Here are 90 books that Speak Gigantular fans have personally recommended if you like
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I’ve been obsessed with apocalyptic and dystopian stories for over a decade. For me, they are the books that strike right at the heart of what it means to be human. Reading about characters facing the very worst scenarios possible brings love, resilience, survival, and hope into sharp relief. Not to mention that they are often the most powerful page turners—I have lost so much sleep over these cautionary tales, staying up until the early hours, unable to put them down.
I’ve read this book twice and cried buckets both times.
It is a masterpiece – brutal and unflinching but also maintaining a kernel of hope as the man crosses a devastated landscape with his son, trying to keep him alive against the odds. The prose is stunning and piercing. There are some very disturbing parts of the story, but what shines through for me is human resilience, determination, and love.
I will absolutely read The Road again, but I have to leave a recovery gap between reads!
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
Published in 1995, Parable starts in July 2024 amidst the election of an autocrat who, by the sequel Parable of the Talents, literally pledges to “make America great again.” I started my platform in 2015 in the same context.
This novel pulled me into its harrowing tale of how to survive civilizational collapse: the dismantling of systems, norms, and climate change that we are all currently going through.
The lesson is ultimately about embracing change, caring for and trusting each other in community, and coming up with our own ways of being together. So many of our ancestors have survived periods of collapse by the same principles. These ancestral lessons still guide me, and I believe are critical to surviving AI dystopia.
The extraordinary, prescient NEW YORK TIMES-bestselling novel.
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Unnervingly prescient and wise' YAA GYASI
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We are coming apart. We're a rope, breaking, a single strand at a time.
America is a place of chaos, where violence rules and only the rich and powerful are safe. Lauren Olamina, a young woman with the extraordinary power to…
I spent most of my childhood hiding under the table reading science fiction and fantasy books to avoid having to communicate with the weird people claiming to be my family up in the world above. After a while, the local library turned me away saying they had no more books left on those shelves, so I started writing my own. I like a mix of urban themes like in Angie Thomas’s The Hate U Give and dystopias like George Orwell’s 1984. That said, I love most futurist novels that have a love story at their centre, because despite everything I’m a romantic.
An under-recognised gem of a novel, The Testament… showcases Jane Roger’s character-building talents and has at its core a troubled moral position about how to deal with the calamity humanity is faced with, owing to some bio-engineered terror that has been unleashed.
There is no middle ground for this book. You will either love it or hate it. Same goes for the main character, Jessie. She will strike you as the epitome of heroic self-sacrifice, else the height of stupid, navel-gazing, teenage self-indulgence.
“The novel does not set up an elaborate apocalypse, but astringently strips away the smears hiding the apocalypses we really face. Like Jessie’s, it is a small, calm voice of reason in a nonsensical world.” ―The Independent
Set in a world altered by an act of biological terrorism, comes The Testament of Jessie Lamb, a chilling dystopian novel that follows a 16-year-old girl who is driven to the ultimate act of heroism.
The Testament of Jessie Lamb, is the breakout novel from award-winning author Jane Rogers. Its cunningly drawn characters and riveting vision of…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I spent most of my childhood hiding under the table reading science fiction and fantasy books to avoid having to communicate with the weird people claiming to be my family up in the world above. After a while, the local library turned me away saying they had no more books left on those shelves, so I started writing my own. I like a mix of urban themes like in Angie Thomas’s The Hate U Give and dystopias like George Orwell’s 1984. That said, I love most futurist novels that have a love story at their centre, because despite everything I’m a romantic.
This book is family. And like family, the main character, Marti is both maddening (choose any from heartless, obnoxious, selfish, cruel, deluded, vain…) and yet somehow also loveable.
Marti makes no effort to have you the reader like her, in fact she goads you to hate her, to reject her, to join the rest of society in putting her out with the trash. Despite herself, she emerges from the trauma of her awful journey with a completely unexpected heroic status. That’s the central paradox of this book and the genius of Melvin Burgess: Forget the dystopian ultra-right wing takeover plot.
You will scratch your head at the end of the story and think, how did I end up loving Marti?
The Bloods are in control and they're desperate to turn Britain into the world they want to see: right, white, Christian supremist. Anyone who they call abnormal is a target. Amidst the chaos of civil war the country is on the move as small militia groups fight each other and a sea of refugees escapes the cities and the pursuing Bloods.
When her home is destroyed in a bombing raid, Marti must strike out on a mission of her own - to save her father and get his vital software into the right hands. But Marti is mixed race and…
Fashion historian Kimberly Chrisman-Campbell is the author of Fashion Victims: Dress at the Court of Louis XVI and Marie-Antoinette, Worn on This Day: The Clothes That Made History, and The Way We Wed: A Global History of Wedding Fashion. She is working on a biography of designer Chester Weinberg.
This began as an authorized biography, but Westwood proved such a slippery subject that journalist Mulvagh wisely decided to proceed without the designer’s cooperation. The result is a warts-and-all portrait of the important, eccentric, and often infuriating designer, from her scrappy, sloppy punk roots to her current status as the kooky grande dame of British fashion. She’s surrounded by an equally chaotic and colorful cast of feckless boyfriends, gurus, and musicians; London in the 70s and 80s is a character in its own right. Westwood’s raw talent shines through a litany of bad decisions, controversies, and copycats.
The acclaimed biography of one of England's great eccentrics and leading fashion designers, reissued in an updated edition to coincide with a major exhibition of Westwood's work at the Victoria & Albert Museum.
