Here are 100 books that The Lamentable Journey of Omaha Bigelow into the Impenetrable Loisaida Jungle fans have personally recommended if you like
The Lamentable Journey of Omaha Bigelow into the Impenetrable Loisaida Jungle.
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I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Thomas’s memoir is a seminal text of Nuyorican Literature (a sub-genre of Diasporican Literature) and the Latinx canon. It also belongs to the urban literature genre that emerged in the 1960s. His, however, was the first Latinx version of a narrative that depicts, some would say sensationalizes and exploits, the gritty, raw life of the inner city. As such, it had a tremendous impact on developing Latinx writers who had few role models at the time. His work, along with others of that genre, still holds influence stylistically and thematically with some Latinx authors. Written in the traditional Augustinian autobiographical model, Mean Streets tracks Piri’s fall into crime and drugs and final transformation and redemption. More significantly, this memoir introduces the issue of Latinx black identity and the complication of it within the American black-white paradigm.
A modern classic of manhood, marginalization, survival, and transcendence—and a lyrical memoir of coming of age on the streets of Spanish Harlem.
"A report from the guts and heart of a submerged population group ... It claims our attention and emotional response." —The New York Times Book Review
Thirty years ago Piri Thomas made literary history with this lacerating memoir. Here was the testament of a born outsider: a Puerto Rican in English-speaking America; a dark-skinned morenito in a family that refused to acknowledge its African blood. Here was an unsparing document of Thomas's plunge into the deadly consolations of…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Rivera’s only major work, Family Installments has influenced many Latinx writers, including Junot Diaz. Published in 1982, it was one of the earliest novels capturing the diasporican experience of the Great Migration in the 1950s. Rivera’s protagonist, Santos Malánguez, narrates his family’s journey from Puerto Rico to New York in great detail, often with sharp insight and humor. As a young aspiring writer, I identified with Santos, especially as he found, in reading and books, solace from a dreary life of struggle. No other book depicts diasporican life so richly and comprehensively—from harsh rural life on the island to tenement living, abusive parochial school education, rip-off credit scams, exploitive working conditions, and the lingering desire to return to the homeland.
A chronicle of the Melanguez family's life in Puerto Rico, their move to New York City, and their efforts to make a life in America includes the narrator's determination to succeed on his own
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Nominated for a Pulitzer, Ortiz-Cofer’s book is an eclectic collection of poetry, creative nonfiction and fiction. She weaves these genres masterfully into a mosaic of diasporican life, especially from a woman’s perspective. Published in 1993, The Latin Deli breaks from the traditional, bleak picture of Puerto Rican urban life in the States. Growing up in Paterson, New Jersey, and then Georgia, Ortiz Cofer focuses on the more typical stories of growing up in a middle-class home and what she casts as the daily struggle “to consolidate my opposing cultural identities.” A subtextual element of the book is Ortiz Cofer’s developing identity as a Latina writer in a country that sees you as an “other.”
A community transplanted from what they now view as an island paradise, these Puerto Rican families yearn for the colors and tastes of their former home. As they carve out lives as Americans, their days are filled with drama, success, and sometimes tragedy. A widow becomes crazy after her son is killed in Vietnam, her remaining word "nada." Another woman carries on after the death of her husband, keeping their store, filled with plantain, Bustello coffee, jamon y queso, open as a refuge for her neighbors. And there are Cofer's stories of growing up with a dictatorial and straying father,…
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
Through friendships with Borinqueñxs and interest in the island, I don’t consider myself wholly ignorant about Puerto Rico. Like the Philippines, Puerto Rico was claimed by the US following the Spanish American War, but once again, when I tried to learn more about that era, I ran into a brick wall. Marisel Vera recovers that history while offering all the pleasures of a traditional family saga. She brings the reader close to the daily lives and loves of a family of coffee farmers who struggle first under Spanish rule and then the system established by the US. Vera also taught me something I’d never heard of: the deceptive recruitment that carried newly impoverished but still hopeful Puerto Ricans off to Hawaii to labor in the sugar fields.
