Here are 100 books that Circus fans have personally recommended if you like
Circus.
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I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.
But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.
The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
All of Solnit’s writings have been an inspiration but this book’s oscillations between the intimacy of her relationship with her dying mother, the poignant degradation of apricots, and the many little-known and fascinating histories that she miraculously weaves into a truly magical book. Solnit has a way of offering hope in the darkness of some of life’s most challenging times, by swinging from details of her own life to those of others she knows or has studied. It’s a remarkable read as it takes you along on the nimble journey of her mind and heart.
From the author of Orwell's Roses, a personal, lyrical narrative about storytelling and empathy-a fitting companion to Solnit's A Field Guide to Getting Lost
Finalist for the National Book Critics Circle Award
In this exquisitely written book by the author of A Paradise Built in Hell, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories-of her mother and her decline from memory loss, of a trip to Iceland, of an illness-Solnit revisits fairytales and entertains other…
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
Two of Sarduy’s most extraordinary writings from the 1970s, these twin works chart a territory of radical transformation. In the first part of the book, Cobra makes their gender transition with the support of a slew of unusual characters who also shape-shift via the mysterious and violent rites of a motorcycle gang and a group of Tantric Buddhist lamas. Metamorphosis continues in the second half of the book, wherein a Cuban-Chinese cook reincarnates as the Buddha, in the midst of the Cuban revolution. The wild tales create a distinctive space for being otherwise.
The late Severo Sarduy was one of the most outrageous and baroque of the Latin American Boom writers of the sixties and seventies, and here bound back to back are his two finest creations. Cobra (1972) recounts the tale of a transvestite named Cobra, star of the Lyrical Theater of the Dolls, whose obsession is to transform his/her body. She is assisted in her metamorphosis by the Madam and Pup, Cobra's dwarfish double. They too change shape, through the violent ceremonies of a motorcycle gang, into a sect of Tibetan lamas seeking to revive Tantric Buddhism.
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
I love this book. Dionne Brand conveys what it means to write through a crystalline web of ideas, poetry, and philosophy. Her profound, evocative, and real tale of imagined conversations between a poet and the clerk charged with dealing with their output is simultaneously familiar and fantastical. I got lost in the beauty of language only to be jolted into the realities of the world as it exists in all its beauty and awfulness.
On a lonely wharf a clerk in an ink-blue coat inspects bales and bales of paper that hold a poet’s accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained, the word-shard. In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet’s pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba,…
I am a historian and author, passionate about how the past influences current ideas and perceptions. While reading for my Ph.D. in Historical Theory, I started to realise that it is not the past that influences us, but we that actually create it. The books in the list came up at different points in my life and research and made me think and rethink the concept of historical knowledge, how we acquire it, how we narrate it, and what we retain from it.
You don’t often come across a history of the Holocaust given from the perpetrator’s perspective. Both a masterful historical novel and a marvellous piece of literary historiography,it's a hard book to put down.
Following SS Officer Max Aue through all the horrors of the Second World War and the Holocaust, the book provokes you to think in contradictory terms about the events narrated.
A journey through the inevitability and impossibility of empathy, this book reflects on what is considered good and evil and how we can judge what happened in the past.
“Simply astounding. . . . The Kindly Ones is unmistakably the work of a profoundly gifted writer.” — Time
A literary prize-winner that has been an explosive bestseller all over the world, Jonathan Littell’s The Kindly Ones has been called “a brilliant Holocaust novel. . . a world-class masterpiece of astonishing brutality, originality, and force,” (Michael Korda, The Daily Beast). Destined to join the pantheon of classic epics of war such as Tolstoy’s War and Peace and Vasily Grossman’s Life and Fate, The Kindly Ones offers a profound and gripping experience of the horrors of World War II and the…
My love for romantic comedies has only recently started to develop, but I have always been passionate about food. For years, I have been combining storytelling and new recipes through my movie cookbook series. As I was developing my book, below, I learned that weaving the food directly into the romance adds a whole new delicious layer to the story. I hope you enjoy devouring the books on this list as much as I have!
This book aroused all of my senses. The way the author wove together the rekindling romance of Theo and Kit with such mouthwatering descriptions of food, wine, and the sheer joy of European travel was captivating. I could cut the sexual tension with a knife, and it awoke a hunger inside me. As a gay man, the friendly wager they made—the first to sleep with the Italian tour guide wins—is so relatable...and fun.
The book is written from an immersive first-person perspective, which I found particularly interesting. Getting to delve into their individual thoughts and feelings about their shared history made their reconnection feel so real and earned. It was such a lush and ultimately heartwarming story of finding love again, set against the most gorgeous scenery. I finished it feeling satisfied, but it left me with a serious craving for both a second read and a sexy…
Two bisexual exes, one unforgettably hot summer . . .
In #1 New York Times-bestselling author Casey McQuiston's latest romantic comedy, two bisexual exes accidentally book the same European food and wine tour and challenge each other to a hookup competition to prove they're over each other - except they're definitely not.
