Books like Can I Stray — picked by fans

I’ve been reading and making comics since I was a young kid. I’m very interested in the history of comics, and I love to see new combinations of content and form. My own graphic novels, such as Constitution Illustrated and Masterpiece Comics, use parody and pastiche to comment on and reinterpret historical and contemporary texts. I’m charmed by the earnest retelling of literature in old comic book series like Classics Illustrated, but I’m much more excited to see graphic novels that dig deep into texts and reinvent them in idiosyncratic ways.

As an acupuncturist and die-hard romantic, I did a deep dive into Taoist teachings when the love of my life passed away suddenly. I was looking for comfort, for answers, for reassurance that such intense chemistry can somehow transcend death. What happened is a long-buried desire to be an author started spinning my grief into Atlantis Writhing, a romantasy I hoped would uplift others enduring a dark night of the soul.

Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.

From a young age, I've been engrossed by the complexities of identity, a theme I explore as an Australian speculative fiction writer. My own identity comes with its quirks—I hold a Bachelor of Music in Composition, spent a decade in admin roles, and the better part of another decade teaching English to adult migrants, refugees, and asylum seekers. This eclectic background enriches my narratives, which blend supernatural elements with grounded realism and diverse representation. Whether it's exploring loneliness or delving into the lives of victims of bullying, my unique lens makes me well-suited to recommend books that tackle intricate themes of identity.

I have loved music since childhood. I grew up on a farm in Western Pennsylvania. My loving, hard-working parents gave my three brothers and me the best life possible. I began singing at our little Chewton Christian Church when asked to do so. Piano lessons began, and for 12 years, my sweet teacher, Joann Thurston, taught me piano, but I realized my true love was singing. She always allowed me to sing as well as play the piano. I attended Westminister College, majoring in elementary education with a music minor. Following graduation, my first job was teaching music to 1500 schoolchildren in Blacksburg, Virginia. 

While I taught Shakespeare’s plays all my teaching career, I stayed in my lanes: Hamlet, Othello, The Merchant of Venice, King Lear. As a poetry teacher, I used his sonnets as examples of metaphor and form, but never did I consider myself an expert. However, when the idea for my novel popped into my head, I realized I had some serious reading to do. Not only did I study the facts, I delved into the fiction. While some of these books came out during my writing and others after, I didn’t lose my interest, picking up whatever new Shakespeare book appeared. These are some of my favorites.

Like all of you reading this, I am an infinite multi-dimensional being of incredible beauty and light with my own unique connection to Source! The answer to the question ‘who am I?’ (for anyone) is not to be found in all the constructs of identity we get encouraged to build, covering our brightness with ego and opinion and beliefs and values and supposed fragility where we are not in fact fragile at all. My book subject choice for this list, though, is all about our first steps into that weird and wonderful world of ‘relationships,’ fuelled by exploding hormones, romantic dreams, social programming and, somewhere underneath (underneath the inadequacy), a perfect connection with other.

As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.

I exclusively read and write romance. I have since I was a teenager. If there is no love story with a happy ending, you can definitely count me out. I was first introduced to Pride and Prejudice in 11th-grade English. Maybe the first assigned book I read cover to cover and let me tell you—when Mr. Darcy expressed how ardently he admired and loved Elizabeth, I was a Darcy fangirl for life. I see Darcy everywhere. He's a romantic archetype who loves fiercely but struggles to express himself. He makes mistakes. He’s capable of changing his mind. To date, I’ve published ten romance novels across three pen names, and I have no plans to stop.

I married Indian born Atam Vetta when mixed relationships were rare and viewed with hostility not just in the UK. In 1966, they were illegal in South Africa and in most Southern States of the USA (until Loving v Virginia). In India they are not illegal but many upper-caste Indians do not approve of marriage outside of caste. In the UK attitudes have revolutionised. Mixed relationships are no longer rare and it is predicted that by 2075 the majority of the population will be of mixed ancestry. There are mixed relationships in all three of my novels. My aim was to explore what we have in common whilst being honest about the challenges. The ultimate prize is an enhanced understanding and the creativity that comes with crossing cultures.