Here are 100 books that The Lamentable Journey of Omaha Bigelow into the Impenetrable Loisaida Jungle fans have personally recommended if you like
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I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Thomas’s memoir is a seminal text of Nuyorican Literature (a sub-genre of Diasporican Literature) and the Latinx canon. It also belongs to the urban literature genre that emerged in the 1960s. His, however, was the first Latinx version of a narrative that depicts, some would say sensationalizes and exploits, the gritty, raw life of the inner city. As such, it had a tremendous impact on developing Latinx writers who had few role models at the time. His work, along with others of that genre, still holds influence stylistically and thematically with some Latinx authors. Written in the traditional Augustinian autobiographical model, Mean Streets tracks Piri’s fall into crime and drugs and final transformation and redemption. More significantly, this memoir introduces the issue of Latinx black identity and the complication of it within the American black-white paradigm.
A modern classic of manhood, marginalization, survival, and transcendence—and a lyrical memoir of coming of age on the streets of Spanish Harlem.
"A report from the guts and heart of a submerged population group ... It claims our attention and emotional response." —The New York Times Book Review
Thirty years ago Piri Thomas made literary history with this lacerating memoir. Here was the testament of a born outsider: a Puerto Rican in English-speaking America; a dark-skinned morenito in a family that refused to acknowledge its African blood. Here was an unsparing document of Thomas's plunge into the deadly consolations of…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Rivera’s only major work, Family Installments has influenced many Latinx writers, including Junot Diaz. Published in 1982, it was one of the earliest novels capturing the diasporican experience of the Great Migration in the 1950s. Rivera’s protagonist, Santos Malánguez, narrates his family’s journey from Puerto Rico to New York in great detail, often with sharp insight and humor. As a young aspiring writer, I identified with Santos, especially as he found, in reading and books, solace from a dreary life of struggle. No other book depicts diasporican life so richly and comprehensively—from harsh rural life on the island to tenement living, abusive parochial school education, rip-off credit scams, exploitive working conditions, and the lingering desire to return to the homeland.
A chronicle of the Melanguez family's life in Puerto Rico, their move to New York City, and their efforts to make a life in America includes the narrator's determination to succeed on his own
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Nominated for a Pulitzer, Ortiz-Cofer’s book is an eclectic collection of poetry, creative nonfiction and fiction. She weaves these genres masterfully into a mosaic of diasporican life, especially from a woman’s perspective. Published in 1993, The Latin Deli breaks from the traditional, bleak picture of Puerto Rican urban life in the States. Growing up in Paterson, New Jersey, and then Georgia, Ortiz Cofer focuses on the more typical stories of growing up in a middle-class home and what she casts as the daily struggle “to consolidate my opposing cultural identities.” A subtextual element of the book is Ortiz Cofer’s developing identity as a Latina writer in a country that sees you as an “other.”
A community transplanted from what they now view as an island paradise, these Puerto Rican families yearn for the colors and tastes of their former home. As they carve out lives as Americans, their days are filled with drama, success, and sometimes tragedy. A widow becomes crazy after her son is killed in Vietnam, her remaining word "nada." Another woman carries on after the death of her husband, keeping their store, filled with plantain, Bustello coffee, jamon y queso, open as a refuge for her neighbors. And there are Cofer's stories of growing up with a dictatorial and straying father,…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
Through friendships with Borinqueñxs and interest in the island, I don’t consider myself wholly ignorant about Puerto Rico. Like the Philippines, Puerto Rico was claimed by the US following the Spanish American War, but once again, when I tried to learn more about that era, I ran into a brick wall. Marisel Vera recovers that history while offering all the pleasures of a traditional family saga. She brings the reader close to the daily lives and loves of a family of coffee farmers who struggle first under Spanish rule and then the system established by the US. Vera also taught me something I’d never heard of: the deceptive recruitment that carried newly impoverished but still hopeful Puerto Ricans off to Hawaii to labor in the sugar fields.
Marisel Vera emerges as a major new voice in contemporary fiction with this "capacious" (The New Yorker) novel set in Puerto Rico on the eve of the Spanish-American War. Up in the mountainous region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their coffee farm from the creditors. When the great San Ciriaco hurricane of 1899 brings devastating upheaval, the young couple is lured along with thousands of other puertorriquenos to the sugar plantations of Hawaii, where they are confronted by the hollowness of America's promises of prosperity. Depicting the roots of Puerto Rican alienation and…
Hola, I’m Yawatta Hosby, and I have an open mind about monsters, ghosts, and urban legends. I believe they’re real, especially the Loch Ness Monster and Bigfoot. Earth is too big to only have humans. I have a passion for the topic being terrorized by things that go bump in the night. My book, Urban Legends, plays into that theme. October, the spooky season, is my favorite. Halloween is my favorite holiday. Every year, I watch a horror movie every day for 31 days straight. I also love reading horror books and researching urban legends. I’d like to think I’m an expert in horror, but it could all be in my head haha.
