Here are 100 books that Candide fans have personally recommended if you like
Candide.
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When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
As shocking as I felt Kubrick’s film was, I think the book is possibly more startling. Some scenes Kubrick played for laughs are described as violent and sadistic in the novel. If, like me, you are a fan of the film, it’ll fill in some blanks for you. Ever wonder why Alex and his friends drink milk?
The book is written in futuristic teen-speak that did take me a while to get my head around, but this ultimately adds to the strangeness of the insular world these ‘droogs’ inhabit. Though it was first published in 1962, I think this is still a very relevant and unflinching look at the place of violence in society.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.
This was probably one of the most intense experiences with non-linear storytelling I ever had, and that did something to me I could not have predicted.
In fact, while reading this book, I started to turn the story into something of a philosophical discourse in my head.
I really like how this book is at the same time utterly insane in parts—and I do say that with the greatest respect, it‘s the good kind of insane—while at the same time, it explores themes of dealing with earth-shattering events on a very individual level.
For me, the icing on the cake is that Kurt Vonnegut manages to even mix in a little history lesson there, because that bombing of the prisoners in Dresden? That did happen. And I didn‘t even learn about it in school—I learned it from this novel!
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what…
I have always loved stories, and I love the clash of ideas – political and philosophical, religious and atheistic. And if you can put them together in a novel, so much the better. But I insist that it has to be a real story, with real characters, not ciphers. They must be inconsistent, their ideas half-formed and subject to change. And they must be allowed to put their point of view with their own voice, so I’m never entirely sure what the author thinks. The characters have to be people I can care about, people I can love or hate, people whose fate can cause me anxiety, sorrow, or joy.
I first read Orwell’s dystopian nightmare as a teenager and have gone back to it several times since.
Apparently, it is such a brilliant description of life under totalitarianism that, during the communist era, some Eastern Europeans refused to believe that an inhabitant of a democratic country could have written such a book.
Even today, I find the book very relevant, as Orwell develops themes of truth, propaganda, doublethink, and the misuse of language that you can find in Homage to Catalonia, written a decade earlier. And the ubiquitous and intrusive telescreen has a parallel in our age of surveillance capitalism and the way the Chinese authorities are using information technology to cement their rule.
62
authors picked
1984
as one of their favorite books, and they share
why you should read it.
This book is for kids age
9,
10,
11, and
12.
What is this book about?
BIG BROTHER IS WATCHING YOU . . .
1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I am a retired psychotherapist and teacher, but if someone asked me what the purpose of life is, I’d say, “to become aware.” Awareness is the capacity to see without prejudice, bias, or conditioning. I don’t like being in the dark, and so I have been on a lifelong journey to become aware. I have stepped into seeing several times in my life, so now my task is to teach others. It’s who I am—my essence is to continue teaching, to set people free from societal conditioning and their upbringings. Growing up means losing certain comforting illusions, but greater understanding fills their place.
This is one of the most powerful religious books I’ve ever read. It’s difficult work, and it took me a couple of days to understand the concept. Buber articulates that you can deal with people either as things or as souls. Many of us unconsciously place people in relation to ourselves as an “it.” But if you see past what a person appears to be, your relation to them becomes “I-Thou” rather than “I-it.”
I read it in my early 20s and am still impacted by how it teaches us to treat people as their inner selves.
Buber's main proposition is that we may address existence in two ways: [1] that of the "I" towards an "It", towards an object that is separate in itself, which we either use or experience; [2] that of the 'I' towards 'Thou', in which we move into existence in a relationship without bounds. One of the major themes of the book is that human life finds its meaningfulness in relationships. All of our relationships, Buber contends, bring us ultimately into relationship with God, who is the Eternal Thou.
Considered a landmark of twentieth-century intellectual history, this is Martin Buber's classic treatment…
When we speak in real life, much of what we say out loud doesn't have any real meaning. But when authors write, each word a character says must convey meaning to drive the scene forward. The words must exhibit some form of information—emotion, advancement of an idea, or even be the action itself—otherwise, they're just wasted words on the page. The true challenge of writing dialogue is to convey as much as possible with as few words as possible. I love a book in which I'm yearning for specific characters to return just so I can hear the carefully crafted, intelligent, and tight words they employ when speaking, especially when two characters are verbally dueling.
This is a unique and brilliant satirical work about the idea of paradoxical rules that trap people in impossible situations.
It's set during WWII and confuses the reader with circular attempts to convince the protagonist, Yosarian, that he must be sane if he is able to recognize that he is insane. It's less about characters contesting each other and more about them getting stuck in systems of language that deny resolution.
Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.
Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the…
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I find that Frankenstein transcends eras by posing critical questions about the ways we develop and use new technology.
I first read a comic-book version in elementary school and have returned to Shelly’s novel over the years because it stimulates my critical thinking about technology, particularly the current rise of AI and our response to it. Frankenstein raises a fundamental ethical question about technology in real life: just because humans can create something, should they actually create it?
For me, the novel also creates the opportunity to explore questions about how we engage technology once we choose to invent it. Dr. Frankenstein abandons his creation, and the creature becomes an angry monster. I ask myself, is this an allegory for our own response to technology?
