100 Books Like Rio de Janeiro

When I was twelve, my family moved to Brazil for a year because of my father’s work. I’ve been fascinated by the country and it has been always been the focal point of my research. Initially, my focus was how neighborhood associations in Rio’s favelas took advantage of new political opportunities during the transition to democracy in the mid-1980s. By the mid-1990s, however, the neighborhoods had all been occupied by heavily armed and occasionally violent drug gangs. Since then, I've tried to figure out the dynamics of this process, from the involved actors’ points of view. Including the voices of participants in drug gang life and those, like Bruno, who bring drugs to market.

When I was twelve, my family moved to Brazil for a year because of my father’s work. I’ve been fascinated by the country and it has been always been the focal point of my research. Initially, my focus was how neighborhood associations in Rio’s favelas took advantage of new political opportunities during the transition to democracy in the mid-1980s. By the mid-1990s, however, the neighborhoods had all been occupied by heavily armed and occasionally violent drug gangs. Since then, I've tried to figure out the dynamics of this process, from the involved actors’ points of view. Including the voices of participants in drug gang life and those, like Bruno, who bring drugs to market.

When I was twelve, my family moved to Brazil for a year because of my father’s work. I’ve been fascinated by the country and it has been always been the focal point of my research. Initially, my focus was how neighborhood associations in Rio’s favelas took advantage of new political opportunities during the transition to democracy in the mid-1980s. By the mid-1990s, however, the neighborhoods had all been occupied by heavily armed and occasionally violent drug gangs. Since then, I've tried to figure out the dynamics of this process, from the involved actors’ points of view. Including the voices of participants in drug gang life and those, like Bruno, who bring drugs to market.

When I was twelve, my family moved to Brazil for a year because of my father’s work. I’ve been fascinated by the country and it has been always been the focal point of my research. Initially, my focus was how neighborhood associations in Rio’s favelas took advantage of new political opportunities during the transition to democracy in the mid-1980s. By the mid-1990s, however, the neighborhoods had all been occupied by heavily armed and occasionally violent drug gangs. Since then, I've tried to figure out the dynamics of this process, from the involved actors’ points of view. Including the voices of participants in drug gang life and those, like Bruno, who bring drugs to market.

I feel passionate about spreading the word about all the fantastic children’s literature set in South America. As an author and a multilingual mom whose son enjoys learning about his Latin American heritage, I’ve always brought home stacks of picture books—in Spanish and English—that celebrate Latin American cultures and settings. I’ve loved traveling to the Andes mountains and the Amazon rain forest as part of my children’s book collaborations with Indigenous women in those regions. Most of all, I love transporting young readers to these inspiring places through story.

I love to read. I always have. I also love to write mysteries that, hopefully, keep my reader guessing until the end of the book. I look for books that not only provide me with a mystery to solve but also inform me of situations and/or places I would otherwise never learn about. I have found all the books on my list to fill that need. They are just an example of the many I have found and read.

All my life, I’ve been fascinated by interest-driven people and the subcultures they discover or form around themselves. Though my writing ranges from mainstream literary work to music criticism to speculative fiction in many different flavors, I’m best known for what one longtime reader referred to as my “oddly personable brand of horror.” Call them people-and-their-ghosts stories. I’ve written six novels and four collections, which have earned me the Shirley Jackson and International Horror Guild Awards, among other honors. I’ve also taught writing at the graduate, university, and secondary level for more than 25 years.

I grew up in Tanzania, where I discovered the importance of learning first-hand from ordinary people about their lives by accompanying my mother, who was an anthropologist, when she carried out participant observation among coastal people. Much later in my own research, I could see how essential it was to interact with people face-to-face and learn about their aspirations, joys, fears, daily struggles, and creative ways of coping with the challenges of an economy in free fall. I learned to look beyond the “economic data” to more fully appreciate the humanity of the people involved. All of these books I selected are by people who learned about the real urban economy in this way.

Growing up as a bi-racial Malay Filipina in a country that only recognizes my Malay-Muslim heritage, I have always inadvertently never quite met the standards of what constitutes a “good Malay Muslim woman.” My circumstances have meant I am always drawn to stories of women who strain against the confines of their societies and desire more for themselves than what is considered acceptable by polite society. Whether they achieve their goals by coloring within the lines or straying outside them, their journeys are what continue to inspire me to live my own life as authentically as possible.

Photography has its own language. It can be used to tell us things about the world in a way that words never can. Through photography I have explored the world and witnessed the huge difference in circumstances that exist. It has made me aware of how we all live in our own little bubbles of family, work, school, and neighborhood. I love books that take us outside those bubbles, and since becoming a Dad, reading and looking at books is a way for me to travel with my children to different places before they go to bed. I hope that these books can open up your and your children’s eyes.