For three decades, Vivienne Westwood has been Britain's most consistently original, outrageous, eccentric and controversial designer. In that time she has evolved from an iconoclastic outsider to an internationally revered figure, with two British Designer of the Year awards, an OBE, her own successful fashion label and an unrivalled reputation for leading where other designers follow.
Her lifestyle could scarcely be in greater contrast to the opulence…
Until the millennium, I was a features journalist with an abiding fascination in Sixties counter-culture. Being a friend of Pink Floyd’s David Gilmour, I heard Syd’s story first-hand.
After having my own breakdown and psychiatric treatment, I decided to apply my experience and interests in writing an account of Syd’s short but sweet creative life.
With Gilmour’s tacit blessing, his contemporaries – including Floyd co-founder Roger Waters – gave me access. And through interviewing them, I came to my own understanding of Barrett: by turns a crazy diamond and a dark globe.
No one captures the self-loathing and paradoxical liberty of the moneyed junkie as well as St Aubyn (except perhaps Anna Cavan). The second novel in his almost-autobiographical Patrick Melrose series, Bad News finds our fucked-up anti-hero on a gargantuan smack binge in New York at the age of 22. How the author – now clean – can reconstruct his frame of mind is remarkable; how he can do it with such precision and wit is mind-blowing.
Bad News is the second of Edward St Aubyn's semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.
Twenty-two years old and in the grip of a massive addiction, Patrick Melrose is forced to fly to New York to collect his father's ashes. Over the course of a weekend, Patrick's remorseless search for drugs on the avenues of Manhattan, haunted by old acquaintances and insistent inner voices, sends him into a nightmarish spiral. Alone in his room at the Pierre Hotel, he pushes body and mind to the very edge -…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
Nobody tops Loretta Chase when it comes to writing a woman on a mission. Leonie Noirot comes from a long line of swindlers and con artists, but her business sense at fashion is no fake. When she runs up against a man who thinks he can both outsmart her and humble her, just because he’s a wealthy marquess, well… he’s in for a revelation. Leonie’s determined to win their bet and make her own fortune, and then fall in love. Simply marvelous.
A dangerous wager... A seductive nobleman... When Leonie Noirot first meets devastatingly handsome Simon Blair, the fourth Marquess of Lisburne, she literally falls into his strong arms!
However, Leonie simply has no time for his wickedly charming lordship. The pretty redhead is obsessed with her business - turning the ladies of society into beautifully dressed swans. Until the bet...
Logical Leonie has to agree; if Lisburne's cousin, Lady Gladys, is not transformed, Leonie must spend two weeks at Lisburne's pleasure...
I love historical fiction which brings the past to life and allows us to experience other historical periods. For me, historical crime fiction combines this with dynamic plots and interesting characters. My love of history was first kindled by the books of John Prebble which introduced me to the fascinating world of 17th-century Scotland. I went on to study Scottish History at university and research a PhD in the subject. I have gone on to write a history of the Darien Disaster, The Price of Scotland, and a series of historical crime novels set in the late 17th century featuring investigative advocate John MacKenzie and his sidekick Davie Scougall.
The Seekertakes us through the streets of Cromwellian London in the 1650s, a period rarely considered by historical crime novelists, but one of paranoia as Cromwell’s regime struggles to crush the enemies seeking to overthrow it. The novel introduces the character of Captain Damian Seeker, Cromwell’s mysterious agent who is a force to be reckoned with.
Winner of the 2015 CWA Endeavour Dagger for Historical Fiction
London, 1654. Oliver Cromwell is at the height of his power and has declared himself Lord Protector. Yet he has many enemies, at home and abroad.
London is a complex web of spies and merchants, priests and soldiers, exiles and assassins. One of the web's most fearsome spiders is Damian Seeker, agent of the Lord Protector. No one knows where Seeker comes from, who his family is, or even his real name. All that is known of him for certain is that he is utterly loyal to Cromwell, and that…
Back in the dark ages, before the internet and cell phones, the most common form of off-duty soldiers’ entertainment was reading. I read pretty much anything I could get my hands on, but I was always most excited to read fantasy and science fiction. If a book has a wild new world, magic, or tech, I’m in and usually can’t get enough. I remain a cross-genre reader to this day, but fantasy and science fiction always feel like home. Bonus points for dragons.
Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff.
In this heroic gaslamp fantasy, superhuman abilities bring an adventurous new dimension to 1820 London, where an outlaw speedster and a master of illusion do battle to decide who will own the city.
Think being a superhero is hard? Try being the first one.
Will’s life is a proper muddle—and all because he was “accidentally” inflicted with the ability to run faster and leap higher than any human ever. One minute he’s a blacksmith’s apprentice trying to save his master from debtor’s prison. The next he’s accused of murder and hunted as a black-hearted highwayman.
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
What is it about women in their forties, fifties and beyond? What’s that you say? They feel invisible? A bit boring? Something about menopause? No, actually, I was going to say they’re absolutely bloody brilliant. That’s why (especially after entering my own fifth decade) I wondered where all the kickass midlife women were on TV and in literature. One editor admitted to me once that it was ‘safer’ to write about younger women, that people weren’t so drawn to the midlife heroine. But the more I thought about it, the more I realised how many great stories just weren’t being told.
This poignant, tragi-comedy of a novel is
both relatable and uplifting.
And though the protagonist is going through a bit
of a crisis, it’s ultimately a story of a woman finding herself and coming into
her own.
Grace’s relationship with her teenage daughter is so well described –
as mum of a teen girl I recognised the sadness she felt when she realised her
daughter needed her less than she’d used to.
