Here are 89 books that Speak Gigantular fans have personally recommended if you like
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I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.
I love this book because it explores the end of the world in the most intimate and emotional way possible.
What moved me deeply was not the apocalypse itself, but the quiet relationship between father and son, trying to preserve goodness in a world where goodness no longer seems to matter. I felt a constant weight while reading, as if hope itself was fragile and rare.
It made me reflect on what it truly means to carry faith and humanity when everything else is gone.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
Published in 1995, Parable starts in July 2024 amidst the election of an autocrat who, by the sequel Parable of the Talents, literally pledges to “make America great again.” I started my platform in 2015 in the same context.
This novel pulled me into its harrowing tale of how to survive civilizational collapse: the dismantling of systems, norms, and climate change that we are all currently going through.
The lesson is ultimately about embracing change, caring for and trusting each other in community, and coming up with our own ways of being together. So many of our ancestors have survived periods of collapse by the same principles. These ancestral lessons still guide me, and I believe are critical to surviving AI dystopia.
The extraordinary, prescient NEW YORK TIMES-bestselling novel.
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Unnervingly prescient and wise' YAA GYASI
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We are coming apart. We're a rope, breaking, a single strand at a time.
America is a place of chaos, where violence rules and only the rich and powerful are safe. Lauren Olamina, a young woman with the extraordinary power to…
I spent most of my childhood hiding under the table reading science fiction and fantasy books to avoid having to communicate with the weird people claiming to be my family up in the world above. After a while, the local library turned me away saying they had no more books left on those shelves, so I started writing my own. I like a mix of urban themes like in Angie Thomas’s The Hate U Give and dystopias like George Orwell’s 1984. That said, I love most futurist novels that have a love story at their centre, because despite everything I’m a romantic.
An under-recognised gem of a novel, The Testament… showcases Jane Roger’s character-building talents and has at its core a troubled moral position about how to deal with the calamity humanity is faced with, owing to some bio-engineered terror that has been unleashed.
There is no middle ground for this book. You will either love it or hate it. Same goes for the main character, Jessie. She will strike you as the epitome of heroic self-sacrifice, else the height of stupid, navel-gazing, teenage self-indulgence.
“The novel does not set up an elaborate apocalypse, but astringently strips away the smears hiding the apocalypses we really face. Like Jessie’s, it is a small, calm voice of reason in a nonsensical world.” ―The Independent
Set in a world altered by an act of biological terrorism, comes The Testament of Jessie Lamb, a chilling dystopian novel that follows a 16-year-old girl who is driven to the ultimate act of heroism.
The Testament of Jessie Lamb, is the breakout novel from award-winning author Jane Rogers. Its cunningly drawn characters and riveting vision of…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I spent most of my childhood hiding under the table reading science fiction and fantasy books to avoid having to communicate with the weird people claiming to be my family up in the world above. After a while, the local library turned me away saying they had no more books left on those shelves, so I started writing my own. I like a mix of urban themes like in Angie Thomas’s The Hate U Give and dystopias like George Orwell’s 1984. That said, I love most futurist novels that have a love story at their centre, because despite everything I’m a romantic.
This book is family. And like family, the main character, Marti is both maddening (choose any from heartless, obnoxious, selfish, cruel, deluded, vain…) and yet somehow also loveable.
Marti makes no effort to have you the reader like her, in fact she goads you to hate her, to reject her, to join the rest of society in putting her out with the trash. Despite herself, she emerges from the trauma of her awful journey with a completely unexpected heroic status. That’s the central paradox of this book and the genius of Melvin Burgess: Forget the dystopian ultra-right wing takeover plot.
You will scratch your head at the end of the story and think, how did I end up loving Marti?
The Bloods are in control and they're desperate to turn Britain into the world they want to see: right, white, Christian supremist. Anyone who they call abnormal is a target. Amidst the chaos of civil war the country is on the move as small militia groups fight each other and a sea of refugees escapes the cities and the pursuing Bloods.
