Here are 100 books that Charlie Thorne and the Last Equation fans have personally recommended if you like
Charlie Thorne and the Last Equation.
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When I was researching for my own book Girl Giant and the Monkey King, I was disappointed in how few books there were out there on Asian mythology. Not just because that really limited my ability to find legitimate sources for my novel, but because that meant so many readers were missing out on a complex and rich history of so many wonderful cultures. Since then, lots of books have been published and I’m so glad that I’m able to read and share them with so many others, and I’m looking forward to even more of these books coming out in the future that will give readers glimpses into our lives and stories.
Katie Zhao’s Dragon Warrior series features characters from Chinese mythology and incorporates them into our contemporary world in a fun, humorous adventure. Think Percy Jackson meets Journey to the West. You might recognize some of the same characters from Girl Giant and the Monkey King because Vietnamese and Chinese cultures have lots of similarities! I learned so much while reading this book, was delighted by the crossover characters that showed up in both our stories, and was so inspired, I wish there were more books like it.
"An exhilarating tale. . . Readers will be enthralled." --J.C. Cervantes, New York Times bestselling author of The Storm Runner
A debut novel inspired by Chinese mythology, this middle-grade fantasy follows an outcast as she embarks on a quest to save the world from demons--perfect for fans of Aru Shah and the End of Time and The Serpent's Secret.
As a member of the Jade Society, twelve-year-old Faryn Liu dreams of honoring her family and the gods by becoming a warrior. But the Society has shunned Faryn and her brother Alex ever since their father disappeared years ago, forcing them…
I’m pretty sure I’m about to die in space. And I just turned twelve and a half.
Blast off with the four winners of the StellarKid Project on a trip to the International Space Station and then to the Gateway outpost orbiting the Moon! It’s a dream come true until…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Oreo (originally published in 1974, then out of print, and finally repopularized by Harriette Mullen and republished in 2000), a satirical novel by Fran Ross, a journalist and, briefly, a comedy writer for Richard Pryor, is widely considered to be “before its time.” This aching and hilarious, experimentally structured story is about a girl, Oreo, with a Jewish father and a Black mother, who ventures to New York City to find her father only to discover there are hundreds of Sam Schwartzes in the phonebook, and then goes on a quest to find him.
Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering…
I was a marathon runner, and then I became a cyclist and started racing bicycles, especially ultra events: 24-hour and 12-hour races. I love activities that require guts and perseverance. Characters who dig deep to accomplish what they want are the ones with whom I want to spend my reading and writing time.
Writing a book, doing good research, and being a good friend require the same characteristics. I know the healing power of activity and of pushing ourselves to excellence. I also know the huge benefit of finding friends who share our passions. When we’ve got those things, we can heal, we can strive, and we can thrive.
I fell in love with T.J. Jones, who is a gifted athlete, but an outcast because he’s multi-racial in a white community. After a rocky start, he’s landed in a loving adoptive family and has learned this kind of wisdom: “…I learned...that the color of a person’s skin has to do only with where their way-long-ago ancestors originated, so my mind tells me all racists are either ignorant or so down on themselves they need somebody to be better than.”
I couldn’t help but root for this unlikely hero who stands up to racism and bullying while training like the dickens to be the best swimmer ever. This is among my favorite stories, but I say that every time I finish one of Crutcher’s books (that's why I included two).
There's bad news and good news about the Cutter High School swim team. The bad news is that they don't have a pool. The good news is that only one of them can swim anyway. Bestselling author Chris Crutcher's controversial and acclaimed novel follows a group of outcasts as they take on inequality and injustice in their high school.
"Crutcher's superior gifts as a storyteller and his background as a working therapist combine to make magic in Whale Talk. The thread of truth in his fiction reminds us that heroes can come in any shape,…
I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
We all know of Sarah and Angelina Grimké, sisters who, before the Civil War, left their South Carolina home and became well-known abolitionists in the North.
But the family also included their brother Henry, a brutal, slave-holding man, his three children by Nancy Weston, an enslaved woman in his household, and their descendants. Two brothers became part of the post-Civil War Black elite and one descendant, Angelina Weld Grimké, made a name for herself as a poet during the Harlem Renaissance.
In addition to reexamining the legacy of Sarah and Angelina, author Kerri Greenidge reminds readers how families were formed under the sword of slavery and that recovery from its wounds is incomplete, even today.