I was surprised at the beginning because I thought Vico would be a main character, but he ended up being the monster’s victim in the first few pages. A very chilling scene. The author was great at describing Puerto Rico to the point I could picture the setting vividly without ever visiting Puerto Rico in real life. All the scenes were interesting and moved the plot forward. I really liked how the teenagers teamed up to try and solve the mystery of the monster. They each had a past they regretted. My favorite line in the book, "You’ve been watching too many movies. Things just aren’t that interesting in real life.”
Ann Dávila Cardinal's Five Midnights is a “wickedly thrilling” (William Alexander) and “flat-out unputdownable” (Paul Tremblay) novel based on the el Cuco myth set against the backdrop of modern day Puerto Rico.
2019 Digital Book World Award Winner for best Suspense/Horror Book
Five friends cursed. Five deadly fates. Five nights of retribución.
If Lupe Dávila and Javier Utierre can survive each other’s company, together they can solve a series of grisly murders sweeping though Puerto Rico. But the clues lead them out of the real world and into the realm of myths and legends. And if they want to catch…
Hi! We are writers currently living in Los Angeles after 18 years in New York. We wrote Margot Mertzafter reading American Girls: Social Media and the Secret Online Lives of Teenagersby Nancy Jo Sales. It was the first time we heard of boys cultivating and curating non-consensual nude pics, effectively treating them like Pokemon cards. It was infuriating, especially when we realized there are no federal laws to protect victims of revenge porn at the time. So it became a focus of our work. We love a main character who’s angry but also funny, and desperately seeking change.
This is a YA novel told from the perspectives of two very different strong women. It’s part coming-of-age, part coming-of-action as they learn the best ways to affect change in their communities and how to voice their frustrations with the patriarchy. And we loved how it dealt with these issues in a nuanced and complex way that didn’t offer easy answers.
A timely story of two teenagers who discover the power of friendship, feminism, and standing up for what you believe in, no matter where you come from. A collaboration between two gifted authors writing from alternating perspectives, this compelling novel shines with authenticity, courage, and humor.
Malena Rosario is starting to believe that catastrophes come in threes. First, Hurricane María destroyed her home, taking her unbreakable spirit with it. Second, she and her mother are now stuck in Florida, which is nothing like her beloved Puerto Rico. And third, when she goes to school bra-less after a bad sunburn and…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
For almost thirty years, I have studied and tried to understand Latin America and the Caribbean. As a historian I have worked with manuscripts and newspapers and books, in archives and libraries and private collections, but I’ve learned my most important lessons elsewhere: on the baseball diamond in Holguín, Cuba, at pick-up cricket matches in Port-of-Spain, Trinidad, and in soccer stadiums in Rio de Janeiro, São Paulo, and Buenos Aires. These books help give us a sense of the power of such places, the power of sports to reveal the region, and as such they’re a great place to start to understand it.
Put simply, in The Sovereign Colony Antonio Sotomayor uses a fascinating exception to prove an important general rule. That is, he explains clearly just how powerful modern sports can be in defining national identity by showing that Puerto Ricans have used sports to claim a sense of nationhood despite the fact that theirs is a nation but not a nation-state. He shows that whenever the Puerto Rican flag flies at an international sporting event islanders express their national identity and negotiate the character of US colonialism, and he carefully demonstrates how politicians and sports figures worked to make sports a site of Puerto Rican pride and identity.
Ceded to the United States under the terms of the Treaty of Paris after the Spanish-American War of 1898, Puerto Rico has since remained a colonial territory. Despite this subordinated colonial experience, however, Puerto Ricans managed to secure national Olympic representation in the 1930s and in so doing nurtured powerful ideas of nationalism.
By examining how the Olympic movement developed in Puerto Rico, Antonio Sotomayor illuminates the profound role sports play in the political and cultural processes of an identity that evolved within a political tradition of autonomy rather than traditional political independence. Significantly, it was precisely in the Olympic…
I am a historian of the early Americas, and while I often teach courses such as “The U.S. to 1865,” my real passion lies in the Caribbean. As the first site of encounter between the Indigenous inhabitants of the place we came to call the "Americas," Africans, and Europeans, this, to me, is where "American" history began, yet the history of the Caribbean—particularly in the era surrounding European arrival—remains relatively little known. As a Canadian teaching American history at a university in the U.S., I try to disrupt familiar historical narratives by showing my students that American history also unfolded beyond the borders of the modern nation-state.