Marisel Vera emerges as a major new voice in contemporary fiction with this "capacious" (The New Yorker) novel set in Puerto Rico on the eve of the Spanish-American War. Up in the mountainous region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their coffee farm from the creditors. When the great San Ciriaco hurricane of 1899 brings devastating upheaval, the young couple is lured along with thousands of other puertorriquenos to the sugar plantations of Hawaii, where they are confronted by the hollowness of America's promises of prosperity. Depicting the roots of Puerto Rican alienation and exodus, which…
I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
When I was growing up, there were so few memoirs written by Latina/Latine authors. I wish I had read a book like this—a story of a Latina/Latine woman in Puerto Rico and Miami Beach and her experiences as a mixed-race person. While I am not mixed-race, I often felt like I was caught between worlds.
I couldn’t stop reading this book, yet I wanted to slow down and read it bit by bit and savor it. Jaquira Díaz has an incredible life story, but she also writes in a way that is so riveting and honest. If I’d read this sooner, I would have felt less alone. And stronger as a result.
One of the Must-Read Books of 2019 According to O: The Oprah Magazine * Time * Bustle * Electric Literature * Publishers Weekly * The Millions * The Week * Good Housekeeping "There is more life packed on each page of Ordinary Girls than some lives hold in a lifetime." -Julia Alvarez In this searing memoir, Jaquira Diaz writes fiercely and eloquently of her challenging girlhood and triumphant coming of age. While growing up in housing projects in Puerto Rico and Miami Beach, Diaz found herself caught between extremes. As her family split apart and her mother battled schizophrenia, she…
For almost thirty years, I have studied and tried to understand Latin America and the Caribbean. As a historian I have worked with manuscripts and newspapers and books, in archives and libraries and private collections, but I’ve learned my most important lessons elsewhere: on the baseball diamond in Holguín, Cuba, at pick-up cricket matches in Port-of-Spain, Trinidad, and in soccer stadiums in Rio de Janeiro, São Paulo, and Buenos Aires. These books help give us a sense of the power of such places, the power of sports to reveal the region, and as such they’re a great place to start to understand it.
Put simply, in The Sovereign Colony Antonio Sotomayor uses a fascinating exception to prove an important general rule. That is, he explains clearly just how powerful modern sports can be in defining national identity by showing that Puerto Ricans have used sports to claim a sense of nationhood despite the fact that theirs is a nation but not a nation-state. He shows that whenever the Puerto Rican flag flies at an international sporting event islanders express their national identity and negotiate the character of US colonialism, and he carefully demonstrates how politicians and sports figures worked to make sports a site of Puerto Rican pride and identity.
Ceded to the United States under the terms of the Treaty of Paris after the Spanish-American War of 1898, Puerto Rico has since remained a colonial territory. Despite this subordinated colonial experience, however, Puerto Ricans managed to secure national Olympic representation in the 1930s and in so doing nurtured powerful ideas of nationalism.
By examining how the Olympic movement developed in Puerto Rico, Antonio Sotomayor illuminates the profound role sports play in the political and cultural processes of an identity that evolved within a political tradition of autonomy rather than traditional political independence. Significantly, it was precisely in the Olympic…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
Hola, I’m Yawatta Hosby, and I have an open mind about monsters, ghosts, and urban legends. I believe they’re real, especially the Loch Ness Monster and Bigfoot. Earth is too big to only have humans. I have a passion for the topic being terrorized by things that go bump in the night. My book, Urban Legends, plays into that theme. October, the spooky season, is my favorite. Halloween is my favorite holiday. Every year, I watch a horror movie every day for 31 days straight. I also love reading horror books and researching urban legends. I’d like to think I’m an expert in horror, but it could all be in my head haha.
I was surprised at the beginning because I thought Vico would be a main character, but he ended up being the monster’s victim in the first few pages. A very chilling scene. The author was great at describing Puerto Rico to the point I could picture the setting vividly without ever visiting Puerto Rico in real life. All the scenes were interesting and moved the plot forward. I really liked how the teenagers teamed up to try and solve the mystery of the monster. They each had a past they regretted. My favorite line in the book, "You’ve been watching too many movies. Things just aren’t that interesting in real life.”
Ann Dávila Cardinal's Five Midnights is a “wickedly thrilling” (William Alexander) and “flat-out unputdownable” (Paul Tremblay) novel based on the el Cuco myth set against the backdrop of modern day Puerto Rico.
2019 Digital Book World Award Winner for best Suspense/Horror Book
Five friends cursed. Five deadly fates. Five nights of retribución.
