ordeal justice via the powers she bestowed on me.
Mary Durant was my mother. This was her first novel, published in 1963. When I read it, the proverbial light bulb popped to life in my very young head: I recognized the real-life people and events upon whom the characters and plot were based, and because of that familiarity, saw the way my mother had changed things around, invented circumstances, conversations and fashioned composite characters to create a story. It was a behind-the-scenes crash course in the art of fiction-writing, the marvelous synthesis by which the novelist spins fact and invention into literature. And I understood that really good fiction, though technically a "made up" story, is always imbued with Truth with a capital "T," and that great writing and Truth are inextricably intertangled.
My mother was a first-rate writer and reader, and because of her, I was initiated into the quasi-secret bandwidth of real literature. The key: it’s all…
I was one of those kids who wanted to understand everything. Early on, I worked at a research laboratory and majored in biology. When studies in religion and philosophy offered an even deeper level of inquiry, I turned to archeology, anthropology, psychology, and linguistic analysis. Over the years, I was a counselor for people at the end of life, taught college philosophy, and a cultural approach to religion. I have traveled throughout western Kenya, Guyana, New Zealand, Alaska, and Labrador. I also listened for the stories of the people. Additionally, I have sailed for more than forty years. I write about what I know, and about what still puzzles me.
Hang-gliding is a literal leap of faith. You jump from terra firma and hope that the wind rises beneath your airfoil. Running from Safety is the author’s leap of faith, and, by extension, the readers. “Have you ever met anybody…like the people in your books?” This is the cryptic question that begins this life exploration.
As a writer myself, I know that every character in my books is me. Bach knows this, too. But do we really learn from the collection of stuff we hold inside, stuff that is our history? The book begins when Bach is confronted by Dickie, his child-self. The boy asks for one thing: He wants his adult self to sign off on the meaning of life contained in his eight-year-old vision of maturity. Bach is appalled at his simple naiveté. What should you tell your younger self?
A half-mile up, suspended by nylon wings and the promise of good lift, life hanges on a pledge. Richard Bach made that pledge, fifty years before, to return to the frightened child he used to be and teach him everything he had learned from living. His promise went unfulfilled until one day, hovering between earth and sky, Richard encounters Dickie Bach, age nine--irrepressible challenger of every notion Richard embraces....
In this exhilarating adventure, Richard and Dickie probe the timeless questions both need answered if either is to be whole: Why does growing spiritually mean never growing up? Can we peacefully…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
During my medical career, specializing as a psychiatrist in a cancer hospital in England, I observed huge variations in the way patients respond to the diagnosis of physical disease. Some become overwhelmed by distress, some carry on just as before, but others make positive and creative changes that are inspiring to witness. Coping can be especially challenging and complex for clinicians who find themselves in the role of patient. My five chosen books are all written by doctors and illustrate how the illness experience has shaped their lives. Now retired from medicine, I am based in New Zealand, and I have interests in writing, choral singing, and animal welfare.
I studied this 1930s text, a classic in the theory of holistic healing, as part of my training as a Bach flower remedy practitioner. Bach was working as a medical doctor when he was reportedly diagnosed with terminal abdominal cancer. He determined to make an original contribution to medicine before he died, and recovered.
Convinced that most illness is rooted in psychological and spiritual imbalance, Bach devoted his life to developing a natural method of treating the person, not the disease—a series of 38 flower essences designed to balance emotions and personality. I don’t accept all of Bach’s philosophy, but I do know that his remedies work.
Dr Bach reveals the vital principles that are influencing some of the more advanced members of the medical profession today and will guide medical practice in the near future.
I’m a professor of philosophy at the University of Maryland interested in politics, ethics, and art. Philosophers are often unpopular loners who are passionate about their ideas, and so are musicians like Bach. When I teach Socrates and the trial that led to his death I can’t help but think of Bach, who was rejected from job after job in favor of mediocrities, and whose music was considered offensive by parishioners and obsolete by musicians by the end of his life. These figures endear themselves to me not just because of the ideas themselves, but because they had to fight so hard for what they believed in.
Most people think of Bach as a church composer, but the broader political context was that of Frederick the Great and the Enlightenment.
Bach was rationalizing music as much as he was putting it to liturgical use. The great cycles of the Well-Tempered Clavier and the Art of the Fugue are science as well as art. This book explores that idea by focusing on a bizarre encounter between Frederick and Bach, when he was invited to play for the king, in what may have been an early attempt at trolling.
In one corner, a godless young warrior, Voltaire's heralded 'philosopher-king', the It Boy of the Enlightenment. In the other, a devout if bad-tempered old composer of 'outdated' music, a scorned genius in his last years. The sparks from their brief conflict illuminate a turbulent age.
Behind the pomp and flash, Prussia's Frederick the Great was a tormented man, son of an abusive king who forced him to watch as his best friend (probably his lover) was beheaded. In what may have been one of history's crueler practical jokes, Frederick challenged "old Bach" to a musical duel, asking him to improvise…
I am an award-winning composer, author, and educator. Since 1990 I have had the privilege of teaching others about music through my concerts, children’s books, academic books, lessons, and online courses.
This book is from a series of books entitled Getting to Know the World’s Greatest Composers, which features many different composers. The books are easy to read and will be enjoyed by both younger readers and older readers alike. The cartoon-style artwork may look silly, but the material is informative. Music education would not be complete without some information on the composers who wrote the music. A great series!
