Here are 100 books that Cold Snap fans have personally recommended if you like
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I'm a woman of four and seventy years who thankfully doesn’t yet resemble that person to those who haven’t met me. I'm a mother of two who both have their own businesses in the fields of their natural talents, I've been Deputy Treasurer to the State of Kansas, written 22 books but think younger than I did at 20, and am enjoying the best sex life to date! Life is precious and should not be limited to us based on our age, but on our interests, knowledge, and what we have to offer. Writing about that which I've experienced and the recorded history of family are my passions and hopefully for my readers as well.
I love this book for how honest it is, whether one is poor or wealthy, you will find yourself understanding Violeta somewhere in her life, spanning 100 years, Violeta Del Valle, the main character of this South American treatise, shares her story; which includes wars, comedy, passion, pain, travesty (during the socialist occupation), loss of souls, and the sage review at the end of a woman of that many years giving her view of her life in Chili, Argentia, Los Vegas, Miami, and farmland in between.
Beginning at birth, we learn the pattern of wealthy families, and others, in the role of women in 1920 until today, with much the same familiarity of our America during that same period, though with greater comfort, such as running water, plumbing, and more jobs in such areas as manufacturing, etc.
This book is detailed from the outlook of a woman born of wealth,…
NEW YORK TIMES BESTSELLER • This sweeping novel from the author of A Long Petal of the Sea tells the epic story of Violeta Del Valle, a woman whose life spans one hundred years and bears witness to the greatest upheavals of the twentieth century.
“An immersive saga about a passion-filled life.”—People
ONE OF THE BEST BOOKS OF THE YEAR: PopSugar
Violeta comes into the world on a stormy day in 1920, the first girl in a family with five boisterous sons. From the start, her life is marked by extraordinary events, for the ripples of the Great War are…
See President McKinley or Die Trying
by
Fedora Amis,
It’s 1898. Eighteen-year-old Jemima McBustle stands at the crossroads of life. She can marry a “Man of Substance” and float through life in luxury. Or she can follow her idol Nelly Bly—forge her own way in a man’s world as a stunt reporter. After finessing a job at a St.…
My sister once remarked that listening to our mother’s stories about living during World War II made it sound like we missed something really exciting. That is what history has always been for me–something I missed out on, for better or worse. What would it really have been like? Could I have survived? Family genealogies bring history to me on a personal level; archaeology and paleontology extend that wonder much deeper into the past. During the time I taught anatomy and human evolution at the University of Indianapolis, I tried to be as interdisciplinary as possible, both in study and teaching. I continue this in my retirement.
How did my ancestry help define me? My great-grandfather created a dairy farm outside of Tacoma, and my mother grew up impoverished in Indiana during the Great Depression. These experiences shaped my family, but how far into the past do such influences arise?
I have been fascinated by history and genealogy since childhood, and even my professional role as a paleoanthropologist is an extension of that interest in prehistory. Christine Kenneally addresses in direct language the implicit questions I was seeking–what roles did genes, ancestry, and history play in shaping me and the populations around me? It is not hard for me to identify with the values of the Puritan farmers from whom I descended, but before I read this book, I didn’t appreciate the persistence of historical experiences in shaping a community. For example, the slave trade instilled a modern community's suspicion of strangers in the worst affected areas…
“The richest, freshest, most fun book on genetics in some time.” —The New York Times Book Review
We are doomed to repeat history if we fail to learn from it, but how are we affected by the forces that are invisible to us? In The Invisible History of the Human Race Christine Kenneally draws on cutting-edge research to reveal how both historical artifacts and DNA tell us where we come from and where we may be going. While some books explore our genetic inheritance and popular television shows celebrate ancestry, this is…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
On top of having written one of the most profound novels of the 20th century, Zora Neale Hurston was a fierce and fearless proponent of authenticity in literature and art – and she paid the price for that.
Boyd’s biography of her is the best, delving into this complex woman who was both deeply of her time and way ahead of it. Boyd quotes Hurston in one of my all-time favorite lines by a writer responding to a demeaning critic: “I will send my toe-nails to debate him…” An inspiration for all creative people facing rejection for being true to themselves!
From critically acclaimed journalist Valerie Boyd comes an eloquent profile of one of the most intriguing cultural figures of the twentieth century—Zora Neale Hurston.
A woman of enormous talent and remarkable drive, Zora Neale Hurston published seven books, many short stories, and several articles and plays over a career that spanned more than thirty years. Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon.
Pat Tierney is back! In her fifth murder mystery, the Toronto financial advisor's new client appears to live a charmed life.