Theo and Kit have been childhood best friends, crushes, lovers and, after a brutal breakup four years ago, estranged exes.
It's not until Theo and Kit are trapped on board a tour bus that they discover that they've each had the same idea: to take their dream European…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I’ve been a voracious reader my entire life, but it wasn’t until a few years ago that I discovered romance. How many times had I turned up my nose at those ridiculous books with half-naked men on the cover? Countless. Little did I know the absolute joy those books held inside. I love to read and write romance, especially stories with strong heroines and deliciously squishy-inside heroes. Not to mention all the amazing queer stories out there proving that love is love. These aren’t your grandmother’s bodice-rippers (I mean, they are a little bit, but only in the best ways). The genre is constantly growing, and I’m always eager to find new converts like me!
Looking for another historical romance that flies in the face of tradition? The Perfect Crimes of Marian Hayes begins with the title character murdering her husband, the duke. Right from the start Marian takes her destiny into her own hands. Needing a little help from the highwayman, Rob, doesn’t make Marian weak. In fact it’s her strength (and prickliness) that Rob loves the most. Watching these two learn to lean on each other is perfection. This book is number two in a duology. It can be read as a stand-alone but the story makes a bit more sense if you read The Queer Principles of Kit Webb first.
Cat Sebastian returns to Georgian London with a stunning tale of a reluctant criminal and the thief who cannot help but love her.
Marian Hayes, the Duchess of Clare, just shot her husband. Of course, the evil, murderous man deserved what was coming to him, but now she must flee to the countryside. Unfortunately, the only person she can ask for help is the charismatic criminal who is blackmailing her—and who she may have left tied up a few hours before…
A highwayman, con artist, and all-around cheerful villain, Rob Brooks is no stranger to the wrong side of the…
I’m often asked: “Are you a musician? You mustbe, in order to write so beautifully and convincingly, through the eyes of a musician!” Actually, I’m what’s known as a “serious amateur”—which means that I study the piano “seriously” but not professionally, purely for the love of it. In fact, my understanding of the piano deepened tremendously as I worked on this book, as if my protagonist required that of me, in order to bring her to life the way she needed. The piano has become more and more vital to me, as a writer, because it allows me to explore and express in ways that don’t depend on words.
In The Lost Concerto a woman has set aside her career as a classical pianist, for deeply personal reasons—then finds herself not only reclaiming her music, but also finding answers to a past mystery as well as new connections in the present. Both novels are about loss, love, and the power of music to lift and heal us. What makes The Lost Concerto especially appealing is its cross-genre blend of suspense, intrigue, stolen art, and the journey from vengeance to courage. You won’t be able to put it down!
FINALIST: 2016 International Book Award – Mystery/Suspense Category
A woman and her young son flee to a convent on a remote island off the Breton coast of France. Generations of seafarers have named the place Ile de la Brume, or Fog Island. In a chapel high on a cliff, a tragic death occurs and a terrified child vanishes into the mist.
The child’s godmother, Maggie O’Shea, haunted by the violent deaths of her husband and best friend, has withdrawn from her life as a classical pianist. But…
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
Like Anderson, Gertrude Stein had a sense of humor about gay Paree. Who else would write someone else’s autobiography?
I love her tone of detached amusement when describing the artistic titans of the Lost Generation. If you don’t get it, try the recipe for Alice B. Toklas brownies.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a great-great-great-great-grandchild of Irish immigrants, I come from a long, proud line of alcoholics, especially on my mother’s side. My childhood was a masterclass in chaos: family scream-fests, flung insults, and someone cracking a joke while dodging a punch. It was painful, yes, but also absurd and often hilarious. That’s where my dark wit comes from. Razor-sharp humor was how we made it out alive. It becomes a lens you’re trained to observe the world through since you were a wee lad. I’ve always been drawn to stories where grief and laughter sit at the same table, clinking pints. Satire and absurdity aren’t interests for me. They’re muscle memory.
Amazing title aside, I love David Sedaris because he makes discomfort feel like a private joke you’re lucky enough to overhear. The way he writes about insecurity, awkwardness, and deeply flawed family life struck something real in me. His humor sneaks up on you, often in the middle of a sentence you weren’t prepared to laugh at.
What I admire most is how he never tries to impress. His voice is honest, a little absurd, and somehow both cynical and strangely tender. I didn’t just laugh; I felt understood. Sedaris showed me that writing can be honest without being sentimental, funny without being safe, and deeply human without needing a resolution.
A new collection from David Sedaris is cause for jubilation. His recent move to Paris has inspired hilarious pieces, including Me Talk Pretty One Day, about his attempts to learn French. His family is another inspiration. You Cant Kill the Rooster is a portrait of his brother who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers and cashiers with 6-inch fingernails. Compared by The New Yorker to Twain and Hawthorne, Sedaris has become one of our best-loved authors. Sedaris is…
