Books like Caribbean Pleasure Industry — picked by fans

This is the book that revolutionized the way social scientists think about sex work.

We know that sex work is gendered (more women work as sex workers than men) and at the same time women have made significant gains in the formal labor market. This book sought to answer the question of why sex work continued to be so prominent even though “outside options” were growing for women. 

Sex work integrated itself into the industrial system. Modern sex work has adapted to changing business practices and technology. Why? Because there is still a strong demand for the provision of intimate services and human sexual connection.  

In my own work on male sex workers in the US, I found that race played a key role in the market—determining prices and popularity, for example. 

While sex tourism can also play on race and ethnicity and their sexual stereotypes, most countries do not have the American system of race. This book was the one that showed me how male sex workers in another country with racial dynamics similar to those in the US. 

But the biggest takeaway from this detailed ethnography is that sex work is work but also acting—sex workers are providing a service that requires them to play specific roles with their clients, and many times these roles are based on sexual/racial tropes.

Playing into racial stereotypes is one-way sex workers remain in the business.

If you want to know how economists think about sex work (which is, after all, a market transaction) this is the book to go to. 

This is a collected volume, but if you were interested in how economists do work on sex work and what the major findings have been in the process, you would want to read this book.

There are technical issues covered here in terms of data, how research on sex work is different in developed versus developing countries, and the online market for sex work. 

It also contains a great discussion of the public health issues involved and what we know about sex work and its relationship to STIs.  

This book is the one that attempts to show, from a variety of angles, how Male sex work operates primarily in Western society, but more importantly takes a deliberately global vision of the process. 

Male sex work operates along cultural and social definitions of gender and sexuality, in addition to culturally defined subjects like work, risk, and sexual transactions. This collected volume covers both the long history (from ancient times) as well as the current spatial dimensions of male sex work. 

I really like this book because it drives home the point that you need to think carefully about the time and place before beginning a social science or public health approach to male sex work. 

This is a memoir that has really stayed with me. It is beautifully written and a compulsive read.

Dr. Verghese describes the world of the deep south on the precipice of the AIDS epidemic. It is his story of being a young doctor, but also the story of the explosion in HIV cases far from the coastal cities that were the epicenters of the epidemic. I found myself crying over the cases he described, and feeling his heart-ache as he battled for individuals with HIV to gain acceptance, support, and treatments in their communities. 

Of the very, very many books about writing and reading, Alexander Chee’s book of essays is among the best. His prose is honest and soul-baring and his descriptions are the kind you wish you’d thought of. The collection is basically a coming-of-age story divided into anecdotal episodes—as an exchange student wanting love in Mexico, working at a famous gay bookstore in San Francisco while AIDS decimated his community, and time in academia. Chee has an affection for his readers and students that is engaging. He’s also a great Twitter presence and like Jacob, also a looker. At a Christmas party we both attended, we discovered we are Leos, so, we’re basically bonded for life. 

I was involved in the HIV epidemic from the very beginning as President of the Hemophilia Association of New York.

The behind-the-scenes information that Dr. Fauci provides helped inform me and remind me of what we – and the world – went through. During the COVID epidemic, Dr. Fauci had to manage the crazy political system more than he ever had to, and he is very frank about what he experienced.

The book and its details made me grateful for his lifetime of wonderful work.

Steinberg is one of South Africa’s great writers of narrative non-fiction; his work is oddly little known outside his home country and it was of huge value to me when I discovered it, not long after I moved to Johannesburg.

This book tracks the progress of a testing and treatment program in Lusikisiki, which had one of the highest HIV infection rates in the world. Part of the story is told through the eyes of a white doctor who expects that, once treatment is there, everyone will seek it out – and a young Black man named Sizwe, clever and successful, who shows all the reasons why HIV response is not as simple as opening up a clinic.

Steinberg’s book probes into some of the messier, less-well-understood dynamics that have driven the pandemic, and features voices rarely heard outside a community like Lusikisiki.

Sometimes I regret not having experienced the sex and drugs enjoyed by my contemporaries who came out much younger in life. The Christodora brought me back to reality. The reality of those years was much darker than my fantasies.

Murphy sketches out the diverse group of intertwined characters that inhabit the Christodora, a gentrified building in Manhattan’s East Village. I wanted to be the artistic Mateo who pushes through life’s difficulties to live an actualized life. But I can’t escape that I could have been one of the AIDS victims for whom the activism Murphy describes was so critical. Or I might have been Hector, an AIDS activist who descends into substance abuse after losing his lover.

Christodora recounts the heartbreak of AIDS but ultimately is a story of the healing of broken lives.

Oh, Was, how I love your relentlessly bleak, depressing sadness.

This is a strangely inventive novel that twines reality and fantasy into a brutal, desolate, yet gorgeous story of pain and survival. Told from the points of view of numerous characters, each story is tethered in some way to The Wizard of Oz, that venerable fable about good versus evil in the search for home.

Ryman introduces us to a main trio of characters whose lives are all equally harrowing–Dorothy Gael (the imagined inspiration for The Wizard of Oz heroine and the victim of familial sexual abuse), Frances Gumm (who becomes the tragic Judy Garland), and Jonathan (an actor experiencing AIDS-related dementia)–whose stories he intricately weaves together like a master craftsman. And while the novel is not a “happy” read by any stretch of the imagination, what has stayed with me throughout the past thirty years is its… show more.