Here are 100 books that Claudine at School fans have personally recommended if you like
Claudine at School.
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I'm an Iranian-American who left the country with my family after the Islamic Revolution. I'm watching the events unfold in Iran since the murder of Mahsa Amini with equal parts sadness and awe. Sadness for the loss of life and awe for the bravery of the young protestors in the country. My books will always have a nod to my culture of origin—whether about growing up in an immigrant household in my memoir, Americanized, or writing an Iranian-American character like Parisa in I Miss You, I Hate This. It's been fascinating to see people in America pay attention to what's happening in Iran and I wanted to share some books that'll help inform their perspective.
My family fled Iran a couple years after the Islamic Revolution, but growing up, my parents didn’t talk about that period in their life all that much. It was sort of like my friend whose dad never talked about Vietnam. So, even though I was born in Iran post-revolution, I didn’t learn much about the history of the Shah’s downfall until I read Marjane Satrapi’s incredible graphic novels –Persepolis, Books One and Two. Satrapi manages to create a funny and heartbreaking memoir about her adolescence during the revolution and her life as a young ex-pat living in Paris.
Follow it up with her graphic novella, Embroideries—which delves into the sex livesof Iranian women. Another topic that was generally off-limits in our household.
Here, in one volume: Marjane Satrapi's best-selling, internationally acclaimed graphic memoir of growing up as a girl in revolutionary Iran. • "That Satrapi chose to tell her remarkable story as a gorgeous comic book makes it totally unique and indispensable" —TIME
Persepolis is the story of Satrapi's unforgettable childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private life and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trials of adolescence far from her family; of her homecoming—both…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I love stories grounded in realism - but which also explore that there may be more to life than meets the eye; reasons beyond reason, for the way we dream, love, and think, and which come from unexpected sources. I love books whose characters really 'live', and stay with me, long after I've finished reading. I aspire to create such characters. In my novels, I seek to explore important themes from perspectives that often pitch rationality against what it cannot explain, or dismiss. The fiction I most love does this – whether it exploits mythology, suggests life beyond life, or uses magical realism to add ‘other’ dimensions to the ordinary. "There are more things… Horatio…"
A startling kaleidoscope of a novel – indicated by the arresting cover.
Mas’ book whirled me into the heart of its narrative with fast-moving stories of women whose lives are radically changed by supernatural encounters – which, in 19th century Paris, invite diagnoses of mental illness. What follows is a disorienting but compulsive account of 'madness', ‘other-world-ness’ - and the dangers of being different.
Beautifully imagined and expertly crafted, this novel engrossed me – and I learned a lot about mental asylums, and attitudes to women, in rather unenlightened times. A fabulous book.
'A darkly sumptuous tale of wicked spectacle, wild injustice and the insuppressible strength of women' EMMA STONEX, author of THE LAMPLIGHTERS
'In this darkly delightful Gothic treasure, Mas explores grief, trauma and sisterhood behind the walls of Paris' infamous Salpetriere hospital' PAULA HAWKINS, author of A SLOW FIRE BURNING
'A beautifully written debut...I have absolutely no doubt it will be one of my favourite novels of 2021.' AJ PEARCE, author of DEAR MRS BIRD
The Salpetriere asylum, 1885. All of Paris is in thrall to Doctor Charcot and his displays of hypnotism on women who have been deemed mad or…
I'm a former television news producer who worked for Barbara Walters and Peter Jennings at ABC News, and at Dateline NBC and CBS’s 60 Minutes. I was always a journalist, but mid-career, I switched lanes from TV to writing. Since then, I've contributed essays and stories to many publications, among them Vogue, Travel & Leisure, The New York Times, BBC Travel, and others. I mostly write about travel, but also cover beauty, wellness, international development, and health. I'm the recipient of five Lowell Thomas Awards for excellence in travel journalism, including one for Travel Journalist of the Year. My book of essays, A Hard Place to Leave: Stories From a Restless Life comes out in May 2022.
