Here are 100 books that Captains and the Kings fans have personally recommended if you like
Captains and the Kings.
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Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
I came across this book as a young teen and was riveted by the colorful, behind-the-scenes depiction of Mardi Gras in New Orleans, as well as the intimate stories of three generations of star-crossed lovers.
The characters were so well drawn that they seemed real, as if they must have loved and grieved, lived and died, as given. I felt as if I had walked the streets of the city and could recognize the places described.
I was also impressed by the Author’s Note detailing Keyes’s exhaustive research; reading it allowed me to accept the story as being as true to its place and time as possible. Years later, I followed her fine example, adding an Author’s Note with research details to my own books.
The first of Keyes' novels set in Louisiana was Crescent Carnival, which tells the story of three generations of two intertwined families. The Breckenridges are Protestants, while the Fontaines are Catholic Louisiana Creoles. The plot hinges on the way that pride and misfortune conspire with cultural and political differences to keep prospective lovers from marrying. The cycle of failure only ends when two people have the courage to defy the odds and accept their love for each other. Carnival celebrations and Mardi Gras parades form the backdrop of many scenes. Captures the social mores, Carnival season, and the French Quarter…
Imagine yourself in the eerie last days of Atlantis, where political power grabs, evil magic, and pulse-pounding romance all collide in this deeply emotional thriller.
The first of the Highest Light Series, Atlantis Writhing weaves Taoist philosophy and metaphysical concepts like Law of Attraction into a storyline to show ancient…
I’ve been fascinated by the feelings stories can evoke in readers since I cried over Bridge to Terabithia in middle school. From the time I was twelve, I’ve sought snapshots in time that ooze with a strong sense of place and flawed characters to capture my heart when reading. I’ve found well-researched historic Gothic family sagas to be the most consistent in delivering that raw emotional bond between the setting/characters and reader. As a writer, I strive to recreate what I crave when reading. The historic Gothic family sagas I’ve chosen represent an array of characters you will love—or love to hate—and cry over.
Dorothy Eden was well-known as a Gothic/Thriller Romance author fifty-plus years ago, but her family sagas are where her skills really shine. The Vines of Yarrabee had me scared to keep reading because I knew tragedy was coming, but I couldn’t stop reading because I was invested in the less-than-perfect characters—most of whom I was angry over for much of the story. These fictional humans are tucked in a rich setting I could see, hear, feel, smell, and taste. I learned a lot about Australia and its settlers in the 1800s, but it’s the people in the story that I still carry with me, several years after reading it.
SYNOPSIS: "Eugenia was a cultivated, aristocratic English woman who married Gilbert, the plantation and vineyard owner. But Eugenia had trouble adjusting to many aspects of plantation life that her husband takes in enthusiastic stride - the convict slave laborers, the ever-present danger of vengeful escapes, the suffocating summer heat, and the merciless winters. Both husband and wife find outside satisfaction - him from the attractive downstairs maid and Eugenia from the itinerant artist, who will alter the existence of all those at Yarrabee."
I wrote this book to give my mother an alternate life. She was a mother at age fifteen, mother of five by twenty-seven, and a grandmother by thirty-three. Being a parent defined her life, but she did not enjoy motherhood and was very frank on the subject. Thanks, Universe is my way of giving Mom her freedom and even though she never read anything I wrote, I like to think she would have approved of Pauline and the choices she made.
I adore sweeping family sagas with strong women characters and with tragedy, romance, and heartache set in Australia, The Thorn Birds is a beautiful example of the genre.
Meggie is rebellious and headstrong and makes questionable choices, but we empathize and root for her. All the well-rounded characters each come with their own secrets that will keep you turning pages.
A phenomenal worldwide bestseller since 1977 THE THORN BIRDS is a robust, romantic saga of three generations. It begins in the early years of this century when Paddy Cleary moves his wife and seven children to Drogheda, an Australian sheep station, owned by his autocratic and childless older sister. For more than half a century we follow their fates, particularly those of Meggie, the only Cleary daughter, and the one man she truly loves, Ralph de Bricassart - stunningly handsome, ambitious, and a priest. As background to the Cleary family's lives there is the land itself: relentless in its demands,…
Imagine yourself in the eerie last days of Atlantis, where political power grabs, evil magic, and pulse-pounding romance all collide in this deeply emotional thriller.
