83 Books Like Children of the Drug Trade

When I was twelve, my family moved to Brazil for a year because of my father’s work. I’ve been fascinated by the country and it has been always been the focal point of my research. Initially, my focus was how neighborhood associations in Rio’s favelas took advantage of new political opportunities during the transition to democracy in the mid-1980s. By the mid-1990s, however, the neighborhoods had all been occupied by heavily armed and occasionally violent drug gangs. Since then, I've tried to figure out the dynamics of this process, from the involved actors’ points of view. Including the voices of participants in drug gang life and those, like Bruno, who bring drugs to market.

When I was twelve, my family moved to Brazil for a year because of my father’s work. I’ve been fascinated by the country and it has been always been the focal point of my research. Initially, my focus was how neighborhood associations in Rio’s favelas took advantage of new political opportunities during the transition to democracy in the mid-1980s. By the mid-1990s, however, the neighborhoods had all been occupied by heavily armed and occasionally violent drug gangs. Since then, I've tried to figure out the dynamics of this process, from the involved actors’ points of view. Including the voices of participants in drug gang life and those, like Bruno, who bring drugs to market.

When I was twelve, my family moved to Brazil for a year because of my father’s work. I’ve been fascinated by the country and it has been always been the focal point of my research. Initially, my focus was how neighborhood associations in Rio’s favelas took advantage of new political opportunities during the transition to democracy in the mid-1980s. By the mid-1990s, however, the neighborhoods had all been occupied by heavily armed and occasionally violent drug gangs. Since then, I've tried to figure out the dynamics of this process, from the involved actors’ points of view. Including the voices of participants in drug gang life and those, like Bruno, who bring drugs to market.

When I was twelve, my family moved to Brazil for a year because of my father’s work. I’ve been fascinated by the country and it has been always been the focal point of my research. Initially, my focus was how neighborhood associations in Rio’s favelas took advantage of new political opportunities during the transition to democracy in the mid-1980s. By the mid-1990s, however, the neighborhoods had all been occupied by heavily armed and occasionally violent drug gangs. Since then, I've tried to figure out the dynamics of this process, from the involved actors’ points of view. Including the voices of participants in drug gang life and those, like Bruno, who bring drugs to market.

I feel passionate about spreading the word about all the fantastic children’s literature set in South America. As an author and a multilingual mom whose son enjoys learning about his Latin American heritage, I’ve always brought home stacks of picture books—in Spanish and English—that celebrate Latin American cultures and settings. I’ve loved traveling to the Andes mountains and the Amazon rain forest as part of my children’s book collaborations with Indigenous women in those regions. Most of all, I love transporting young readers to these inspiring places through story.

I love to read. I always have. I also love to write mysteries that, hopefully, keep my reader guessing until the end of the book. I look for books that not only provide me with a mystery to solve but also inform me of situations and/or places I would otherwise never learn about. I have found all the books on my list to fill that need. They are just an example of the many I have found and read.

All my life, I’ve been fascinated by interest-driven people and the subcultures they discover or form around themselves. Though my writing ranges from mainstream literary work to music criticism to speculative fiction in many different flavors, I’m best known for what one longtime reader referred to as my “oddly personable brand of horror.” Call them people-and-their-ghosts stories. I’ve written six novels and four collections, which have earned me the Shirley Jackson and International Horror Guild Awards, among other honors. I’ve also taught writing at the graduate, university, and secondary level for more than 25 years.

I grew up in Tanzania, where I discovered the importance of learning first-hand from ordinary people about their lives by accompanying my mother, who was an anthropologist, when she carried out participant observation among coastal people. Much later in my own research, I could see how essential it was to interact with people face-to-face and learn about their aspirations, joys, fears, daily struggles, and creative ways of coping with the challenges of an economy in free fall. I learned to look beyond the “economic data” to more fully appreciate the humanity of the people involved. All of these books I selected are by people who learned about the real urban economy in this way.

I am a historian and journalist. I lived in Italy for over twenty years, immersing myself in the culture of that country—in every form. I decided to write Calcio after becoming aware of the centrality of football to Italian culture and politics, and around the time of the rise of a football entrepreneur to political power—Silvio Berlusconi. The book took me three years, led me to visit numerous cities, stadiums, and regions, and interview dozens of journalists, experts, and players. It was a love letter and a warning—dedicated to ‘my father who loves football, and my son, who hates it.'

Ana Siqueira is a Spanish-language elementary teacher, an award-winning Brazilian children’s author, and a published author in the Foreign Language educational market. Her debut picture book is Bella’s Recipe for Disaster/Success (Beaming Books, 2021), Her forthcoming books are If Your Babysitter Is a Bruja/ Cuando Tu Niñera Es Una Bruja (SimonKids, 2022), Abuela’s Super Capa/La Super Capa De Abuela (HarperCollins 2023) - two-book deal auction, Room in Mami’s Corazon (HarperCollins 2024) and some others that can’t be announced yet. Ana is a member of SCBWI, Las Musas Books, and co-founder of LatinxPitch. You can learn more about Ana, by following her.