Sarah and Angelina Grimke-the Grimke sisters-are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality.
I’m most drawn to stories of overcoming. My own childhood was about exactly that-overcoming a multi-generational inheritance of family separation and orphaned children. When I wrote my first book about that story, A Chance in the World, an unanticipated magic unfolded: I began to receive stories of strangers from all across the world who wrote to tell me their own story of overcoming. Each and every day I hear from someone and the steady stream of those stories of overcoming affirms something I have to come to learn: we all have a story and none of us look like that story.
Even a casual glance at today’s headlines will show how race continues to be a perplexing issue in our society. And it shouldn’t be. But we need examples of how to navigate the complexities of race and McBride’s powerful memoir shows us how.
His deep love – and appreciation – for his mother and coming to terms with her story while still standing in his own truth as a Black man is instructive and inspiring…and a reminder that there is nothing greater than love.
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'A triumph' - New York Times Book Review
'A startling, tender-hearted tribute to a woman for whom the expression tough love might have been invented' - The Times
'As lively as a novel, a well-written, thoughtful contribution to the literature on race' - Washington Post
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MORE THAN TWO YEARS ON THE NEW YORK TIMES BESTSELLER LIST
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From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction, came this modern classic that Oprah.com calls one of the best memoirs of a generation and that…
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Another example of early African American fiction, The Garies and their Friends is the second novel published by a Black American. Following the lives of an interracial couple moving from Savannah to Philadelphia, their middle-class Black friends, and the racism they face, The Garies is one of the first texts to examine free Black life in depth. Writing an anti-racist novel, Webb criticizes the legal structures and extra-legal white supremacist violence that prohibit Black safety and success in the ‘free’ North.
In this novel set in antebellum America, the Garies -- a white southerner, his mulatto slave-turned-wife, and their two children-have moved to Philadelphia from Georgia. Originally published in London in 1857, and never before available in paperback, The Gages and Their Friends was the second novel published by an African American and the first to chronicle the experience of free blacks in the pre-Civil War northeast. The novel anticipates themes that were to become important in later African American fiction, including miscegenation and "passing", and tells the story of the Garies and their friends, the Ellises, a "highly respectable and…
I’m a fan of many kinds of stories, but the novel is my favorite form. I love most genres, especially historical and literary. My favorite reads are sagas, not to escape life but rather to experience more of life, immersing myself in a sweeping yet intimate journey into someone else’s world. In my favorite fiction, the protagonists are women or girls who discover their power. Not superpowers, but the real deal: intelligence, compassion, courage. The secret sauce is when an author accomplishes this without a wink—without the heroic woman becoming a caricature of unexpected masculinity or precious femininity. I want novels about women with potential as unlimited as men.
This is one of the strongest survivors I've met in historical fiction. I related to Gussie feeling like an outsider in her family, though for different reasons. I’m a mixed-race woman of Latina, Asian, and Anglo roots, and grew up bouncing between family members in an ethnic patchwork of neighborhoods. Like Gussie, I don’t look or act like anyone in my family—or anywhere.
Like Gussie, I’ve never conformed to society’s expectations of “ladies.” Some see my opinionated, independent, wandering nature as masculine—again, like Gussie. Her confidence, adventurousness, and determination are qualities I’ve cultivated with gusto. Her loneliness feels familiar, but it clarifies the bonds she creates and her loyalty to those she loves. Though most folks in Gussie’s world consider her plain, I find her beautiful.
A six-generation tale told from the perspective of matriarch Gussie Locke explores how abandonment played a pivotal role in her life, from her decision to run away from home and her struggles as a single mother to her own daughter's flight and her grandchildren's efforts to find answers, in a story set against the panoramic backdrop of the American West in the twentieth century. 15,000 first printing.
My love for both the Weird and the Wild West started somewhere in the 90s. I watched many movies and adored playing Deadlands (TTRPG) with my friends. I picked this theme because most Western-themed books and movies were very male-orientated, yet I always found myself drawn to the heroines in these stories. While I loved characters like Billy the Kid and Wild Bill Hickok, I could better relate to Calamity Jayne or Belle Starr. During our Role Play game nights, I often played female gunslingers. That’s how I ended up creating Coyote, who inspired me to write her story in a series of novels.