Monika Lentz is beautiful, wealthy, and enjoying a hugely successful career at the Toronto World newspaper. But soon after meeting with Pat, Monika fails to make her newspaper column's…
A large part of my career has been devoted to foreign affairs. Edgar Snow, Negley Farson, and others whom I read as a young man kindled my interest. I have reported from overseas and at one point developed a specialty in reporting connections between American communities and events overseas. I have published a number of foreign correspondents’ memoirs that were buried in achieves or have been out-of-print and ignored. Most recently I wrote a history of foreign reporting. So, one can say that I have made a career of enjoying books like these.
When the Great Depression hit and jobs were scarce, there was no point in hanging around at home.
“Prices in Europe were down to rock bottom,” wrote Albion Ross of his first overseas trip in 1930. “In addition, Mussolini’s government, for some inscrutable Fascist reason, was offering students a fantastic third-class railway ticket that took you from the Channel ports round and about through France and Italy for next to nothing.”
He found a spot in Berlin with the New York Evening Post and later The New York Times. Apart from a stint in the military during the war, he remained an overseas reporter for years.
His memoir is extraordinary because it is short on derring-do and long on sensitivity about what he witnessed. It is perhaps for this reason that neither Ross nor his book are much remembered. I would not have known about it if he had…
When I started researching the 1930s in Britain, I realised that I had only ever considered the period from the Irish perspective, as the tail-end of the long battle for independence. I had always seen Britain in the role of oppressor: Rich, where Ireland was poor; powerful where Ireland was weak. As I read more, a new picture of Britain began to emerge. The Great Depression, the numbers of people unemployed, the children with rickets and scurvy due to malnutrition. And with those things, the rise of socialism and fascism, both expressing the same dissatisfaction with life. I wanted to know more. And so I went looking for books to teach me.
The first half of this book is a deep immersion into the shockingly bleak living conditions of 1930s working-class families in the impoverished industrial north of England, then in the grip of the Great Depression. As an Irish person – and given the historic nature of the relationship between the two countries, in which Britain has always been the dominant and powerful one – it was genuinely eye-opening to me to understand how hard life was for ordinary English people.
Orwell’s writing was undertaken from the vantage point of his own experience. He spent months living with families in Lancashire and Yorkshire, and his descriptions of their lives are detailed and very vivid. The second half is an essay about the development of his own political conscience – interesting, but not essential in the way the first half is.
An unflinching look at unemployment and life among the working classes in Britain during the Great Depression, The Road to Wigan Pier offers an in-depth examination of socio-economic conditions in the coal-mining communities of England’s industrial areas, including detailed analysis of workers’ wages, living conditions, and working environments. Orwell was profoundly influenced by his experiences while researching The Road to Wigan Pier and the contrasts with his own comfortable middle-class upbringing; his reactions to working and living conditions and thoughts on how these would be improved under socialism are detailed in the second half of the book.
I was always interested in American history and studied at Brown University under an outstanding professor of American economic history, James Blaine Hedges. During my career at the mutual fund association I often approached issues from an historical perspective. For example: Why did Congress draft legislation in a particular way? How would past events likely affect a regulator’s decisions today? As a lawyer I had been trained to write carefully and precisely. As a lobbyist I learned the need to pre
Allen reaches back to the post-Civil War Gilded Age to explain the beginnings of massive finance capitalism in the United States. He then goes on to take readers through the roaring 20s, the 1929 Crash, and the New Deal’s first steps at reform, The author is an entertaining writer and fun to read. He tells fascinating stories and does not bore the reader with technical explanations and statistics.
A "stimulating" account of the capitalists who changed America in the late 19th and early 20th centuries, setting the stage for the 1929 crash and Great Depression (Kirkus Reviews).
In the decades following the Civil War, America entered an era of unprecedented corporate expansion, with ultimate financial power in the hands of a few wealthy industrialists who exploited the system for everything it was worth. The Rockefellers, Fords, Morgans, and Vanderbilts were the "lords of creation" who, along with like-minded magnates, controlled the economic destiny of the country, unrestrained by regulations or moral imperatives. Through a combination of foresight, ingenuity,…
I grew up in New York City and was deeply influenced by the women’s liberation movement, which helped me go on to combine a career as a historian with marriage and motherhood. While doing research for an academic article on the Beecher-Tilton scandal, I became convinced that only by writing a novel could I unravel the story from the point of view of Elizabeth, the woman involved in the love triangle. Historical fiction is a marvelous medium to explore events from the perspective of those outside circles of power. When I began writing, I felt that my embrace of fiction as medium had unleashed an electric current of creative energy.