The first of the Highest Light Series, Atlantis Writhing weaves Taoist philosophy and metaphysical concepts like Law of Attraction into a storyline to show ancient…
I’ve been fascinated by the feelings stories can evoke in readers since I cried over Bridge to Terabithia in middle school. From the time I was twelve, I’ve sought snapshots in time that ooze with a strong sense of place and flawed characters to capture my heart when reading. I’ve found well-researched historic Gothic family sagas to be the most consistent in delivering that raw emotional bond between the setting/characters and reader. As a writer, I strive to recreate what I crave when reading. The historic Gothic family sagas I’ve chosen represent an array of characters you will love—or love to hate—and cry over.
The seven-book saga featuring the Eden family by Marilyn Harris is an amazing read, but I found The Prince of Eden to be the most moving. Not only is Edward Eden the most likable (though still questionable) of the men in the family, the book sheds light on an era of British history I wasn’t very familiar with, the 1830s-50s. I became a spectator of the social unrest, opium dens, and more within these pages. The fictional characters move alongside historical people and events, leaving their own footprints in the world of possibility within this emotional read.
Young Edward Eden, maverick and social reformer who befriends the lowly of London, greatly disturbs his family by selling off parts of the Eden estate to help his friends and by seeking comfort for his personal sorrow in opium
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.
He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.
McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood.
And the truth he finds in the details, from the brutality of religious authority figures to the abject…
The author recounts his childhood in Depression-era Brooklyn as the child of Irish immigrants who decide to return to worse poverty in Ireland when his infant sister dies.
I grew up in a family that avoided expressing any emotion. A happy house was one where anger and frustration were unheard of. Even laughter was suspect. Books allowed me to experience joy and sorrow. Books allowed me to express my feelings, even though it was behind my closed bedroom door, clutching a handful of sodden tissues, exhausted from the novelty of letting my emotions out. These books are not the books of my childhood. Instead, they are the books of the grown-up me who no longer has to hide behind her bedroom door. I think you will love them just as much as I do.
I adore books with a slow burn rather than one that races through the pages so quickly that I barely have time to draw breath.
I also adore character-driven stories. Mary Beth Keane creates characters that are so real I can hear the hitch in their voices when their nerves are stretched thin.
Ask Again, Yes has lingered in my heart since the day I turned the last page. I love books that bring me joy, make me laugh out loud, but also leave me thinking about family and forgiveness.
The triumphant New York Times Bestseller *The Tonight Show Summer Reads Pick*
Named one of the Best Books of the Year by People, Vogue, Parade, NPR, and Elle
"A gem of a book." —Taylor Jenkins Reid, author of The Seven Husbands of Evelyn Hugo
How much can a family forgive?
Francis Gleeson and Brian Stanhope, rookie NYPD cops, are neighbors in the suburbs. What happens behind closed doors in both houses—the loneliness of Francis’s wife, Lena, and the instability of Brian’s wife, Anne, sets the stage for the explosive events to come.
Some years ago, I believed that after I had read the “famous” 19th-century novelists Jane Austen at the beginning of the century, the Brontes, Thomas Hardy and Charles Dickens more or less in the middle, and Henry James, Mark Twain, and Edith Wharton at the end, I had “done” the century and was disappointed that there was no more of worth to entertain me. Wrong, of course. Maria Edgeworth (Anglo-Irish) was a revelation; Catherine Maria Sedgewick (American) opened my eyes to New England; Margaret Oliphant (Scottish) combined the “weird,” spiritual, and a ruthless realism about family dysfunction. So I'm still reading. The 19th-century novels of Great Britain and America are an avocation and a passion.
I love primary sources and histories that reproduce them. Here is another amazing feat of historical detection. “Details have been taken from eye-witness accounts; original Certificates of Registration, paintings, and contemporary lithograph drawings have been reproduced,” may sound dry but this book is alive with the voices of immigrants telling both tragic and triumphant tales. Anyone whose Irish ancestors came to North America between 1846 and 1851 will want to examine the numerous passenger lists that Laxton includes. I think of this book and all it taught me when I visit my hometown and stop by the monument commemorating Irish immigrants on the shore of Lake Ontario.
Between 1846 and 1851, more than one-million people--the potato famine emigrants--sailed from Ireland to America. Now, 150 years later, The Famine Ships tells of the courage and determination of those who crossed the Atlantic in leaky, overcrowded sailing ships and made new lives for themselves, among them the child Henry Ford and the twenty-six-year-old Patrick Kennedy, great-grandfather of John F. Kennedy. Edward Laxton conducted five years of research in Ireland and interviewed the emigrants' descents in the U.S. Portraits of people, ships, and towns, as well as facsimile passenger lists and tickets, are among the fascinating memorabilia in The Famine…
I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other.