If you are up for a little journey into the Weird West, let Nettie Lonesome be your guide. She is anything but the traditional ‘Cowboy’ being a queer, biracial, young woman. This book is a different kind of coming-of-age story—a tougher one, which really takes the reader on a rollercoaster ride. For me, the biggest appeal of this book is the main character. Nettie is a special breed of Ranger who discovers there is more to this world than heaven and earth. There are monsters hiding in the shadows, and Nettie finds she has a particular talent for dealing with them. When it comes to queens of the Weird West, Nettie belongs to be among them. Even if she does prefer to dress as a man.
"Wake of Vultures is, quite simply, brilliant. A mind-bending mix of history, fantasy and folklore, it's a wild bronco of a read that'll leave you breathless for more."―Rachel Caine, New York Times bestselling author
Supernatural creatures create chaos across an unforgiving western landscape in the first book of a propulsive and cinematic fantasy adventure starring ever fearless Nettie Lonesome.
Nettie Lonesome dreams of a greater life than toiling as a slave in the sandy desert. But when a stranger attacks her, Nettie wins more than the fight.
Now she's got friends, a good horse, and a better gun. But if…
I’ve lived and worked intensely in the medical field for over two decades in many countries in Africa. I’ve seen global health programs from the academic, research, developmental, and humanitarian viewpoints of both Africans and Europeans. It’s a complicated mix of politics, good intentions, and, sometimes, egos. There’s much to be learned from both fiction and nonfiction about the complexity of it all.
Nadia Owusu is the quintessential third culture kid, holder of a US passport, but born in Dar-es-Salaam to a Ghanaian father and an Armenian-American mother. Her UN-employed father moved his two daughters around through Kumasi (Ghana), Kampala (Uganda), Addis Ababa (Ethiopia), Rome (Italy), and the UK. Her mother left the family when Nadia was three years old and didn’t look back, save for a rare, short visit and some trinket gifts. Aftershocks is Ms. Owusu’s tribute to a loving father, but her upbringing was a shaky foundation that reverberated throughout her life, and provided the earthquake metaphor around which she structures her memoir. She weaves bits of political history and culture from the countries she lived in into her own story, comprised of the foreshocks, main shock, and aftershocks. It’s held together by beautiful prose descriptions, both of place and emotions.
In the tradition of The Glass Castle, this “gorgeous” (The New York Times, Editors’ Choice) and deeply felt memoir from Whiting Award winner Nadia Owusu tells the “incredible story” (Malala Yousafzai) about the push and pull of belonging, the seismic emotional toll of family secrets, and the heart it takes to pull through.
“In Aftershocks, Nadia Owusu tells the incredible story of her young life. How does a girl—abandoned by her mother at age two and orphaned at thirteen when her beloved father dies—find her place in the world? This memoir is the story of Nadia creating her own solid…
In my previous role as a teacher, I often encountered teens who never, ever read outside of school – and hated having to read in school. Finding YA retellings of the classics became an indispensable tool for me in terms of not only linking the past with the present for the young adults in my classes, but also in terms of helping them see themselves in fiction, finding representation there, and discovering their own importance. It opened up whole worlds for all of us, and offered a pathway to a love of reading that I hope they will never forget!
I’m one of those rare English teachers who was never much of a fan of Austen, but Pride is such an incredibly powerful YA read that it had me looking back at the original with fresh eyes when I finished it. A contemporary, diverse retelling of Pride and Prejudice, it tackles issues of race, culture, heritage, and gentrification head-on, all set against the familiar backdrop of first love. Brilliantly showcasing the power and importance of not only the YA genre, but also the original novel which inspired it, I found Pride to be a massively thought-provoking and hugely important twist on the classic. (If I had my way, I’d make it required reading alongside its predecessor!)
In a timely update of Jane Austen's Pride and Prejudice, National Book Award finalist Ibi Zoboi skillfully balances cultural identity, class, and gentrification against the heady magic of first love in her vibrant reimagining of this beloved classic. A smart, funny, gorgeous retelling starring all characters of color.
Zuri Benitez has pride. Brooklyn pride, family pride, and pride in her Afro-Latino roots. But pride might not be enough to save her rapidly gentrifying neighborhood from becoming unrecognizable.
When the wealthy Darcy family moves in across the street, Zuri wants nothing to do with their two teenage sons, even as her…