The first time I went to Paris, I found a copy of this book at a bouquiniste on the Quai de la Tournelle. I can honestly say it has never left my bedside. Colette, born Sidonie-Gabrielle Colette in 1873, was a ferocious talent, a novelist, memoirist, journalist, and colossal French cultural figure until her death in 1954. Earthly Paradise is an autobiography in essays, and hers is an extraordinary story. Born in small-town Burgundy, she was a showgirl at the Moulin Rouge, a traveling performer, was married twice, lived as a lesbian for a decade, had a facelift in the 1920s and at the height of her literary fame, opened a beauty salon in Paris. She was to the core a sensualist and though she claimed to dislike feminism, she was a tower of female strength. But the reason this book—just one of her fifty-five—endures is her achingly gorgeous writing.…
In her own lifetime, and especially outside of France, Colette was best known as a novelist, as the creator of Cheri, Gigi, Claudine; and as such, her place in the ranks of 20th century French fiction is secure and very high, comparable among her contemporaries perhaps to that of Proust. Over the same half century, she published an even larger body of explicit autobiography - memoirs, portraits, notebooks, letters. Barely a decade after her death, it became clear that this aspect of her work, and the personality embodied there, would determine her place in literature. Drawn from some 40 books…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
This is an intimate, first-person account of 1920’s Paris, and the life of one of the most central characters of the period—the model, singer, and artist, Kiki of Montparnasse as she was known by all. Born in Burgundy in 1901, christened Alice Prin, and raised by her grandmother in abject poverty, at age twelve she was shipped off to Paris to live with the mother she had never known.
The young Alice’s fierce survival instincts immediately translated into a precocious thirst for experience. At fourteen she had her “first contact with art” when she began posing nude for a sculptor. Thereafter, she assumed the name and embraced life as the irrepressible Kiki. Lover of Man Ray, beloved friend of Soutine, Jean Cocteau, and many other artists of the period, she became the toast of Montparnasse, one of the century’s first truly independent women. Man Ray, Foujita, Kisling, and others immortalized…
Featuring an introduction by Ernest Hemingway and published for the first time in America, the unexpurgated memoirs of a model who reigned over Montparnasse in the twenties created a sensation when they first appeared in France in 1929.
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Anyone who wants to read a love story – all of us, surely – has to start with this story of young love set on the coast of the South of France in the early 20th century. Colette’s prose has been well matched by her translators and she’s simply a jewel of a writer and the first woman who really told the truth about love and sexuality.
The author captures that precious, painful moment when childhood retreats at the onslaught of dawning knowledge and desire. Philippe and Venca are childhood friends. In the days and nights of late summer on the Brittany coast, their deep-rooted love for each other loses its childhood simplicity.
I became intensely interested in wine while working in a Michelin Star kitchen where understanding how flavours work together, developing nuances in my palate, and an interesting wine list combine. Enthusiasm and passion led to success in wine examinations at the highest levels, working in wine retail, travelling the globe visiting amazing vineyards, and wineries, meeting iconic winemakers, influential vineyards managers, as well as other luminaries in the world of wine. The greatest benefit being many new friends and lifelong special memories. Along with the wine tastings I give, The Periodic Table of Wine is a way to share discovering wine and the joy it brings to new audiences.
An inspiring story of how prejudice in the wine world was brought into focus which started a revolution in the way wines from around the world are viewed. It uncovers the people and places involved in shattering conventional wisdom and demonstrating that exceptional wines can be produced in many countries. So well told is this story, that it inspired the film Bottle Shock.
The only reporter present at the mythic Paris Tasting of 1976-a blind tasting where a panel of esteemed French judges chose upstart California wines over France's best-for the first time introduces the eccentric American winemakers and records the tremendous aftershocks of this historic event that changed forever the world of wine.
The Paris Tasting of 1976 will forever be remembered as the landmark event that transformed the wine industry. At this legendary contest-a blind tasting-a panel of top French wine experts shocked the industry by choosing unknown California wines over France's best.
George M. Taber, the only reporter present, recounts…
I’m a writer and journalist with an eye on South and Southeast Asia. I first worked in Thailand in 1999, researching the Thailand chapter for the first edition of the Rough Guides Southeast Asia Guide. Since 2001, I’ve been a Thailand correspondent for German publisher Reise Know How. For the past decade, I have worked as Thailand Destination Expert for The Daily Telegraph. I co-wrote the bestselling Sacred Skin – Thailand’s Spirit Tattoos with photographer Aroon Thaewchatturat, and have written countless articles about Thai culture, politics and tourism. It took 20 years to write a novel set in Thailand – The Monsoon Ghost Image – a testament to the complexities of Thai society.
I felt I needed to include one title about Thailand’s endlessly discussed, sordid sex industry. Houellebecq’s acidic 2004 novel takes the country’s massive sleaze trade head-on, crammed with self-loathing observations of its male protagonist, his world eventually smashed to pieces by a terrorist attack and a heart-breaking ending in the country’s Gomorra-by-the-sea beach resort Pattaya. Audacious, cynical, yet nonetheless filled with humanity, and there’s plenty of sex, Viagra, fun, and despair as well. Platform puts all other fiction covering the country’s exploitative underbelly to shame.
