100 Books Like Always Never Yours

As an archery enthusiast, I always feel a bit Maid Marian when I’m practicing with my bow and arrow! This historical YA reimagining of Robin Hood gives a new perspective on one of our most beloved childhood tales. However, it doesn’t focus on Robin as we’d expect but instead on his teenage daughter as she flees the clutches of King John in search of the father she has never known. Finding herself forced into a world of criminals to search for safety. This is a great adaptation and gives the story a whole new angle which makes it feel brand-new yet still features the beloved characters we’d wish to see. I love that this book allows you to rediscover such a classic story all over again!

Peter Pan has always been a bit of a dark story, I remember as a child being quite concerned about how easy it was to kill Tinkerbell and why Peter needed his shadow stitched back on! Second Star is a modern but dark retelling of this children’s fable, set in sunny California and amongst the surfing community, we follow a 17-year-old Wendy as she searches for her missing brothers. Stepping into a dark world, she finds herself drawn to the Cove’s enigmatic leader Pete but she is also pulled towards his dangerous and drug-dealing nemesis, Jas. This novel shows how a classic can be used as inspiration but the author is still able to make the story their own and I always enjoy reading that.

I do have a real penchant for dark stories and thrillers that ooze suspense and intrigue and Daphne Du Maurier’s Rebecca is one of the best for that. I haven’t come across many stories that have adapted this so I was definitely interested in that. New Girl is a suspenseful adaptation of this classic. After the mysterious disappearance of an elite school’s most popular student, the new girl, who remains unnamed through most of the story, finds herself taking Becca’s place within the school and her friendship groups but is always aware she’ll never be able to escape her shadow. This is also a dual POV book. I enjoy both writing and reading from this perspective. This is an excellent adaptation of this mysterious classic.

Hands up who wasn’t in a play of Oliver Twist at school! This is such a classic and theatre favourite which I remember starring in twice. But this is a truly modern and interesting reimagining of a Dicken’s masterpiece. Olivia is an orphan, strong and independent but with wounds from her many years within the care system. When her computer skills are noticed she is recruited to Syke’s hacker gang of cyber thieves which masquerades as a home for unwanted children. Each chapter starts with a quote from the original which foreshadows the events to come and provides a nice correlation between this version and the original. I really love how endearing the characters can be despite their flaws. This adds a really nice dimension to the story.

A unique and insightful look at how three groups fought back against their widespread stereotyping in the media of the early 20th century, and how two of them largely succeeded in changing these portrayals. The reasons why African-Americans were much less successful than Irish and Jews in fighting stereotypes are complex and fascinating, and hold lessons for us today.

This academic work rarely left my side when I was writing The Muse of Fire. It provides an in-depth and well-researched overview for readers who want to know more about the Old Price Riots of 1809—the central historical event in the novel. For me, a huge bonus was that the author, Marc Baer, very graciously consented to read and provide feedback on my book before it was published to ensure I got my facts right about the longest-running and most disruptive riot in British theatrical history.

I’ve often wondered how it was that actors went from the ‘rogues and vagabonds’ of Shakespeare’s time through the days of early Victorian theatre, when acting was considered a highly disreputable profession, to apparent respectability at the end of the 19th century with the creation of the first theatrical knight, Sir Henry Irving. This book—again meticulously- and widely-researched—explains in a highly readable form how changing attitudes among politicians, audiences, and playwrights contributed to the rise in the status of actors, so that by the beginnings of the 20th century it was considered perfectly respectable for even a middle-class man—or woman—to enter the profession.  

Forget Shakespeare. Nicholas Bracewell and Lord Westfield’s Men are a far more intriguing introduction to Elizabethan theatre. I was there, watching the rehearsals, hearing the applause, and enjoying the play as murder was committed, literally, behind the scenes.

With a bit of alchemy, madness, and passion thrown into the mix, if you love the Elizabethan period this is a not-to-be-missed historical mystery as Nicholas pits his wits against the devil himself. 

The Other Side of Perfect is about a young ballet dancer, Alina, who suffers a life-changing injury and must learn to deal with her multilayered, sometimes unsympathetic, anger.

Even though its themes are heavy, I somehow couldn’t put this one down. The characters are so real (and often funny), and every conflict unfurls with realistic nuance, sometimes devastatingly so.

Mariko Turk’s refusal to simplify emotions—even when exploring painful topics like racism—earns this book a standing ovation from me.

In the plague years of 14th century England, a young runaway priest, Nicholas Barber, hides himself by joining a troupe of traveling players and thereby finds himself a new role in a wider world. Nicholas’s story begins at an inflection point, when the residents in a particular town are more interested in an actual crime of murder than in seeing yet another iteration of the traditional religious Morality play. To captivate and keep their audience, the actors—with Nicholas now one of them—create a play of real life about the town’s murder. Their drama evolves in a series of performances as they discover more details of the mystery, at last leading them to its resolution. A fascinating interplay of history, mystery, theater, and human nature! I love this book.