100 Books Like A Shadow in the Ember

The first thing that drew me in with this book was Juliette’s unique voice; there’s a poetic cadence to the writing style that I found so compelling, especially in audiobook format! I’m a fan of a good dystopian book–especially if it has a romantic subplot–and this series delivered with rebellion, people with abilities, complicated relationships, and things not being quite as they first seemed.

Juliette’s inability to touch people without it being lethal added a lot of tension from the start. And the way memories were woven into the greater story? This brings a fun spin on the memory loss trope that expanded more and more as I read on. It’s easily my favorite aspect of the books! 

This book took me on an incredible adventure on the high seas. This historical pirate romance has everything—action, suspense, love, betrayal, bloody battles, and scorching hot steamy scenes. Rich and deep world-building, the depth of characters and storylines, and the beautiful descriptions pulled me into this story and kept me there the same way a riptide drags you under. I was left speechless during some scenes and will never be able to forgot this book as long as I live. The battle of wills between Bennett and Lord Ashley Cutler left me breathless and the scenes with her lover, pirate Priest Farrell, left me sweating. If you love swashbuckling historical romance with a modern twist, you must grab it. Not for the faint of heart or pearl-clutchers.

This book introduced me to the forced proximity/enemies-to-lovers tropes and has haunted me ever since.

The pervading mystery of the story, punctuated by strong characters and a love that has a lot of yearning behind it, made this totally unputdownable.

The world-building is incredibly creative – focusing on a benevolent dictator with authoritative and intolerant rule for anything around magic or religion. It creates a fascinating landscape for the ensuing mystery, political intrigue, and romance that follows. 

Daniel doesn’t care about life anymore. He only cares about finding the hitman who killed his wife, the only person he ever loved. Unfortunately, when he does find him, his hatred and contempt for the man are only matched by their fiery attraction. Can he betray his wife? With the very man who killed her? This is true love/hate, starting very much on the hate side, and remaining so for a long time, even when the passion is burning high and they have to hide from other Mafiosi. Very much a violent read, I am a fan of the guilt and of the bi trope. This very desperate, very edgy MM mafia love/hate romance will blow your mind, the darkness and the hotness are unforgettable.

The Silence is a psychological thriller with several layers. There are two timelines: present day, where the main character, Abby is a doctor, married with two daughters, and a ‘Then’ storyline set in the early 1990s when young Abby has been sent to Italy to stay with relatives in an old village house, following her mother’s suicide. Book clubs will be talking until midnight about multiple themes in this novel which include suicide and murder, what unsupervised children get up to, marital tension, blackmail, and the pressures of being a politician in a world of social media. Johnson is a talented author who deserves to be better known.

She’s best known for her novel The Namesake, which was made into a film, and her first collection, The Interpreter of Maladies. They’re good. Read this one. As a side note, she also moved from the US to Italy, learned Italian, and began publishing in Italian. Her work has now been translated from Italian and back to English. This is, itself, astonishing. As is this book.

Again, this is technically a novel but reads, daringly, as short fiction. A woman, middle-aged, single, and childless, goes about her days in a large Italian city. She shops for groceries, chats with friends, thinks about her childhood, and thinks about aging. Each section is short, unadorned, perfect. You won’t believe how perfect. I love this book also because it’s so obviously “domestic fiction,” concerned with private life, with tiny moments of transition, but puts a solitary woman at the center. It is… show more.

This is a novel about Italian immigrants struggling to survive in New York City’s Little Italy during the early years of the twentieth century amid the growth of the Black Hand, the precursor to the American mafia. The book is unique in that most of the characters are the author’s actual ancestors and people with whom they had come into contact during that era. Similarly, the grisly central events described in the story all occurred.

It is beautifully written and filled with fascinating historical details. The characters and the descriptions of places and events come alive on the page. Fabiano includes an extensive Glossary of Italian Terms used in the book, as well as a multi-generational family tree. Elizabeth Street makes for very good reading!

Lady Oracle was one of the novels I read in the several years after first having the vague notion that I might like to write a novel akin to Steppenwolf but that would be set in the approximate present day and have a female protagonist. As Lady Oracle’s main character is a writer who, after periodically reinventing herself, now fakes her own death, flees her intellectual, non-dancing husband, and holes up in an Italian village, I saw possible avenues for my own husband-leaving Kari. Would Kari flee to another country? Would she have secret lovers or a history of being fat? Would she, too, fake her own death? Kari ultimately didn’t follow many of Joan Foster’s paths, but she might have.

Gabrielle Hamilton isn’t just a ‘reluctant chef’ (in her own words), she’s also an absolutely exquisite writer (her MFA really paid off!). Her memoir traces her life and love of food from her New Jersey childhood, through her many professional ups and downs and international travels (I especially love the parts where she’s staying at her Italian mother-in-law’s home, describing the incredible produce she was able to get. Oh, the tomatoes!) Did I extra love this because she grew up in the same small town I was born in? Maybe, but it’s a wonderful book no matter where you’re from.

Whether or not one wants to make a case for the modern humanities deriving from the studia humanitatis in Renaissance Italy, it is undeniable that Renaissance humanism has been a source of endless fascination for humanities scholars. I enjoyed this book partly because it shows how this fascination led seventeenth- and eighteenth-century scholars to “recapitulate practices and mentalities that Italian Renaissance humanists pioneered.” It is such borrowing and reapplying that explains how a “humanistic tradition” could take shape. Another intriguing point is Celenza’s argument that this tradition has historically revolved as much around wisdom as about knowledge. While we modern academics know very well how to produce knowledge, what has happened to the wisdom part? Can the humanities survive, Celenza asks, without “reflection on the self and on life”?