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a professor of philosophy at the University of Maryland interested in politics, ethics, and art. Philosophers are often unpopular loners who are passionate about their ideas, and so are musicians like Bach. When I teach Socrates and the trial that led to his death I can’t help but think of Bach, who was rejected from job after job in favor of mediocrities, and whose music was considered offensive by parishioners and obsolete by musicians by the end of his life. These figures endear themselves to me not just because of the ideas themselves, but because they had to fight so hard for what they believed in.
Bach the church mouse and Wagner the megalomaniac had more in common than people imagine.
They both favored dense, contrapuntal textures with central themes and motifs, and both had an irrepressible personal energy, albeit manifested differently. This book digests the philosophical aspects of music in unpretentious language that saves you from having to read Schopenhauer (phew!).
It makes you more interested in both philosophy and music by showing how to two are connected in Wagner.
Richard Wagner's devotees have ranged from the subtlest minds (Proust) to the most brutal (Hitler). The enduring fascination with his works arises not only from his singular fusion of musical innovation and theatrical daring, but also from his largely overlooked engagement with the boldest investigations of modern philosophy. In this radically clarifying book, Bryan Magee traces Wagner's intellectual quests, from his youthful embrace of revolutionary socialism to the near-Buddhist resignation of his final years. Magee shows how abstract thought can permeate music and stimulate creations of great power and beauty. And he unflinchingly confronts the Wagner whose paranoia, egocentricity, and…
Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.
Baroque in prose and unabashedly erudite, this scholarly memoir by a Pulitzer Prize-winning arts critic may not be for everyone.
But I adored his uncanny descriptions of musical interpretation (such as Glenn Gould’s “flinty” recording of Bach) along with Kennicott’s prickly asides—“I hate the word ‘healing.’” Following the death of his beloved yet cantankerous mother, Kennicott channels his grief into learning to play Bach’s masterwork, the Goldberg Variations.
For a lapsed pianist in midlife, it’s a Herculean task. Unanswerable questions absorb him along the way: What does it mean to know a piece of music? What does it mean to know another human being? Throughout his musings and often comical childhood memories, Kennicott’s devotion to his Baroque master shines clear: “If Bach’s Goldberg Variations are not great, then nothing is.”
As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn't seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. For him, Bach's music held the elements of both joy and despair, life and its inevitable end. He spent the next five years trying to learn one of the composer's greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge, and to fight through his grief by coming to terms with his…
I’ve always loved fairytales, whimsical stories, and mysteries. Plus, I’m passionate about mind-expanding, heart-opening books that offer me new ways to understand myself and the Universe we live in. And I particularly like books that show me ways to have more of what brings me joy and pleasure. When I can get all of this in a novel I’m in heaven.
For me this is an unforgettable, compelling story about love, romance, and magic!
This book is a beautiful, metaphysical love story that opened my eyes to the possibilities of soulmates and that not only does love exists, but it can also be accessed through time travel, inter-dimensional travel, and leading multiple lives at once!
Reading it reinforced my belief that love never dies and that love is both pre-destined and has a free will component.
I gave my life to become the person I am right now. Was it worth it?
Would we change if we knew what waits beyond space and time?
“With One, the ninth novel from the ever spiritual and imaginative author of Jonathan Livingston Seagull, [Richard] Bach continues his quest for a deeper understanding of human nature. . . . Although the elements of a great science fiction novel are present, the plot is secondary to the novel's theme of humanity's ability to control destiny”—The Boston Herald
“If you have ever tried to judge a book by its cover . .…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
For a long time I’ve been fascinated by the challenge of writing novels with strong female protagonists—this is what I set out to do with my books Romance Language and The Diplomatic Coup. Is a male author capable of doing this? Read the books and judge for yourself. I’m fascinated by history, politics, and the pursuit of power both in real life and fiction. Lately, I’ve become more alarmed about the threat posed to the world by a resurgent Russia determined to undermine western democracy and that interest also influenced my choices. As a former journalist, I covered some of the world’s most important leaders and biggest stories and got to see them operating firsthand.
This is a wonderful historical novel. A woman trying to recover from a personal tragedy is bequeathed a mysterious manuscript. It turns out to be the score of a previously unknown cantata by Bach—but there is a problem. The lyrics contain hateful anti-Semitic texts. What is she to do? Publish the score and allow this music to be heard—along with the awful words—or suppress it? The author traces the history of the manuscript and how it came into the possession of the heroine. We meet many strong women as we travel 200 years into the past and learn much about the history of Jews in Germany, about Bach and his times, Mendelssohn and his times as well as World War Two. This is a fascinating book featuring several inspiring female characters and is rich in historic background and steeped in music.
The New York Times bestselling author of A Fierce Radiance and City of Light returns with a powerful and passionate novel—inspired by historical events—about two women, one European and one American, and the mysterious choral masterpiece by Johann Sebastian Bach that changes both their lives.
In the ruins of Germany in 1945, at the end of World War II, American soldier Henry Sachs takes a souvenir, an old music manuscript, from a seemingly deserted mansion and mistakenly kills the girl who tries to stop him.
In America in 2010, Henry’s niece, Susanna Kessler, struggles to…