When her home is destroyed in a bombing raid, Marti must strike out on a mission of her own - to save her father and get his vital software into the right hands. But Marti is mixed race and…
Fashion historian Kimberly Chrisman-Campbell is the author of Fashion Victims: Dress at the Court of Louis XVI and Marie-Antoinette, Worn on This Day: The Clothes That Made History, and The Way We Wed: A Global History of Wedding Fashion. She is working on a biography of designer Chester Weinberg.
This began as an authorized biography, but Westwood proved such a slippery subject that journalist Mulvagh wisely decided to proceed without the designer’s cooperation. The result is a warts-and-all portrait of the important, eccentric, and often infuriating designer, from her scrappy, sloppy punk roots to her current status as the kooky grande dame of British fashion. She’s surrounded by an equally chaotic and colorful cast of feckless boyfriends, gurus, and musicians; London in the 70s and 80s is a character in its own right. Westwood’s raw talent shines through a litany of bad decisions, controversies, and copycats.
The acclaimed biography of one of England's great eccentrics and leading fashion designers, reissued in an updated edition to coincide with a major exhibition of Westwood's work at the Victoria & Albert Museum.
For three decades, Vivienne Westwood has been Britain's most consistently original, outrageous, eccentric and controversial designer. In that time she has evolved from an iconoclastic outsider to an internationally revered figure, with two British Designer of the Year awards, an OBE, her own successful fashion label and an unrivalled reputation for leading where other designers follow.
Her lifestyle could scarcely be in greater contrast to the opulence…
There was a time when women had to use pseudonyms or otherwise pretend to be men to get published. These days, especially in the urban fantasy genre, it seems like there are more female authors and female main characters than male ones! I love dynamic main characters, male or female, and every one of these books has stellar characters with a great story. I wanted to mention so many other authors, but I have narrowed it down to these five. I hope you enjoy my list.
The Alex Versus series's world-building, magic, and plots are very complex and layered. This is some seriously well thought out urban fantasy.
The main character, Alex, is basically an instant seer, able to see multiple consequences of diving left versus right, shooting someone, running, etc. He doesn’t always have time to evaluate his choices before having to make a decision. And often, there’s no out without loss or a high price to be paid.
The back story is cleverly woven into the plot and is never boring. This series has one of my favorite side characters ever written—an arachnid with startling insight and wisdom.
The start of a compelling new urban fantasy series based in Camden, featuring Alex Verus - a mage with a dark past who can see the future . . .
***The million-copy-selling series***
'Harry Dresden would like Alex Verus tremendously - and be a little nervous around him. I just added Benedict Jacka to my must-read list. Fated is an excellent novel, a gorgeously realized world with a uniquely powerful, vulnerable protagonist. Books this good remind me why I got into the storytelling business in the first place' Jim Butcher, author of the Dresden Files
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
Until the millennium, I was a features journalist with an abiding fascination in Sixties counter-culture. Being a friend of Pink Floyd’s David Gilmour, I heard Syd’s story first-hand.
After having my own breakdown and psychiatric treatment, I decided to apply my experience and interests in writing an account of Syd’s short but sweet creative life.
With Gilmour’s tacit blessing, his contemporaries – including Floyd co-founder Roger Waters – gave me access. And through interviewing them, I came to my own understanding of Barrett: by turns a crazy diamond and a dark globe.
No one captures the self-loathing and paradoxical liberty of the moneyed junkie as well as St Aubyn (except perhaps Anna Cavan). The second novel in his almost-autobiographical Patrick Melrose series, Bad News finds our fucked-up anti-hero on a gargantuan smack binge in New York at the age of 22. How the author – now clean – can reconstruct his frame of mind is remarkable; how he can do it with such precision and wit is mind-blowing.
Bad News is the second of Edward St Aubyn's semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.