Houellebecq's new novel tells the story of an attempt to create a package-holiday company for sex-tourists. Less philosophical and grandly ambitious than Atomised, it is, if anything, even more outrageously funny and bitingly satirical of the ways we live now than the earlier novel. Added to which, there is a genuinely moving love affair, real characters and a real plot!
I consider myself a disruptor of sorts, both in my life and in the art I make (I’m an actor, too). So I am by nature drawn to novels that bend and reshape (and sometimes ignore altogether) the rules and conventions that are supposed to govern the novelist’s craft and lead me to experience the world—and often the art of writing fiction itself—in ways I have never experienced either before. The novels on my list do just that.
Not exactly literary fiction, I know. And it breaks none of the rules governing the novelist’s craft. And we all read it back when it came out, didn't we? Or saw the movie, there've been a couple of versions...
So why is it on my list, you ask?
The Day of the Jackal is quite simply the greatest thriller ever written, and should be read by anyone who writes fiction, literary or otherwise—and by the rest of us as well.
Think for a moment: We follow The Jackal’s relentless quest to corner and kill French President Charles DeGaulle for 380 pages, waiting with breath bated to see whether he will succeed even though we know before we ever open the cover of the book (if we know even the slightest bit of history) that DeGaulle was never assassinated—ever!—not by The Jackal and not by anyone in…
The Day of the Jackal is the electrifying story of the struggle to catch a killer before it's too late.
It is 1963 and an anonymous Englishman has been hired by the Operations Chief of the O.A.S. to murder General De Gaulle. A failed attempt in the previous year means the target will be nearly impossible to get to. But this latest plot involves a lethal weapon: an assassin of legendary talent.
Known only as The Jackal, this remorseless and deadly killer must be stopped, but how do you track a man who exists in name alone?
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
This is a terrific coffee table-sized book with wonderful photographs of the sundry characters and vivid reproductions of paintings and other images. Here you’ll find a young, muscular Pablo Picasso with hair—on the beach in his bathing suit in front of Gerald & Sara Murphy’s villa on the Côte d’Azur. This privileged couple—he a fine avant-garde artist in his own right, and she, who became Picasso’s muse, a refined and elegant hostess—were patrons of the arts who surrounded themselves at their home with the young luminaries of the Jazz Age. Chapter headings in this stunning volume tell the tale.
At 174 large pages, this is a beautifully rendered and specific encapsulation of les années folles, from start to finish.
A panorama of the arts scene in Jazz Age France draws on letters, diaries, journals, photo albums, and private archives, in a visual exploration that includes unpublished paintings by Picasso and Leger, previously unknown works by e. e. cummings and John Dos Passos, and more. 15,000 first printing.
I have always been an avid reader. I have always been fascinated by history, especially the ones from so many unknown or not so well known heroes and heroines that contributed and still add to the growth of our society. Those who were an inspiration for any human being. The minority ones, the quiet ones, the bullied ones. The ones that seem to be so little, but they are a giant. The ones who hide a genius inside. Mainly the imperfect ones, because they are not boring. As a Dentist, I'm always fascinated by science and new discoveries. Because every dentist has an artistic side, art – drawing, painting, photography, are topics that I can easily relate.
This biography is a must-read for anyone who is interested in art, history, and strong, powerful women. It was the first book I read about the great 19th-century sculptress, Camille Claudel. “As recently as twenty years ago, in France, Camille Claudel was known only to a handful of admirers. The brief moments of applause she had enjoyed during her lifetime had never led to important commissions, and the sales of her pieces remained few and far…Camille Claudel displayed many characteristics that contribute to the weaving of myths: she was beautiful, talented, witty, and fiercely independent. She was connected to some of the most visible artists and writers of the era; she even had a romance with Auguste Rodin, the greatest sculptor of the nineteenth century. But hidden among the magnificent gifts nature had bestowed upon her was the seed of an illness that eventually brought her to a mental asylum.”…
Camille Claudel (1864-1943) was a gifted 19th-century French sculptor who worked for Auguste Rodin (1840-1917), became his lover, and eventually left him to gain recognition for herself in the art world. After she crumbled under the combined weight of social reproof, deprivations, and art world prejudices, her family had her committed to an asylum, where she died 30 years later. Although Claudel's life has been romanticized in print and on film, a fully researched biography has never been written until this one. The book draws upon much unpublished material, including letters and photographs that confirm the brilliance of her sculpture,…