100 Books Like Scarlett

Terry Laster, who translated this work from the German original, does a masterful job of expressing the situation in 14th-century Heidelberg when a female secretly heals patients and for her success, is accused of performing works of the devil. In their ignorance, the town council appoints her husband, a lawyer, to discover her identity. How this story resolves is a testament to the power of good works and encourages me when I face opposition from ignorant people. 

Set at the end of the Georgian period in England (1790s), ‘Bet’ or Elizabeth is a reluctant rebel. Although she is fifty years before the suffragette movement, she resists the norms of her day, even disguising herself as a man to avoid an unwanted marriage. Although she is an anachronism, I found her character believable, a mixture of practicality and altruism. Her devoted friend, William, shows an understanding that many men of our day would do well to have. And it is no wonder they grow in affection for each other as she faces one hurdle after another in a “Man’s” world. This is a feel-good read. 

Although I can’t say much about the book’s cover, this is a wonderful sequel to Jane Austen’s Pride and Prejudice. It answers the question many readers have about life at Pemberly after Elizabeth and Darcy marry. Set at the end of the Regency period in England in 1814, it follows the courtship of Darcy’s younger sister, Georgiana, and deals with the issues faced by women of that day. I must confess, I have an attraction for strong female characters who must battle the norms of their society in order to find true happiness. If you have the same attraction, you’ll like this book. 

Oh yes. It’s another romance novel set in the Regency period. The Regency, only nine years in length, has spawned more romance novels than any other time in England’s history. So what’s so special about this one? Well, neither the girl nor the guy wants to get married but circumstances conspire to throw them together. I found their conversations to be spirited, meaning original and adversarial. It is delightful how they begin to genuinely like each other and lose their disdain for the institution of marriage. There are some lessons here for our modern days. 

To understand the history of Irish immigrants in America, you first need to study the country they left.

Breandán Mac Suibhne’s The End of Outrage examines traditions of rural violent protest in nineteenth-century Donegal, the county where many of the Molly Maguires of Pennsylvania originated. Intriguingly, MacSuibhne also uncovers a significant degree of reverse migration and cultural influence from Pennsylvania to Ireland.

His title contains a triple pun: the word “end” refers to the goal of Irish agrarian protest, the termination of that tradition by the famine and mass emigration, and the failure of subsequent generations to acknowledge what happened.

This is a gritty story of the peril young Irish immigrants faced when coming to America, along with the hardships they were escaping back in Ireland. The fact that others were waiting to abuse and exploit the immigrants is certainly historically accurate. However, B.J. Hoff’s stories are always filled with hope and shine a light on hope in God. It’s Christian fiction, so readers should be aware of that. Also, this new edition includes two stories, a great deal. B.J. Hoff passed away in 2021 but left a long legacy of inspirational historical fiction.

If, like me, you want to read an account of Irish America that is incisive but that also makes you laugh out loud, then I can highly recommend Irish America: Coming into Clover.

Written by former Boston Globe staff writer Maureen Dezell, this sharp portrait of contemporary Catholic Irish America from an insider to the culture explodes every cliché. Irish America: Coming into Clover is accessible history at its best, but it doesn’t just examine the past.

Dezell also considers the status of post-1845 famine Irishness in contemporary America, which she sees as being in deep contrast (both socially and racially) to its former status: in the nineteenth century, the Irish were only conditionally “white” and were initially subject to hostility from American nativists.

Dezell stresses that today, by contrast, the Irish are among the most educated and affluent Americans. This polish is on display in Dezell’s own creative language:… show more.

Thomas’s 2015 novel revolves around Eileen Leary, a tough Irish American nurse yearning to break the middle-class mold in which her life is set when her husband, Ed, a neuroscientist, develops early-onset Alzheimer’s.

Thomas describes his slow deterioration and the ravages inflicted on Eileen and their son, Connell, in drawn-out moments and exquisite detail. In an especially harrowing scene, Eileen stays up all night watching her once brilliant husband struggle with the simple task of tabulating the final grades in his community college class.

Though the narrative sometimes gets bogged down in minutiae, it is as unsparing an account of Alzheimer’s as I have ever read.

I love primary sources and histories that reproduce them. Here is another amazing feat of historical detection. “Details have been taken from eye-witness accounts; original Certificates of Registration, paintings, and contemporary lithograph drawings have been reproduced,” may sound dry but this book is alive with the voices of immigrants telling both tragic and triumphant tales. Anyone whose Irish ancestors came to North America between 1846 and 1851 will want to examine the numerous passenger lists that Laxton includes. I think of this book and all it taught me when I visit my hometown and stop by the monument commemorating Irish immigrants on the shore of Lake Ontario.

Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.

He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.

McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood. 

And the truth he finds in the details, from the brutality of religious authority figures to the abject… show more.