Books like Category Five

Gabino Iglesias has become a phenomenon in horror through a lot of hustle and plain hard work. His 2022 novel cemented his reputation as the king of border horror.

This novel follows the fate of Mario, a man broken by debt due to his family’s crushing medical bills. With a failing marriage, he reluctantly takes a job as a hitman, agreeing to do one last job hijacking a cartel’s cash shipment before it can reach Mexico.

Mario reluctantly works with his meth-addicted friend and a cartel insider. To make this dangerous endeavor worse, enter supernatural horrors that shocked me—and I am not easily shocked.

Is there blood? Of course! Gore? Plenty! Monsters and demons? Yes! You are guaranteed to lose sleep after reading this novel.

This YA Horror novel, by an Afro Dominican nonbinary author, won the prestigious Pura Belpré Award and was a finalist for the Bram Stoker Award.

The Bronx setting is depicted with such grit (spanning decades), it’s practically a character in its own right. I loved how the novel tied together a twisted “game,” similar to an urban legend, with a real, and very dark chapter of NYC history. It will definitely appeal to true crime fans, like myself, and features likable teen characters that are also relatable to adult readers. 

Winner of the International Latino Book Awards, and a Bram Stoker Finalist, this adult horror novels tackles the history of Chicago, highlighting the local Latin community.

Children of Chicago twists the story of the Pied Piper, with clean prose and a quick pace. I especially loved the main character, a female Puerto Rican detective who breaks all the stereotypes of both cops and women in fiction.

It’s a supernatural horror tale for adults that will make you want to read the rest of Pelayo’s impressive work.

V. (Violet) Castro’s debut novel, released in 2021, put her on the horror map, and for good reason.

I loved how she blended Mexican legend and culture to tell a supernatural horror story that is rich in detail, dialogue, and dark humor. The setting is a Texas wedding held on a renovated farm.

But very bad things start to happen, all seemingly tied to a legend of a 1950s murder of a Mexican farmworker. But—so people say—the woman’s death piqued the interest of the Aztec Goddess of Death, who pledges herself to the murdered woman.

Castro’s expert storytelling upends classic tropes to make this book an exhilarating and frightening literary ride that is smart and timely.

This book is the international dragon-riding tournament book that I always knew I needed.

This contemporary YA fantasy, set in an alternate world where dragons and their riders compete in a World Cup for fame and glory, is action-packed with an incredible amount of heart. The perfect balance of magic, adventure, and friendship made this an addictive read from start to finish. (And there’s a sequel!) 

Through friendships with Borinqueñxs and interest in the island, I don’t consider myself wholly ignorant about Puerto Rico. Like the Philippines, Puerto Rico was claimed by the US following the Spanish American War, but once again, when I tried to learn more about that era, I ran into a brick wall. Marisel Vera recovers that history while offering all the pleasures of a traditional family saga. She brings the reader close to the daily lives and loves of a family of coffee farmers who struggle first under Spanish rule and then the system established by the US. Vera also taught me something I’d never heard of: the deceptive recruitment that carried newly impoverished but still hopeful Puerto Ricans off to Hawaii to labor in the sugar fields. 

Esmeralda Santiago portrays the 19th-century journey of Ana Cubillas from imperial Spain to colonial outpost Puerto Rico. Cubillas has a complicated relationship with her family, slavery, and Puerto Rico, and the reader never knows quite what to think of her. Like Cubillas, Puerto Rico itself is complicated. I lived in San Juan for two years and grew to love the island, but I never felt like I quite understood it – any outsider who says they do is probably lying.

I was surprised at the beginning because I thought Vico would be a main character, but he ended up being the monster’s victim in the first few pages. A very chilling scene. The author was great at describing Puerto Rico to the point I could picture the setting vividly without ever visiting Puerto Rico in real life. All the scenes were interesting and moved the plot forward. I really liked how the teenagers teamed up to try and solve the mystery of the monster. They each had a past they regretted. My favorite line in the book, "You’ve been watching too many movies. Things just aren’t that interesting in real life.”

Rivera’s only major work, Family Installments has influenced many Latinx writers, including Junot Diaz. Published in 1982, it was one of the earliest novels capturing the diasporican experience of the Great Migration in the 1950s. Rivera’s protagonist, Santos Malánguez, narrates his family’s journey from Puerto Rico to New York in great detail, often with sharp insight and humor. As a young aspiring writer, I identified with Santos, especially as he found, in reading and books, solace from a dreary life of struggle. No other book depicts diasporican life so richly and comprehensively—from harsh rural life on the island to tenement living, abusive parochial school education, rip-off credit scams, exploitive working conditions, and the lingering desire to return to the homeland.

In Vega’s third novel, the eponymous Omaha Bigelow falls for a young and gifted Puerto Rican Taina priestess, Maruquita Salsipuedes. Smitten by the “gringo whiteboy,” and driven by her desire to have a “gringorican baby,” Maruquita asks her mother to perform the bohango ceremony on Omaha to enlarge his small penis. Breaking his vow never to use this new bohango on another woman, Omaha pays the consequences for his betrayal. Full of metafictional intrusions, a subplot concerning a secret, subversive plot to liberate Puerto Rico, and rambling discursive rants, this maximalist novel is more than a parodic romantic story. Vega’s fictional world is often complex, imaginative, iconoclastic, and attuned to American culture and society as seen through the eyes of arguably the most accomplished, talented diasporican fiction writer to date.