100 Books Like Ciao, America! An Italian Discovers the U.S.

This book resonated with me because it’s the story of a journey. A journey of personal discovery and resilience.

I know what it’s like to lose loved ones. My whole family is gone. I know what’s it’s like to have the life you’ve led, the life you’ve believed in, be dismantled. And I know what it’s like to go on an expedition to find yourself again.

It doesn’t matter how that expedition takes form; the journey to find yourself again is powerful, and I’m still on that road.

Most romance readers know that this story is about a run-down villa in Tuscany and a heartbroken heroine (Frances Mayes) struggling to build a life after her divorce. But read the book for the beautiful descriptions of the countryside, the delicious food and wine, and the gorgeous accounts of village life—the markets, the frescos, the fading sunlight!

This memoir is not just a restoration journey; it’s a book about finding yourself. 

There have been only a handful of books that I have been unable to put down.

This memoir is one of them. In 2008, Amanda Lindhout began her career as a reporter by traveling to Somalia. On her fourth day, she and another journalist were abducted and held for ransom.

She recounts her harrowing experience in captivity (460 days) in vivid, and heart-wrenching detail. When she is most desperate, she travels in her mind to A House in the Sky enabling her to block out her dire circumstances and let in a ray of hope.

This is a true story you will never forget.

This is just plain fun and inspiring to read!

Three friends, each on the brink of a quarter-life crisis, make a pact to quit their high-pressure New York City media jobs and leave behind their friends, boyfriends, and everything familiar to embark on a year-long backpacking adventure around the world.

From the first chapter when they were invited to dance with the Maasai in Kenya, I was swept along with them for an unforgettable journey!

It might seem odd, but there is no real better book than this one to illustrate the challenges of private equity. I use it as an example in my training sessions regularly.

The Merchant of Venice is not only one of the best plays on finance and ethics, but also the perfect illustration of the challenges of start-up investing before it became a profession. This play illustrates how venture financing differs in practice from bank financing. It also conveys the uncertainties associated with entrepreneurship, and how some capital providers are not able to take such a risk.

Shakespeare masters the art of contrasting the perspectives of an entrepreneur and a banker in a short and powerful format. It is a masterpiece and a must-read for anyone who wants to understand the philosophy of start-up investing. 

An American journalist, expelled from Italy in 1925, traces roots, rise, and rule of Il Duce in this 1935 book, which is as vivid as its title.

Mussolini appears as a cheap showman, who, “acting the Hero,” revived ancient Roman pomp and spectacles. He was also aware of the power of mass media, especially the cinema, “posing before men and moviemen.”

One of the virtues of Seldes’ book are the extensive quotations, which unmask Mussolini and others in their own words. Fascist documents, quoted at length, include “The Fascist Decalogue” (note its VIII. Commandment!) and the “Fascist Catechism,” which must be read to be (dis)believed.

Seldes’ book has become valuable again in the current age of assorted domestic and foreign media- and image-obsessed demagogues, autocrats, and dictators.

The distance in this novella takes a unique form as Toni, working on the building of her bookshop in the space of a one-time bakery belonging to her family, discovers something special in the walls. The discovery takes her to the arrival and experiences of her ancestors in Chicago’s Little Italy, the same locale of the soon-to-be bookshop.

My favorite part of the book is the relationship that develops between the Toni of today and the Vittorio of the past, as well as the understanding Toni comes to about her ancestors through Vittorio’s voice. Time and death present forms of distance, but Vittorio’s message transcends both, reaching Toni in a positive way. The possibility that someone can forge a beautiful relationship with a deceased ancestor is a neat feature of this book.

Oh, this one? It is everything. The villain is a virgin! Which deep down we all want. Seraphena is promised to him since childhood, groomed into marrying him and killing him in order to save her country. When the wedding night comes – he rejects her, leaving her behind. People blame her. If she hated him before, she loathes him even more. Until he reappears into her life to save her and they both fight this attraction. She still has a mission, and this is her excuse to try to seduce him. He is a tough nut to crack. He is actually more in control of himself than she is. As she grows to know him in his supernatural surroundings, hatred is hard to keep and so is distance…

Migration is the great theme of the twenty-first century. Our experience has set historians on a quest to see how new the mass movement of peoples really is. Isayev’s book is one of the first full-length studies of migration in Roman times.

It is enormously wide-ranging, bringing together the evidence of archaeology and of Roman comedy and history with the insights of geographers and sociologists. We see populations transplanted against their will, enslaved prisoners, hostages, and refugees, but also settlers and traders trying to make their fortune, and explorers and travelling scholars. Best of all we explore the ways that Romans thought about this, sometimes encountering chillingly familiar hostility but more often positive views of new arrivals. Romans often thought of themselves as a city of immigrants, and saw their willingness to accept newcomers as one reason for their success. Isayev does a wonderful job of opening up this new… show more.

This is a much-needed antidote to the navel-gazing tendencies of American criminal justice thought.

Reading contemporary treatments, you might almost be fooled into thinking that certain types of police controversies have a specifically American – or at least modern – origin. They don't. In fact, the peculiar challenges of policing and its inevitable discontents might even be universal.

Certainly, they were present at an early stage in medieval Italy, long before the first English "bobbies" ever dawned a uniform. Use-of-force controversies, weapons prohibitions, reluctant witnesses, hostile crowds, simmering beefs among local gangsters: it's all here. Roberts' medieval world so eerily resembles our own when it comes to law enforcement that one ends up surprised to encounter any differences at all.

Here's one, though: medieval town dwellers did not have cell phones with which to film the cops misdeeds. Instead, they hollered for notaries to scribble records on the spot.