78 Books Like Scottish Pageant 1513-1625

A bracing tonic for anyone slogging through the Outlander—or Waverley—version of the Jacobite rebellions, Jacob's 1911 novel is beautiful, painful, and utterly unromantic (even though the deep attraction felt between the two main male characters is the driving force of much of the plot). It throws into sharp relief the ambiguities of civil war and the ways in which personal background, inclination, and affection play more of a role than principle ever could in determining an individual's place in such a conflict. Each year, my students are continually surprised by how much they enjoy it.

A forgotten gem of a book. Katherine Parker hasn't (yet) enjoyed the same revival of interest as Violet Jacob, but this volume alone should make us reconsider. Sitting somewhere between biography and novel, it teases us and makes us a little uncomfortable as it veers between fragments of dialogue—clearly invented, albeit very much in keeping with period language—and more obviously historical passages, telling the eventful life of Jean Cochrane, Viscountess Dundee (1662-1695) from her birth in the west of Scotland, through her marriage with the famous Jacobite general Viscount Dundee—"Bloody Clavers" or "Bonnie Dundee" depending on your political preferences—to her strange death, killed by a collapsing inn roof in Utrecht, and her stranger exhumation a hundred years later.

Surviving in a single manuscript, printed once in 1844, and forgotten almost instantly, the Breiffe Narration is, without doubt, one of the masterpieces of Scottish prose. It is the autobiography, partial in more ways than one, of Father Gilbert Blackhall (d. 1671), a soldier turned Catholic priest from Aberdeenshire who was the confessor to three leading noblewomen during the tumultuous period of the civil wars. Blackhall evades robbers, rescues his noble charges from dastardly plots, and travels halfway across Europe in a first-person narrative written in a rich, broad Scots and full of vivid dialogue (presumably more invented than remembered, but splendid for all that). My copy has almost been read to pieces.

What is the dividing line between genius and madness? The question is a pressing one when you face Sir Thomas Urquhart of Cromarty (1611-1660), duelist, soldier, mathematician, genealogist, linguist, poet, historian, metaphysician, cryptographer, and endless self-promoter. It is said that Urquhart invented as many words as Shakespeare. The difference? Shakespeare's neologisms caught on, while "disobstetricate," "enixibility," and "scripturiency" remain firmly outside the dictionaries. If you're feeling brave, though, Urquhart's Discovery of a Most Exquisite Jewel More Precious Than Diamonds Inchased with Gold, The Like Whereof Was Never Seen in Any Age (he means his own writing) is one of the richest, maddest, most compelling narratives of a Scot trying to find himself and his country in the war-torn seventeenth century.

Childress’s novel is a compilation of short pieces originally published serially in two different Black-owned newspapers. In each story, Mildred, a Black domestic worker in New York City, recounts to her friend, Marge, the humorous, infuriating, and all too familiar experiences of working for various white families across the city. She also describes her refusal to remain silent in the face of white employers’ micro-aggressions, outright venom, and fantasies that she’s their loving mammy. Childress’s stories were a powerful salve to the Black household workers and others who first read them in a newspaper. Most of them daily confronted similar situations and worse, but lacked the safety or resources to resist in the same direct ways. 

I have spent much of my adult life working with kids (and grown-ups) who had some tough stuff happen early in life. Traumatic experiences can lead to some big, angry behaviors that make the parent-child relationship challenging. This precious book is an antidote to that negative pattern. Enjoy this sweet story with ages 3 and up.

While governance is a key aspect of any board member's responsibilities, often nonprofit board members are surprised or even disheartened by the requirement to fundraise on behalf of the organization. Some people are afraid that they can’t ask for money or are uncomfortable asking certain people and decide they don’t want to serve on the board. While there are a lot of books on fundraising, Asking Styles helps board members identify their asking style and what would be the most effective fundraising methods for them. It also helps understand how others feel about fundraising and how to work as a team to bring the most success to the organization. The book is a short read but full of great examples and practical guidance. 

I first came upon this book about twenty years ago, and it's one I've read cover-to-cover so many times that the cover is barely still attached.

It starts in the year 1218, when a Welsh princess, Eleyne, is born in a castle amidst a huge fire. The story follows her very eventful life through marriages, politics, and love affairs with Kings. And as you'd expect from medieval times, it's hardly plain sailing. As a woman, she doesn't hold much power over her own life, and there are many throughout the story who make it their mission to break her spirit–but no matter how hard they try or what they put her through, they all fail.

She is fierce and powerful and my rebellious side felt such a strong connection with her. It's a long book but one I'd highly recommend to anyone who loves powerful women and historical fiction. 

I must have a Julie Garwood novel on my list—and this is one of my favorites in the Scottish medieval romance category. In my opinion, Garwood writes great romance novels, with strong, attractive, and likable characters. This novel offers a determined hero and an equally headstrong heroine, combined with murder and intrigue. You’ll also have a few smiles with this one. I always enjoy a little humor in romance novels.

This book is not just about Scotland, despite the title. It is a very rich and imaginative study that is both helped and hindered by its remit being modern Scotland, which was never a single political or cultural entity in the early Middle Ages. That means the author has to look at several distinct groups: the English of Northumbria, the Britons of Strathclyde in the southwest, and the Vikings of the north and west, as well as the ‘Scots’ themselves of central Scotland (whose collective identity as Scots was taking shape at this time). All of this is done with insight, imagination, and command of the complicated sources. It is a lesson in how wide-ranging histories of Britain should be written.