Here are 100 books that Captains and the Kings fans have personally recommended if you like
Captains and the Kings.
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Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
I came across this book as a young teen and was riveted by the colorful, behind-the-scenes depiction of Mardi Gras in New Orleans, as well as the intimate stories of three generations of star-crossed lovers.
The characters were so well drawn that they seemed real, as if they must have loved and grieved, lived and died, as given. I felt as if I had walked the streets of the city and could recognize the places described.
I was also impressed by the Author’s Note detailing Keyes’s exhaustive research; reading it allowed me to accept the story as being as true to its place and time as possible. Years later, I followed her fine example, adding an Author’s Note with research details to my own books.
The first of Keyes' novels set in Louisiana was Crescent Carnival, which tells the story of three generations of two intertwined families. The Breckenridges are Protestants, while the Fontaines are Catholic Louisiana Creoles. The plot hinges on the way that pride and misfortune conspire with cultural and political differences to keep prospective lovers from marrying. The cycle of failure only ends when two people have the courage to defy the odds and accept their love for each other. Carnival celebrations and Mardi Gras parades form the backdrop of many scenes. Captures the social mores, Carnival season, and the French Quarter…
Imagine yourself in the eerie last days of Atlantis, where political power grabs, evil magic, and pulse-pounding romance all collide in this deeply emotional thriller.
The first of the Highest Light Series, Atlantis Writhing weaves Taoist philosophy and metaphysical concepts like Law of Attraction into a storyline to show ancient…
I’ve been fascinated by the feelings stories can evoke in readers since I cried over Bridge to Terabithia in middle school. From the time I was twelve, I’ve sought snapshots in time that ooze with a strong sense of place and flawed characters to capture my heart when reading. I’ve found well-researched historic Gothic family sagas to be the most consistent in delivering that raw emotional bond between the setting/characters and reader. As a writer, I strive to recreate what I crave when reading. The historic Gothic family sagas I’ve chosen represent an array of characters you will love—or love to hate—and cry over.
Dorothy Eden was well-known as a Gothic/Thriller Romance author fifty-plus years ago, but her family sagas are where her skills really shine. The Vines of Yarrabee had me scared to keep reading because I knew tragedy was coming, but I couldn’t stop reading because I was invested in the less-than-perfect characters—most of whom I was angry over for much of the story. These fictional humans are tucked in a rich setting I could see, hear, feel, smell, and taste. I learned a lot about Australia and its settlers in the 1800s, but it’s the people in the story that I still carry with me, several years after reading it.
SYNOPSIS: "Eugenia was a cultivated, aristocratic English woman who married Gilbert, the plantation and vineyard owner. But Eugenia had trouble adjusting to many aspects of plantation life that her husband takes in enthusiastic stride - the convict slave laborers, the ever-present danger of vengeful escapes, the suffocating summer heat, and the merciless winters. Both husband and wife find outside satisfaction - him from the attractive downstairs maid and Eugenia from the itinerant artist, who will alter the existence of all those at Yarrabee."
I wrote this book to give my mother an alternate life. She was a mother at age fifteen, mother of five by twenty-seven, and a grandmother by thirty-three. Being a parent defined her life, but she did not enjoy motherhood and was very frank on the subject. Thanks, Universe is my way of giving Mom her freedom and even though she never read anything I wrote, I like to think she would have approved of Pauline and the choices she made.
I adore sweeping family sagas with strong women characters and with tragedy, romance, and heartache set in Australia, The Thorn Birds is a beautiful example of the genre.
Meggie is rebellious and headstrong and makes questionable choices, but we empathize and root for her. All the well-rounded characters each come with their own secrets that will keep you turning pages.
A phenomenal worldwide bestseller since 1977 THE THORN BIRDS is a robust, romantic saga of three generations. It begins in the early years of this century when Paddy Cleary moves his wife and seven children to Drogheda, an Australian sheep station, owned by his autocratic and childless older sister. For more than half a century we follow their fates, particularly those of Meggie, the only Cleary daughter, and the one man she truly loves, Ralph de Bricassart - stunningly handsome, ambitious, and a priest. As background to the Cleary family's lives there is the land itself: relentless in its demands,…
Imagine yourself in the eerie last days of Atlantis, where political power grabs, evil magic, and pulse-pounding romance all collide in this deeply emotional thriller.
