58 Books Like Children of Chicago

Gabino Iglesias has become a phenomenon in horror through a lot of hustle and plain hard work. His 2022 novel cemented his reputation as the king of border horror.

This novel follows the fate of Mario, a man broken by debt due to his family’s crushing medical bills. With a failing marriage, he reluctantly takes a job as a hitman, agreeing to do one last job hijacking a cartel’s cash shipment before it can reach Mexico.

Mario reluctantly works with his meth-addicted friend and a cartel insider. To make this dangerous endeavor worse, enter supernatural horrors that shocked me—and I am not easily shocked.

Is there blood? Of course! Gore? Plenty! Monsters and demons? Yes! You are guaranteed to lose sleep after reading this novel.

This YA Horror novel is technically the sequel to Cardinal’s smash hit Five Midnights, which was a finalist for the Bram Stoker Award, but I liked it even more than the original.

Category Five takes place in Puerto Rico following Hurricane Maria, and it dives into the real-life struggle with real estate developers trying to gobble up cheap, devasted properties. It also exposes the ghostly history left on nearby Vieques Island after the last Cat 5 storm that hit way back in 1926.

The book features a mixture of spooky and historical with an endearing cast of found family that make it a quick, fun read.

This YA Horror novel, by an Afro Dominican nonbinary author, won the prestigious Pura Belpré Award and was a finalist for the Bram Stoker Award.

The Bronx setting is depicted with such grit (spanning decades), it’s practically a character in its own right. I loved how the novel tied together a twisted “game,” similar to an urban legend, with a real, and very dark chapter of NYC history. It will definitely appeal to true crime fans, like myself, and features likable teen characters that are also relatable to adult readers. 

V. (Violet) Castro’s debut novel, released in 2021, put her on the horror map, and for good reason.

I loved how she blended Mexican legend and culture to tell a supernatural horror story that is rich in detail, dialogue, and dark humor. The setting is a Texas wedding held on a renovated farm.

But very bad things start to happen, all seemingly tied to a legend of a 1950s murder of a Mexican farmworker. But—so people say—the woman’s death piqued the interest of the Aztec Goddess of Death, who pledges herself to the murdered woman.

Castro’s expert storytelling upends classic tropes to make this book an exhilarating and frightening literary ride that is smart and timely.

Dev’s book is an escape into the exuberance of migrant families from India. Ria is a reclusive Bollywood actress, who betrays Vikram, her childhood sweetheart, to protect him from the same fate as her father. Ten years later, Ria returns to Chicago for her cousin Nik’s wedding, knowing she will meet Vik again. For Ria, the loving embrace of her family and found family provides the safety and love she needs to reassess her life in Bollywood. For Vik meeting Ria again brings back all the pain he thought he had recovered from after her betrayal. In the two weeks, Ria and Vik rekindle the love they have both denied. A beautifully written story of migrants who embrace their life in America but still hold on to their Indian heritage.

TCE here is a virus that leaves just one woman alive. I found this quite irritating at first because the law of averages would say there HAD to be at least a handful of other survivors. The story features a woman who would take to her bed for the day if she broke a fingernail. I enjoyed seeing a female character in this role although she has a tendency to be a bit wet. She spends the first few weeks post-TCE breaking into nightclubs, drug dens, and museums and getting smashed. Set in London, it’s a great travelogue for this brilliant city.  I started to warm towards her when she finally pulls herself together and we watch as she learns the skills needed to survive. 

Laura March is serving as temporary guardian of a little refugee girl who may be the next heir to a fortune when a man claiming to be the child’s father turns up at her door—and when shortly afterward he turns up dead, Laura is both a suspect and a target for the real killer in this atmospheric whodunit. The fun of this one lies in its wintry 1950s Chicago setting: the foggy streets, high-rise apartment buildings, corner phone booths and drugstores, and department stores decorated for Christmas.

This is a hockey romance set in Chicago. This is the final book in Helena Hunting’s Pucked series and my favorite. Her fans waited for years for Helena to get Charlene and Darren’s story right. Chicago is a hockey town, so it fits in very well. Underpinned by comedy and angst, a great group of characters, the relationship between the mysterious Darren and his firefly girl, Charlene, are the compelling center. 

In my own book, one scene takes place at a game at the United Center. I have been following my home team, the Blackhawks since the age of eight and when I discovered hockey romance, I was over the moon. I asked Helena why she chose Chicago for her books, and she said it was most like her native Toronto.

Simone de Beauvoir met Nelson Algren in Chicago in 1947.

A couple of years later, his novel The Man with the Golden Arm won the National Book Award, and a few years after that De Beauvoir won the prestigious Prix Goncourt for her novel The Mandarins, which featured a character based on Algren. They became famous literary lovers, involved in a complicated triangle with De Beauvoir’s long-time partner Sartre.

But Cowie’s novel brings to life the ordinary intimacies and misunderstandings of their love affair – the title comes from de Beauvoir’s confusion about the time difference between Paris and Chicago. Caught up in the details of day-to-day life, people, even brilliant writers, don’t always have the time or vision to make real decisions about how they want to live, or who they want to love. It’s a brilliant book. 

Here we see Jonathan Franzen, the master of the family novel, at it again. Like all of Franzen’s books, this one is both hilarious and poignant. Though it tips the scale at nearly 600 pages, I blew through it in a day or two, amazed by Franzen’s plot-making abilities and his keen insights into the human condition.

Bonus points for The Corrections and Freedom, either of which could easily have made this list, too.