I was fascinated by this story of how a courageous young girl abandoned by her parents managed to survive during the Great Depression in rural Michigan. I felt a motherly concern for the heroine who not only confronts people’s reluctance to help a girl from a “trashy” family but also popular prejudices underestimating the potential of young women and consigning them to limited roles in society.
As if this were not enough, she must evade child-trafficking schemes! I loved the dramatic twists in the plot as well as the personal growth the heroine demonstrates as she struggles against formidable odds.
For fans of Kristin Hannah's The Four Winds and Lisa Wingate's Shelterwood comes a heartwarming historical novel following a homeless young girl as she struggles to survive during the Great Depression.
Rural Michigan, 1934. During the throes of the Great Depression, thirteen-year-old Silstice Trayson finds herself homeless, abandoned by her parents after a devastating house fire. Nearby, aging midwestern farmers Edna and Vernon Goetz are pillars of the community, but when do-gooder Edna takes up Silstice's cause, Vernon digs in his heels, displaying his true nature as an ornery curmudgeon.
Theirs is a quiet-seeming community, but danger lurks beneath the…
I am an economics professor at Victoria University of Wellington. As a previous Secretary of the New Zealand Treasury and Governor of the Reserve Bank of New Zealand, I have had quite a bit of experience watching economists’ ideas succeed and fail in the real world. I have written a number of books about policy economists and their lives in peace and wartime. (And a couple of novels too!)
This is the story of four (European and American) central bankers fighting the dramas and crises during the lead-up to the Great Depression. When crisis looms, Bank of England Governor Montagu Norman puts on a disguise and boards a cruise ship to consult with his friend Benjamin Strong in New York. If only financial crises could still be fought that way today! I liked it because I used to be a central bank governor myself!
"Erudite, entertaining macroeconomic history of the lead-up to the Great Depression as seen through the careers of the West's principal bankers . . . Spellbinding, insightful and, perhaps most important, timely." -Kirkus Reviews (starred)
"There is terrific prescience to be found in [Lords of Finance's] portrait of times past . . . [A] writer of great verve and erudition, [Ahamed] easily connects the dots between the economic crises that rocked the world during the years his book covers and the fiscal emergencies that beset us today." -The New York Times
I’m a research nerd at heart. I am happiest pouring over historic newspapers online (thank you Library of Congress) or digging into a non-fiction book. The research I do for a book can be more rewarding than writing the book itself. When I read a 1933 article about a baby that would be given away as a prize during a civic fundraiser, I was hooked. What desperation would lead a parent to give away a child? Who would buy such a raffle ticket? Who thought this would be a good idea? I never did find the answers to my questions, so I made up my own.
The author is a sociologist who rode the rails, on and off, alongside homeless youth in the early 1930s. He did not disguise himself or pretend to be “one of them.” Instead, he chronicled their stories in oral histories that are intimate and thorough depictions of how young men and women existed on the road, what was important to them, what they yearned for, how they protected themselves, and each other. As a sociologist and chronicler of groups within society, the author remained true to his obligations as an academic not to glorify, white-wash, or romanticize what he saw. As a result, the experiential dimensions of this book are incredibly robust and meaningful.
In 1933 and 1934, Thomas Minehan, a young sociologist at the University of Minnesota, joined the ranks of a roving army of 250,000 boys and girls torn from their homes during the Great Depression. Disguised in old clothes, he hopped freight trains crisscrossing six midwestern states. While undercover, Minehan associated on terms of social equality with several thousand transients, collecting five hundred life histories of the young migrants. The result was a vivid and intimate portrayal of a harrowing existence, one in which young people suffered some of the deadliest blows of the economic disaster.
I discovered labor history during a decade-long hiatus between my first and second years in college. Before that, I had never enjoyed reading about the past, unless it was in a novel. Then I discovered slave narratives and they inspired wider reading about workers’ lives. I loved both the drama of stories about resistance to oppression and the optimism I derived from understanding working people as historical protagonists. Now, as a professional historian, I often approach the past in a more academic way, but dramatic stories continue to attract me and knowledge that working people united have achieved great things in the past still gives me hope for humanity’s future.
As a U.S. labor historian, I’ve read loads of books on the unionization of mass production during the Great Depression.
Labor’s New Millions stands above the rest for its power to make you feel like you’re right there at the picket lines, union halls, and other venues that the journalist Mary Heaton Vorse visited as she gathered material for this book about worker uprisings that put the Congress of Industrial Organizations on the map. As she shows in vivid detail, whole communities rallied to build the CIO, and campaigns for justice on the job spilled over into other realms.
Housewives going toe to toe against police, kids hand painting their own picket signs, strikers chanting “Freedom! Freedom”:Labor’s New Millions brings to life all of this and much more.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