The first of the Highest Light Series, Atlantis Writhing weaves Taoist philosophy and metaphysical concepts like Law of Attraction into a storyline to show ancient…
I’ve been fascinated by the feelings stories can evoke in readers since I cried over Bridge to Terabithia in middle school. From the time I was twelve, I’ve sought snapshots in time that ooze with a strong sense of place and flawed characters to capture my heart when reading. I’ve found well-researched historic Gothic family sagas to be the most consistent in delivering that raw emotional bond between the setting/characters and reader. As a writer, I strive to recreate what I crave when reading. The historic Gothic family sagas I’ve chosen represent an array of characters you will love—or love to hate—and cry over.
The seven-book saga featuring the Eden family by Marilyn Harris is an amazing read, but I found The Prince of Eden to be the most moving. Not only is Edward Eden the most likable (though still questionable) of the men in the family, the book sheds light on an era of British history I wasn’t very familiar with, the 1830s-50s. I became a spectator of the social unrest, opium dens, and more within these pages. The fictional characters move alongside historical people and events, leaving their own footprints in the world of possibility within this emotional read.
Young Edward Eden, maverick and social reformer who befriends the lowly of London, greatly disturbs his family by selling off parts of the Eden estate to help his friends and by seeking comfort for his personal sorrow in opium
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.
He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.
McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood.
And the truth he finds in the details, from the brutality of religious authority figures to the abject…
The author recounts his childhood in Depression-era Brooklyn as the child of Irish immigrants who decide to return to worse poverty in Ireland when his infant sister dies.
I taught teenagers and young adults for 40 years. During these years, I always thought about what I could use to make my classroom an exciting place for learning. I would hear a new song about loneliness that I wanted to share with my students. Or I would think of a prompt they would laugh about in notebook writing. Too often, we take the dedication teachers give to their students for granted. I hope you enjoy the books on this list as much as I have and make you remember again a special teacher in your life who gave his/her all, and if you’re a teacher, here’s to you!
I adored this book. I think every teacher should be given this book just to feel that although you might shut the door to the outside and be alone in the classroom with your students, you are not alone in what you face. This book convinced me that I needed to write my own teaching memoir.
McCourt (author of Angela’s Ashes) and his sense of humor and creativity at times get him into trouble but eventually endear him not only to the students but also to the school administration. I might not have agreed with everything he described, but I was overwhelmingly delighted with his approach and his great rapport with his students.
Nearly a decade ago Frank McCourt became an unlikely star when, at the age of sixty-six, he burst onto the literary scene with Angela's Ashes, the Pulitzer Prize -- winning memoir of his childhood in Limerick, Ireland. Then came 'Tis, his glorious account of his early years in New York.
Now, here at last, is McCourt's long-awaited book about how his thirty-year teaching career shaped his second act as a writer. Teacher Man is also an urgent tribute to teachers everywhere. In bold and spirited prose featuring his irreverent wit and heartbreaking honesty, McCourt records the trials, triumphs and surprises…
I have always been fascinated with stories about women who step outside the norm and accomplish their goals. Books that tell of girls who are shy or insecure, but find inner strength in the face of adversity, inspire me. My mother wasn’t afraid to guide me toward these stories when I was young, and I gave books with this theme to my daughters as well. It doesn’t matter where you start from, it only matters where you think you can go, and I love books that share this idea; especially stories of women who do amazing and unexpected things.
This book is about sixteen-year-old Katherine Mary O’Fallon, who early in the twentieth century, moves to Canada to recover from an extended illness. She falls in love with a six-foot-tall sergeant in the Canadian Mounted Police, Mike Flanigan—a man of courage, kindness, and humor. They marry, and overnight the couple travels for days by dog sled, as Mike is to become a combination of police, doctor, and mayor of a small community in the harsh, unforgiving Canadian Northern Territory.
This story shows life in the untamed Northern Territory through the eyes of Kathy. Even though she is afraid and completely oblivious to the adventures before her, she faces her new life head-on. Through the kindness and calm positivity of her husband, Kathy heals from her illness, learns self-reliance, and finds an inner strength she didn’t know she possessed. The love story is sweet and the descriptions of life…
A classic and wholesome romantic tale that has enchanted millions of readers worldwide, Mrs. Mike brings the fierce, stunning landscape of the Great North to life—and masterfully evokes the tender, touching moments that bring a man and a woman together forever.
Recently arrived in Calgary, Alberta after a long, hard journey from Boston, sixteen-year-old Katherine Mary O’Fallon never imagined that she could lose her heart so easily—or so completely. Standing over six feet tall, with “eyes so blue you could swim in them,” Mike Flannigan is a well-respected sergeant in the Canadian Mounted Police—and a man of great courage, kindness,…
Seth Rosenfeld is an independent investigative journalist and author of the New York Times best-seller Subversives: The FBI’s War on Student Radicals, and Reagan’s Rise to Power. As a staff reporter for The San Francisco Examiner and San Francisco Chronicle, he specialized in using public records and won national honors including the George Polk Award. Subversives, based on thousands of pages of FBI records released to him as a result of several Freedom of Information Act lawsuits, won the PEN Center USA’s Literary Award for Research Nonfiction Prize, the Society of Professional Journalists’ Sunshine Award, and other honors.