Twenty-two years old and in the grip of a massive addiction, Patrick Melrose is forced to fly to New York to collect his father's ashes. Over the course of a weekend, Patrick's remorseless search for drugs on the avenues of Manhattan, haunted by old acquaintances and insistent inner voices, sends him into a nightmarish spiral. Alone in his room at the Pierre Hotel, he pushes body and mind to the very edge -…
It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
Nobody tops Loretta Chase when it comes to writing a woman on a mission. Leonie Noirot comes from a long line of swindlers and con artists, but her business sense at fashion is no fake. When she runs up against a man who thinks he can both outsmart her and humble her, just because he’s a wealthy marquess, well… he’s in for a revelation. Leonie’s determined to win their bet and make her own fortune, and then fall in love. Simply marvelous.
A dangerous wager... A seductive nobleman... When Leonie Noirot first meets devastatingly handsome Simon Blair, the fourth Marquess of Lisburne, she literally falls into his strong arms!
However, Leonie simply has no time for his wickedly charming lordship. The pretty redhead is obsessed with her business - turning the ladies of society into beautifully dressed swans. Until the bet...
Logical Leonie has to agree; if Lisburne's cousin, Lady Gladys, is not transformed, Leonie must spend two weeks at Lisburne's pleasure...
Although I currently write romantic women’s fiction, because I came up in the Literary Fiction community, I frequently have writer friends ask me to recommend well-written Romance. Leaving aside the subjectivity of well-written and the snobbery inherent in the suggestion that Romance—a category they’ve admitted to never having read—isn’t generally well-written, I first have to explain that Romance has rules: While we often associate Romance with sex on the page, technically, it’s not a requirement. There are only two requirements, according to the Romance Writers of America: the love story has to be the central storyline of the book; and there has to be a happily ever after (HEA).
You like your small, introspective, architecture-of-a-marriage stories? Well, here’s the Romance version. Nothing really happens, plot-wise. It is simply a masterclass of two characters matched in every way that matters, ready to destroy everything they could potentially have because they’re scared of getting hurt. Humorous. Hot. Nerdy. Incisive. Affecting. This will introduce you to the basic foundation of Historical Romance—essentially, “the marriage plot”—in the quiet way you’re looking for.
From the superbly gifted Sherry Thomas comes this beautifully written romance about a marriage of convenience that turns inconveniently passionate...
Felix Rivendale, the Marquess of Wrenworth, is The Ideal Gentleman, a man all men want to be and all women want to possess. Even Felix himself almost believes this golden image. But underneath is a damaged soul soothed only by public adulation.
Louisa Cantwell needs to marry well to support her sisters. She does not, however, want Lord Wrenworth—though he seems inexplicably interested in her. She mistrusts his outward perfection, and the praise he garners everywhere he goes. Still, when…
I write crime fiction set in the north of England. It’s where I was born and grew up, although for the last 20 years I’ve lived in Spain. I really love novels with a local or regional flavour. The kind of writing that takes you to a specific place, and draws on that place in the action itself. The writers that I chose for this list all do this extremely well. And although their books are set in different locations, they share the sense of the setting almost becoming a character in the story.
Dominic wrote two very good crime books in a short series before publishing Vine Street.
I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.
The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.
What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and…
***BEST CRIME BOOKS OF 2021 - THE TIMES/SUNDAY TIMES*** ***CRIME BOOK OF THE MONTH - THE TIMES***
'Brings the obsessional dread of James Ellroy to 1940s London.' IAN RANKIN
'Extraordinary...a career-defining performance.' THE SUNDAY TIMES
'This is crime writing of the highest quality' DAILY MAIL
SOHO, 1935. SERGEANT LEON GEATS' PATCH.
A snarling, skull-cracking misanthrope, Geats marshals the grimy rabble according to his own elastic moral code.
The narrow alleys are brimming with jazz bars, bookies, blackshirts, ponces and tarts so when a body is found above the Windmill Club, detectives are content to dismiss the case as just another…
