100 Books Like Chlorine

This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.

I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”

From the first page, this story felt intimate and infinite all at once.

It’s written like a love letter and a battlefield, all at once. What I loved most was how it turned connection into an act of defiance, how two people trapped by duty and ideology choose to reach across time anyway.

Every line feels deliberate, like poetry disguised as science fiction. I was completely undone by how much humanity could fit into such a small space.

It reminded me that love, friendship, and understanding don’t need to make sense to be real; they just need to be chosen, again and again.

In this middle-grade horror novel, Steve is feeling lonely and worried. His newborn brother is sick in the hospital, and his parents are understandably stressed. There’s also a wasp’s nest threatening their home, which becomes a bigger problem when the wasp queen visits him in his dreams. One night, the queen comes to Steve and offers to help “fix” the baby.

I have read many, many horror books. I consider myself a connoisseur of the creepy. This book, intended for middle-grade children, remains one of the scariest books I’ve read. It’s filled with dread while also centering on family.

I can imagine a young Wednesday (as played by Christina Ricci or the late great Lisa Loring) reading this book and imagining what she would wish upon her own brother should a wasp queen approach her.

I view this book as an equal mix of cosmic deep-sea horror, exploration of loneliness, and marital devotion.

I really appreciate that this book follows two flawed women across multiple periods of time, on land and in the deep sea, and across the full length of their relationship. The weight of one of them disappearing beneath the ocean for months profoundly affects both of them–mentally, emotionally, and physically–in different and weird ways, but underneath everything is an enduring love.

I particularly enjoyed the slow-moving body horror in this one, plus the escalating creep of being stuck at the bottom of the ocean for months and the overarching terror of losing the one you love.

I’m a completionist. I take pleasure in completing a game or task involving many steps that I can tick off as I go.

A to Z lists thrill me like nothing else can! Seeing different minds tackle the same 26 letters each in their own way, never gets old. I was a grown-up when I first discovered Edward Gorey and found him amusing.

But when I discovered this book, the hairs on the back of my neck tingled. He was taking on the A to Z challenge! And he nailed it. Each line is concise and yet tells me everything I need to know.

It’s a short book, but since each line comes with an illustration showing that letter’s victim’s last moments, it’s worth pausing to savor each page.

This book is an ideal introduction to the history of the Addams Family, tracing back to their origins as a comic strip in the New Yorker. It is filled with trivia and information about the family throughout the years and how they became so beloved.

Over 200 of the original comics are printed in this book, and I loved being able to see their villainous beginnings. I love learning about the Addams Family and how their mischievous machinations have made them cultural icons.

Perhaps not the scariest book on this list, but it's a good way to learn about how Wednesday became Wednesday.

Maddy is not, and never will be, a bad girl. She's just a scared girl that did some very, very bad things.

That doesn't mean I wasn't cheering her on. Maddy is the kind of heroine that I fantasized about jumping into the pages to fight for. I cussed out many a side-character in my head, just wishing they would try to talk to me like that so I could give them what they deserve.

But Maddy gets her lick back without my help - and it's a remorseless gorefest. The ending of this book is part slasher, part action film that I needed. After getting frustrated with all her hardships, I needed Maddy’s revenge to take over the book, just like her rage took over her.

This is an ambitious story about a sexually-transmitted otherworldly city, and Valente expertly delivers on that concept.

When this book was first published in 2009, it was rare and controversial to have bisexual main characters and multiple sapphic trysts in a speculative novel. It was, therefore, one of the first weird, sapphic books I ever read, and I was absolutely delighted to discover it.

While thoroughly weird in content, the prose is poetic and lush, and the overall strange, beautiful tone of this novel has stayed with me throughout most of my adult life.

I spend hours listening to my favorite songs on repeat until they feel like a part of me. Musicians take this obsession even further, practicing a song until muscle memory takes over—their hands instinctively shaping the melody. Dylan Woods, the novel’s protagonist, is a devoted violinist, and there are many excellent passages in this book about what music means to her.

When her childhood friend Langston—now an R&B chart-topper—comes back into her life, the blend of music and budding romance keeps me turning pages. But this book ultimately made my list because of Dylan’s exploration of identity. Like Dylan, I was adopted and resonated with Davis’s portrayal of the struggle to belong. 

It’s always great to get a reminder to be true to yourself when you don’t fit in easily.

This dystopian YA novel has good worldbuilding and a rich lexicon of new words that gives it that idiosyncratic futuristic feeling. The protagonist is a barely fifteen-year-old girl “bender”—someone who doesn’t feel comfortable in their assigned gender and doesn’t hide that. She has been sent to a camp that will determine her future, making sure she doesn’t end up in the “Blight”, a huge concentration camp for society’s undesirables.

But for a good outcome, she must conform, and her fellow campers and new experiences make that confusing and difficult. The ending is fairly open, but she has clearly learned to be true to herself and reject arbitrarily assigned labels.