Disfigured and jobless after a fire, Timothy Wilde takes a job with the newly formed NYPD. He is assigned to the Sixth Ward, right on the border of the Five Points, a ward notorious for the desperately poor who live there and the rampant crime. One night he finds a young girl running through the street in a nightgown soaked with blood. She tells an unbelievable story of bodies buried in a nearby woods. Wilde investigates and soon finds himself a target of the city’s wealthy, several of whom are guilty of the most heinous of crimes but feel entitled to escape any accountability. Written in the slang of the times, it reads with the immediacy and plausibility of a memoir. I loved this book because it treats such serious issues: income inequality and the lack of accountability for the rich and powerful—even when engaged in child prostitution and murder.
'Spectacular' Gillian Flynn. GODS OF GOTHAM is the fantastic first novel in Lyndsay Faye's Edgar Award-nominated series, for fans of Andrew Taylor and Antonia Hodgson's The Devil in the Marshalsea.
August 1845 in New York; enter the dark, unforgiving city underworld of the legendary Five Points...
After a fire decimates a swathe of lower Manhattan, and following years of passionate political dispute, New York City at long last forms an official Police Department. That same summer, the great potato famine hits Ireland. These events will change the city of New York for ever.
I have always been fascinated with stories about women who step outside the norm and accomplish their goals. Books that tell of girls who are shy or insecure, but find inner strength in the face of adversity, inspire me. My mother wasn’t afraid to guide me toward these stories when I was young, and I gave books with this theme to my daughters as well. It doesn’t matter where you start from, it only matters where you think you can go, and I love books that share this idea; especially stories of women who do amazing and unexpected things.
This book is about sixteen-year-old Katherine Mary O’Fallon, who early in the twentieth century, moves to Canada to recover from an extended illness. She falls in love with a six-foot-tall sergeant in the Canadian Mounted Police, Mike Flanigan—a man of courage, kindness, and humor. They marry, and overnight the couple travels for days by dog sled, as Mike is to become a combination of police, doctor, and mayor of a small community in the harsh, unforgiving Canadian Northern Territory.
This story shows life in the untamed Northern Territory through the eyes of Kathy. Even though she is afraid and completely oblivious to the adventures before her, she faces her new life head-on. Through the kindness and calm positivity of her husband, Kathy heals from her illness, learns self-reliance, and finds an inner strength she didn’t know she possessed. The love story is sweet and the descriptions of life…
A classic and wholesome romantic tale that has enchanted millions of readers worldwide, Mrs. Mike brings the fierce, stunning landscape of the Great North to life—and masterfully evokes the tender, touching moments that bring a man and a woman together forever.
Recently arrived in Calgary, Alberta after a long, hard journey from Boston, sixteen-year-old Katherine Mary O’Fallon never imagined that she could lose her heart so easily—or so completely. Standing over six feet tall, with “eyes so blue you could swim in them,” Mike Flannigan is a well-respected sergeant in the Canadian Mounted Police—and a man of great courage, kindness,…
I have always been interested in the Civil War. As I grew older and came to know Wisconsin's part in it, I learned about the famed "Iron Brigade," which was composed mostly of Wisconsin regiments. I took this as a point of pride and avidly learned everything I could about the unit and have read most of what has been published about it. I noticed there was no list for Wisconsin and the Civil War or the Iron Brigade on this website. So, I decided to offer a list on the subject closest to my heart, the Iron Brigade.
Published in 1993, the book is part of Fordham University Press’ “The Irish in the Civil War” series. The book is a collection of James P. Sullivan’s newspaper reminiscences published in the 1880s in the Milwaukee Sunday Telegraph.
James Patrick Sullivan, born in Ireland, was a 17-year-old farm hand in Juneau County, Wisconsin when he first enlisted. Sullivan fought in most of the regiment’s battles and was wounded at least three times; enlisting on three separate occasions (the only soldier in the regiment to do so). The “Rebs” just couldn’t keep Mickey down (He was called “Mickey,” in his company).
In his memoir, Dawes wrote that Sullivan was not only “a heroic soldier” but “For genuine sallies of humor at unexpected times, I have never seen his equal.” He had an “unconquerable good humor and genuine wit. Such men,” Dawes wrote, “are of priceless value in an army.”
No soldier went off to the Civil War with quicker step than 17-year-old James Patrick Sullivan. A hired man on a farm in Juneau County, Wisconsin, he was among the first to anwer Lincoln's call for volunteers in 1861. Sullivan fought in a score of major battles, was wounded five times, and was the only soldier of his regiment to enlist on three separate occasions. An Irishman in the Iron Brigade is a collection of Sullivan's writings about his hard days in President Lincoln's Army. Using war diaries and letters, the Irish immigrant composed nearly a dozen revealing accounts about…