20 Books Like Complete Short Stories

Love, desire, falling too passionately for a married man, the world may be different from when this book was published in 1936, but the angst, the joy, the terror, and the hard choices remain the same.

An intelligent, capable, charismatic woman falls for a handsome, upper-class man, tantalizingly just out of her social and emotional reach. Will he leave his wife and the easy security of a stable relationship? Will love trump duty? Life-changing decisions reach a climax in the office of a back-street abortionist, where the snare of passion and its potentially destructive consequences are laid bare.

Written in lyrical and episodic prose, this is a truly timeless and memorable read.

Elizabeth Taylor—not to be confused with the actress of the same name—has been called ‘the unsung heroine of British twentieth-century fiction.’ I wholeheartedly agree, and Mrs. Palfrey at the Claremont is Taylor at her sublime best. It’s the tale of an elderly woman, wealthy but recently widowed, who’s faced with a choice: "Do I spend my last days in a care home—or check into a grand hotel?" She opts for the latter and finds herself among a group of fascinating characters, each as eccentric as she herself. 

Insightful about the sadness and loneliness of ageing, this book did not make me feel despondent about growing older. On the contrary, it showed me that love, happiness, and a sense of adventure can be ours at any age, if we’re willing to take chances and open our hearts to others.

At last, a book about Elizabeth Taylor that takes her acting skills seriously, analyses her prodigious output, and is neither sensational nor trivial. I was entranced. Like Sybil Thorndike, Taylor’s career lasted 65 years. Kennedy puts it in context, refreshingly focusing on her professional rather than personal life.

Commenting on Who’s Afraid of Virginia Woolf?, he remarks: ‘At some point we have to reject the idea we’re watching the Burtons air their dirty laundry and embrace the possibility we’re watching them act. Brilliantly’. This readable, thoughtful book examines Taylor’s 56 movies and includes television, theatre, and special appearances such as a play reading in 2007, part of her remarkable fund-raising for AIDS.

I fell in love with designer Vicky Tiel’s 2011 memoir because of what I’ll call its “sex-positive” rompiness, which reads like a Swinging Sixties female version of Henry Fielding’s Tom Jones. (I stumbled upon it during research because it includes some of my characters, primarily Mia Fonssagrives, daughter of supermodel Lisa Fonssagrives and stepdaughter of Irving Penn.) 

In the book, Tiel, who made her name designing catsuits, hotpants, and miniskirts, explains how she and Mia went from being design students in New York to “It” fashion designers in Paris pretty much overnight. They have many adventures, bed many men, and pick up practical life advice from models and movie stars like Elizabeth Taylor while growing up. It’s a total period piece but also, it hasn’t aged. With pictures and recipes!  

Time and again, history repeats itself.

Just as Clara Bow, Idina Sackville, and Rebekah Harkness lived wildly glamour lives in the public eye continually shamed for any behavior not fitting for a young woman’s reputation, this book gave me a unique perspective into the bold, brave strength of Elizabeth Taylor – whose parents were from Kansas of all places (although from a time before the Kansas City Chiefs reign). I could not put this book down because the continual shifts in Liz Taylor’s personal and professional life were jarring, inspiring, and mesmerizing.

I started this book to understand better what Taylor Swift saw in Elizabeth Taylor, using her for inspiration in a song titled “Elizabeth Taylor” on The Life of a Showgirl album. I stayed because I needed to know how it ended.

Anton, a former columnist for The Japan Times, grew up in New York City, one of three children raised solely by an African American father. (Her mother was institutionalized due to mental illness.) She studied dance with Martha Graham, modeled for the pages of LOOK magazine at a time when African American models were few and far between, and copy-edited for Joseph Heller. Later, she traveled to Europe where she met Elizabeth Taylor and Richard Burton when she interviewed to be their house-sitter in Gstaad, fell in love and gave birth in Denmark, then later journeyed overland from Europe to Asia with her childhood friend and future husband, Billy. Any one chapter of her life could have been the basis for an entire book. Anton is an engaging storyteller with an exceptional story -- an unbeatable combination. I highly recommend this memoir to anyone interested in Japan, multicultural families,… show more.

Though her style has always struck me as danger-close to tabloid and disjointed, nobody ever said those traits couldn't result in coffee-through-nostrils hilarity and knockout via punchline.

Fisher's particular brand of sex, drugs, and rock-n-roll certainly didn't help with her bipolar management. All the same, her unhinged lifestyle did deliver a bevy of dramatic and somewhat instructive anecdotes.  

She captures the chaos with such wit and bite in Postcards from the Edge and Shockaholic, but if you have to choose just one book, go with Wishful Drinking.

In 1906, a handsome scoundrel named Chester Gillette murdered his girlfriend, Grace Brown, by rowing her out onto a secluded mountain lake, whacking her with a tennis racket and pushing her overboard.

Why? Grace was a lowly factory girl, and her inconvenient pregnancy threatened to rain on Chester’s skirt-chasing parade. I was sucked into this poignant tale, having camped and canoed in upstate New York where the crime took place. I even teared up as I imagined what it felt like for poor Grace, cast to the bottom of a lake by the young man she thought was going to marry her.

This carefully researched non-fiction account is an irresistible combination of detective story and romantic drama.

As a lifelong reader of travel literature, this collection of essays was a real eye-opener.

Each chapter features a different writer, whether it’s about how Thoreau truly felt about living in the wilderness or Summerset Maugham’s traveling companion, Theroux delves deep into what made these people tick—what drove them to travel as much as why they wrote.

The collection made their work more understandable and made the writers seem more human.

I adore this collection of women’s short stories, all written in the forties and fifties. It gives a great scatter-gun indication of the mood and moral atmosphere of the times.

The mixture contains stories by familiar writers – Daphne du Maurier’s "The Birds" is here – as well as writers who’ve been largely forgotten, like Frances Bellerby, whose delicate story "A Cut Finger" made me cry.

Reading short stories makes a welcome change from the journey of a novel, especially when I’m busy. One a night makes a perfect bedtime treat.