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I am a retired psychotherapist and teacher, but if someone asked me what the purpose of life is, I’d say, “to become aware.” Awareness is the capacity to see without prejudice, bias, or conditioning. I don’t like being in the dark, and so I have been on a lifelong journey to become aware. I have stepped into seeing several times in my life, so now my task is to teach others. It’s who I am—my essence is to continue teaching, to set people free from societal conditioning and their upbringings. Growing up means losing certain comforting illusions, but greater understanding fills their place.
I liked the concept of man being small and adrift in the darkness of the wide world. This book taught me to see through politics, grandstanding, and the grandiose nonsense of man. Swift is my kind of guy, brutally satirical and profound. This book is really not for children. We see Gulliver travel on many adventures and experience Swift's disappointment as he engages different cultures, small and large, rational and irrational.
His adventures demolish Gulliver’s sense of humanity to the point that when he is about to be rescued, at first, he rejects the offer like a misanthrope before finally climbing aboard. Swift is very dark here. Why would anyone want to return to the same old life after having their eyes opened?
'Thus, gentle Reader, I have given thee a faithful History of my Travels for Sixteen Years, and above Seven Months; wherein I have not been so studious of Ornament as of Truth.'
In these words Gulliver represents himself as a reliable reporter of the fantastic adventures he has just set down; but how far can we rely on a narrator whose identity is elusive and whoses inventiveness is self-evident? Gulliver's Travels purports to be a travel book, and describes Gulliver's encounters with the inhabitants of four extraordinary places: Lilliput, Brobdingnag, Laputa, and the country of the Houyhnhnms. A consummately skilful…
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
What’s amazing about this book is that it’s told through recommendation letters written for students and colleagues by the main character, Professor Jason Fitger.
Each letter reveals more and more about his life, his failing romances, his dismal work environment, and his floundering creative efforts. In other words, topics that are completely inappropriate for these types of letters, which makes them all the more hysterical.
Finally a novel that puts the "pissed" back into "epistolary."
Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can't catch a break with his brilliant…
As a great-great-great-great-grandchild of Irish immigrants, I come from a long, proud line of alcoholics, especially on my mother’s side. My childhood was a masterclass in chaos: family scream-fests, flung insults, and someone cracking a joke while dodging a punch. It was painful, yes, but also absurd and often hilarious. That’s where my dark wit comes from. Razor-sharp humor was how we made it out alive. It becomes a lens you’re trained to observe the world through since you were a wee lad. I’ve always been drawn to stories where grief and laughter sit at the same table, clinking pints. Satire and absurdity aren’t interests for me. They’re muscle memory.
I didn’t know whether to laugh or stage an intervention. This book introduced me to Ignatius J. Reilly, a character so insufferable and absurdly grandiose that I kept turning pages just to see how much worse he could get. I was horrified and hypnotized. I couldn’t look away.
What I love about this book is that it doesn’t ask you to like anyone. It asks you to witness the glorious wreckage of human delusion. It is chaotic, bloated, brilliant, and somehow still moving. Toole gave me a character I wanted to strangle, and a novel I wanted to reread. That kind of friction is rare, and I live for it.
'This is probably my favourite book of all time' Billy Connolly
A pithy, laugh-out-loud story following John Kennedy Toole's larger-than-life Ignatius J. Reilly, floundering his way through 1960s New Orleans, beautifully resigned with cover art by Gary Taxali _____________
'This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, litterbugs, and lesbians . . . don't make the mistake of bothering me.'
Ignatius J. Reilly: fat, flatulent, eloquent and almost unemployable. By the standards of ordinary folk he is pretty much…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
The worst of all deceptions, said Plato, is self-deception. Perhaps it is also the most common. I'm fascinated by the human capacity to believe nonsense, and also by the power of satire to weaken twaddle’s hold on us. As a political science professor, and as a political speechwriter, I often used humor to expose sloppy thinking, debunk untruths, and open minds. Especially today, satire is one of the best ways to show the high price we pay for our delusions. Satire alone will not end our collective folly, but laughing at rather than denying what we're doing to the natural environment can be a step on the road to change.
If you don’t find Make Russia Great Again hilarious, you have no sense of humor.
Here’s my executive summary: Former Trump Chief of Staff, a naïf named Herb Nutterman – think Chauncey Gardner without the acumen – narrates the book from prison, where his service to the very stable genius has landed him. The leader of the free world saw Nutterman as eminently qualified to run the White House because he was his “favorite Jew,” and had loyally served him for 27 years as a resort manager.
Got the gist? OK, that’s all the executive summary you need for now. Just read the book. It’s outrageously funny.
In "the Trump satire we've been waiting for" (The Washington Post), award-winning and bestselling author of Thank You for Smoking delivers a hilarious and whipsmart fake memoir by Herb Nutterman-Donald Trump's seventh chief of staff-who has written the ultimate tell-all about Trump and Russia.
Herb Nutterman never intended to become Donald Trump's White House chief of staff. Herb served the Trump Organization for twenty-seven years, holding jobs in everything from a food and beverage manager at the Trump Magnifica to being the first general manager of the Trump Bloody Run Golf Course. And when his old boss asks "his favorite…