In this deft work of nonfiction, Duffy tells the life and times of William Bailey, a rough-hewn, big-hearted longshoreman turned Communist activist, and how on one summer day in 1935 he and several compatriots came to stage a remarkable protest by hauling down a swastika flag from the SS Bremen, the flagship of Hitler’s commercial fleet. Events unfold as the deluxe passenger liner, which was heartily patronized by many Americans and Europeans, hosted a glitzy party while docked in Manhattan harbor. It was years before the outbreak of World War II, but Hitler already had commenced his anti-Semitic and other repressive initiatives. The trial and acquittal of Bailey et al., and the diplomatic fallout, was what Duffy describes as “the first blow landed against the Third Reich by foreign adversaries, delivered without guns or bombs.”
This story of an anti-fascist's dramatic and remarkable victory against Nazism in 1935 is an inspiration to anyone compelled to resist when signs of oppression are on the horizon
By 1935, Hitler had suppressed all internal opposition and established himself as Germany's unchallenged dictator. Yet many Americans remained largely indifferent as he turned his dangerous ambitions abroad. Not William Bailey.
Just days after violent anti-Semitic riots had broken out in Berlin, the SS Bremen, the flagship of Hitler's commercial armada, was welcomed into New York Harbor. Bailey led a small group that slipped past security and cut down the Nazi…
I'm a mystery writer and teacher now. Back then, I spent 10 years homeless and addicted on the streets of San Francisco. I could always return to Mom in CT and get put in a cushy rehab. Until I couldn't. And then she was dying, and my younger brother was addicted and soon he'd be dead too. It got scary at the end because I wasn't just some white suburban kid playing a scumbag junkie. I was a scumbag junkie. But why do I have a passion for the topic? I guess it's because it isn't all bad. I know that sounds weird, but being homeless and addicted has moments of beauty and joy too.
Orangutan is a working-class opus. Broderick excels in his display of the grind and how some men can weather and accept, as the Boss sings, dying little by little, piece by piece, and how others need more help to make it through the day. The most compelling part of Broderick's writing is the way he is able to delineate between the haves and have-nots. And, no, I don't mean money. Some men can drink a six-pack on the weekend, even do some blow. They'll be fine. Others? Like Colin? A shot is too much of an allure. Not just to get drunk, wasted, blotto. It goes way deeper. It's a form of wakeful suicide. You get through the day. You get your paycheck. You survive. But the price is not living.
Few people who have been slave to an addiction as vicious, as destructive, and as unrelenting as Colin Broderick's have lived to tell their tale. Fewer still have emerged from the darkest depths of alcoholism—from the perpetual fistfights and muggings, car crashes and blackouts—to tell the harrowing truth about the modern Irish immigrant experience.
Orangutan is the story of a generation of young men and women in search of identity in a foreign land, both in love with and at odds with the country they've made their home. So much more than just another memoir about battling addiction, Orangutan is…
Aged twelve, I stood just a few feet from President John F. Kennedy as he passed slowly by in June 1963. Waving and smiling from an open-top car, he was going to meet Ireland’s president in Dublin. His visit was a triumph for Irish-America. I have long enjoyed the variety of Irish-America. As an Irish student, I was one of the first foreigners to benefit from the J-1 visa program. I went to New Hampshire for the summers of 1970 and ’72 to work in an old resort hotel. On a visit to Boston then, I met a distant relative who, for decades, had worked as a domestic servant there.
I get very frustrated by narrow stereotypes of Irish Americans, which are based perhaps on images of festivities by firemen at some St Patrick’s Day parade in New York.
On my travels across America down the years, especially when I get beyond New York, Boston, and Chicago, I have been delighted to find a whole spectrum of Irish Americans, and I am glad to find such diversity reflected here. This book is a BIG read, but the sheer scale of what Meagher delivers makes it clear that old stereotypes of Irish America were never adequate.
The origins and evolution of Irish American identity, from colonial times through the twentieth century
"Subtly provocative. . . . [Meagher] traces the making and remaking of Irish America through several iterations and shows the impact of religion on each."-Terry Golway, Wall Street Journal
As millions of Irish immigrants and their descendants created community in the United States over the centuries, they neither remained Irish nor simply became American. Instead, they created a culture and defined an identity that was unique to their circumstances, a new people that they would continually reinvent: Irish Americans.