53 Books Like A Different Sound

Because my father was a prisoner of war of the Japanese in Burma in World War II, I expected this book to depress me, and I dreaded reading it. But as one of my characters suffered the same fate, I thought I should at least give it a try. And what a pleasant surprise I got.

Yes, it is grim. Yes, it told me things I’d rather not know about what went on in the jungle prison camps. But it also has a sparkling narrative, and it’s romantic, erotic, moving, and exciting. In short, a great surprise and a wonderful, gripping read.

I was struck by this when I read it decades ago, and returned to it while researching. The Humbler Creation, written in the ’60s and set in the ’40s, gives a vivid depiction of that physically and morally shattered and patched-over post-war era.

Maurice, a repressed clergyman, lives with his wife Libby and her widowed sister, Kate, but right from the get-go, there’s the feeling that he and Kate would be better suited. But because of convention, this is not to be, and the frustrated Maurice and Kate seek satisfaction elsewhere. Passion, scandal, and tension ensue.

The characters, the dynamics between them, the sparky dialogue, and the 1940s setting all contribute to making this an addictive read. I was even more riveted the second time around.

I read this while researching my novel and what an eye-opener it turned out to be. It draws on a rich source of resources and the personal testimonies of gay men in the mid-20th century. These are touching and sometimes upsetting as well as illuminating and clearly demonstrate how much more tolerant our culture has become.

I was really moved as well as fascinated and educated by this beautifully put together book.

I bought this to research certain social and political aspects of the 1940s, fearing it might be dry, but it’s brilliantly written – one of the few history books I’ve continued to read for pleasure once I’ve gleaned my research.

Not only does it look at political and historical events and include a generous and delicious selection of photographs, but it’s also concerned with popular culture from the bleak post-war period up to the age of skiffle, television, and the beginnings of the Campaign for Nuclear Disarmament.

It gives importance to the morals of the time, attitudes to homosexuality, strip clubs, sex outside marriage, etc. It’s earned a permanent home on my bookshelf.

This is a rare and poignant insight into a man’s needlecraft and it was a delight to read. Julia Blackburn sets out on a mission to rediscover the neglected embroideries and forgotten story of the Norfolk fisherman, John Craske, (1881-1943). Her research leads her to many dead ends and unexpected encounters and, along the way, she experiences and shares her own story of loss. I love this book because it takes me into the world of the sea captured in the fishing folk Blackburn meets and introduces me to Craske’s mesmerising embroideries made under tragic circumstances.

Elizabeth Taylor—not to be confused with the actress of the same name—has been called ‘the unsung heroine of British twentieth-century fiction.’ I wholeheartedly agree, and Mrs. Palfrey at the Claremont is Taylor at her sublime best. It’s the tale of an elderly woman, wealthy but recently widowed, who’s faced with a choice: "Do I spend my last days in a care home—or check into a grand hotel?" She opts for the latter and finds herself among a group of fascinating characters, each as eccentric as she herself. 

Insightful about the sadness and loneliness of ageing, this book did not make me feel despondent about growing older. On the contrary, it showed me that love, happiness, and a sense of adventure can be ours at any age, if we’re willing to take chances and open our hearts to others.

I fell in love with designer Vicky Tiel’s 2011 memoir because of what I’ll call its “sex-positive” rompiness, which reads like a Swinging Sixties female version of Henry Fielding’s Tom Jones. (I stumbled upon it during research because it includes some of my characters, primarily Mia Fonssagrives, daughter of supermodel Lisa Fonssagrives and stepdaughter of Irving Penn.) 

In the book, Tiel, who made her name designing catsuits, hotpants, and miniskirts, explains how she and Mia went from being design students in New York to “It” fashion designers in Paris pretty much overnight. They have many adventures, bed many men, and pick up practical life advice from models and movie stars like Elizabeth Taylor while growing up. It’s a total period piece but also, it hasn’t aged. With pictures and recipes!  

Love, desire, falling too passionately for a married man, the world may be different from when this book was published in 1936, but the angst, the joy, the terror, and the hard choices remain the same.

An intelligent, capable, charismatic woman falls for a handsome, upper-class man, tantalizingly just out of her social and emotional reach. Will he leave his wife and the easy security of a stable relationship? Will love trump duty? Life-changing decisions reach a climax in the office of a back-street abortionist, where the snare of passion and its potentially destructive consequences are laid bare.

Written in lyrical and episodic prose, this is a truly timeless and memorable read.

At last, a book about Elizabeth Taylor that takes her acting skills seriously, analyses her prodigious output, and is neither sensational nor trivial. I was entranced. Like Sybil Thorndike, Taylor’s career lasted 65 years. Kennedy puts it in context, refreshingly focusing on her professional rather than personal life.

Commenting on Who’s Afraid of Virginia Woolf?, he remarks: ‘At some point we have to reject the idea we’re watching the Burtons air their dirty laundry and embrace the possibility we’re watching them act. Brilliantly’. This readable, thoughtful book examines Taylor’s 56 movies and includes television, theatre, and special appearances such as a play reading in 2007, part of her remarkable fund-raising for AIDS.

In 1906, a handsome scoundrel named Chester Gillette murdered his girlfriend, Grace Brown, by rowing her out onto a secluded mountain lake, whacking her with a tennis racket and pushing her overboard.

Why? Grace was a lowly factory girl, and her inconvenient pregnancy threatened to rain on Chester’s skirt-chasing parade. I was sucked into this poignant tale, having camped and canoed in upstate New York where the crime took place. I even teared up as I imagined what it felt like for poor Grace, cast to the bottom of a lake by the young man she thought was going to marry her.

This carefully researched non-fiction account is an irresistible combination of detective story and romantic drama.