Anderson-Córdova asks readers to question many things they may have been told about the Indigenous Caribbean, including the very labels used to describe the region’s inhabitants.
The supposed dichotomy between the Taínos of the Greater Antilles and the Caribs of the Lesser Antilles obscures significant exchange and movement between islands both before and after European arrival, she argues, while the very term “Taíno” is an ahistorical one, popularized by scholars in the late nineteenth and early twentieth centuries.
Drawing on archeological and historical sources, Anderson-Córdova provides a wealth of information about the multiethnic nature of the Indigenous Caribbean before and long after colonization.
Surviving Spanish Conquest reveals the transformation that occurred in Indian communities during the Spanish conquest of Hispaniola and Puerto Rico from 1492 to 1550.
In Surviving Spanish Conquest: Indian Fight, Flight, and Cultural Transformation in Hispaniola and Puerto Rico, Karen F. Anderson-Cordova draws on archaeological, historical, and ethnohistorical sources to elucidate the impacts of sixteenth-century Spanish conquest and colonization on indigenous peoples in the Greater Antilles. Moving beyond the conventional narratives of the quick demise of the native populations because of forced labor and the spread of Old World diseases, this book shows the complexity of the initial exchange between…
Ever since traveling across Cuba as a teenager in 2006, I’ve been fascinated by the Caribbean and Latin America. That trip inspired me to learn Spanish, study abroad in Mexico, and write a college honors thesis at Harvard about the Batista and Trujillo regimes in Cuba and the Dominican Republic respectively. Upon graduation, I merged this interest with my desire to serve my country by joining the Coast Guard – the military branch most involved in the Western Hemisphere. This proved to be a wise decision, as the two years I spent stationed in Puerto Rico and patrolling the Caribbean were two of the most enjoyable years of my life.
Esmeralda Santiago portrays the 19th-century journey of Ana Cubillas from imperial Spain to colonial outpost Puerto Rico. Cubillas has a complicated relationship with her family, slavery, and Puerto Rico, and the reader never knows quite what to think of her. Like Cubillas, Puerto Rico itself is complicated. I lived in San Juan for two years and grew to love the island, but I never felt like I quite understood it – any outsider who says they do is probably lying.
As a young girl growing up in Spain, Ana Larragoity Cubillas is powerfully drawn to Puerto Rico by the diaries of an ancestor who traveled there with Ponce de Leon. And in handsome twin brothers Ramon and Inocente—both in love with Ana—she finds a way to get there. Marrying Ramon at the age of eighteen, she travels across the ocean to Hacienda los Gemelos, a remote sugar plantation the brothers have inherited. But soon the Civil War erupts in the United States, and Ana finds her livelihood, and perhaps even her life, threatened by the very people on whose backs…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I'm an actor turned journalist and writer. After a series of roles on low-budget movies and forgettable soap operas, I moved to Latin America to write about travel and life and all the heartbreak and humour it entails. El Flamingo follows the misadventure of a struggling actor who gets mistaken for a rogue assassin in Mexico and is forced to assume the mysterious identity in order to survive. It is a preposterous plot that could never happen in real life, yet the essence of it all was inspired by places I went, people I crossed paths with, and a sense of adventure that, to me, was authentic.
It is written in a distinct, comedic, matter-of-fact voice that carries the reader through a fascinating narrative.
Set in Puerto Rico, the protagonist embarks on a Latin journey that is full philosophy and humour while making a statement on the times. It is the perfect book to take travelling, and worth re-reading every few years or so.
_________________ THE BOOK THAT INSPIRED THE MAJOR MOTION PICTURE STARRING JOHNNY DEPP _________________ 'Remarkable - a genuine, 100% proof discovery of great literary importance' - Mail on Sunday 'Hilarious, utterly real and tragic ... A lithe, well-crafted gem of a novel which leaves the reader disturbed and grinning in a way that makes people sitting nearby change seats' - Scotland on Sunday 'Crackling, twisted, searing, paced to a deft prose rhythm ... a shot of Gonzo with a rum chaser' - San Francisco Chronicle _________________ The sultry classic of a journalist's sordid life in Puerto Rico Paul Kemp has moved…