If Lupe Dávila and Javier Utierre can survive each other’s company, together they can solve a series of grisly murders sweeping though Puerto Rico. But the clues lead them out of the real world and into the realm of myths and legends. And if they want to catch…
I am a lover of ghosts, historical murders, and all things spooky. I am also the author of eight YA novels, including two YA horror novels, Small Town Monsters and Hatchet Girls. Being half Puerto Rican, I try to lend my culture to my characters. Historically, the horror genre has been dominated by white male authors. And while I love their work, Stephen King is a master, I'm excited that women and POC writers are finally getting their stories told. What scares women is often very different from what scares men, same with people of color, and by releasing more diverse stories, like mine, we add ways to frighten new fans.
This YA Horror novel is technically the sequel to Cardinal’s smash hit Five Midnights, which was a finalist for the Bram Stoker Award, but I liked it even more than the original.
Category Five takes place in Puerto Rico following Hurricane Maria, and it dives into the real-life struggle with real estate developers trying to gobble up cheap, devasted properties. It also exposes the ghostly history left on nearby Vieques Island after the last Cat 5 storm that hit way back in 1926.
The book features a mixture of spooky and historical with an endearing cast of found family that make it a quick, fun read.
Category Five is a new supernatural YA thriller from Ann Dávila Cardinal, set against the backdrop of a post-hurricane Puerto Rico.
After the hurricane, some see destruction and some smell blood.
The tiny island of Vieques, located just off the northeastern coast of the main island of Puerto Rico, is trying to recover after hurricane Maria, but the already battered island is now half empty. To make matters worse, as on the main island, developers have come in to buy up the land at a fraction of its worth, taking advantage of the island when it is down.
Hi! We are writers currently living in Los Angeles after 18 years in New York. We wrote Margot Mertzafter reading American Girls: Social Media and the Secret Online Lives of Teenagersby Nancy Jo Sales. It was the first time we heard of boys cultivating and curating non-consensual nude pics, effectively treating them like Pokemon cards. It was infuriating, especially when we realized there are no federal laws to protect victims of revenge porn at the time. So it became a focus of our work. We love a main character who’s angry but also funny, and desperately seeking change.
This is a YA novel told from the perspectives of two very different strong women. It’s part coming-of-age, part coming-of-action as they learn the best ways to affect change in their communities and how to voice their frustrations with the patriarchy. And we loved how it dealt with these issues in a nuanced and complex way that didn’t offer easy answers.
A timely story of two teenagers who discover the power of friendship, feminism, and standing up for what you believe in, no matter where you come from. A collaboration between two gifted authors writing from alternating perspectives, this compelling novel shines with authenticity, courage, and humor.
Malena Rosario is starting to believe that catastrophes come in threes. First, Hurricane María destroyed her home, taking her unbreakable spirit with it. Second, she and her mother are now stuck in Florida, which is nothing like her beloved Puerto Rico. And third, when she goes to school bra-less after a bad sunburn and…
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
I'm an actor turned journalist and writer. After a series of roles on low-budget movies and forgettable soap operas, I moved to Latin America to write about travel and life and all the heartbreak and humour it entails. El Flamingo follows the misadventure of a struggling actor who gets mistaken for a rogue assassin in Mexico and is forced to assume the mysterious identity in order to survive. It is a preposterous plot that could never happen in real life, yet the essence of it all was inspired by places I went, people I crossed paths with, and a sense of adventure that, to me, was authentic.
It is written in a distinct, comedic, matter-of-fact voice that carries the reader through a fascinating narrative.
Set in Puerto Rico, the protagonist embarks on a Latin journey that is full philosophy and humour while making a statement on the times. It is the perfect book to take travelling, and worth re-reading every few years or so.
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THE BOOK THAT INSPIRED THE MAJOR MOTION PICTURE STARRING JOHNNY DEPP
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'Remarkable - a genuine, 100% proof discovery of great literary importance' - Mail on Sunday
'Hilarious, utterly real and tragic ... A lithe, well-crafted gem of a novel which leaves the reader disturbed and grinning in a way that makes people sitting nearby change seats' - Scotland on Sunday
'Crackling, twisted, searing, paced to a deft prose rhythm ... a shot of Gonzo with a rum chaser' - San Francisco Chronicle
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The sultry classic of a journalist's sordid life in Puerto Rico
Paul Kemp has moved…
