Here are 100 books that Between Perfect and Real fans have personally recommended if you like
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As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
This graphic novel skews younger than the others on this list. It’s a heart-warming, slice-of-middle-school-life that revolves around the school’s musical theater production, from auditions and rehearsals, set-building and costumes, to opening night, the 3-show run, and even the cast party. It invokes the highs and lows of a production, including the inevitable malfunctioning props and inter-cast issues. I love this story’s emphasis on how fun it is to work on sets, costumes, lights, and sound, and how important stage crew is to the production.
Theatre Quotient: High. The bulk of the plot revolves around the show.
Raina Telgemeier, the author of the award-winning SMILE, brings us her next full-colour graphic novel . . . DRAMA!
Callie loves theatre. And while she would totally try out for her middle school's production of Moon Over Mississippi, she's a terrible singer. Instead she's the set designer for the stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage AND offstage drama that…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
Many YA novels set in a theatrical environment are heavily romance-focused. This book is the best I’ve found in that category. The hero, recent high school graduate Cass, has a super-strong voice that made me laugh out loud. She’s snarky, off-color, bold, and impatient. The theater plotline weaves throughout the story as Cass and cohorts perform The Taming of the Shrew at a summer theater. She steals ideas from Shakespeare’s play to torment her costar and nemesis, Drew.
Theater Quotient: High. Much of the plot revolves around rehearsals and elements of the play trickle into real life.
Cass McKay has been called stubborn, temperamental, difficult, and that word that rhymes with "witch" more times than she cares to count. But that's all about to pay off. She has finally landed the role she was born to play-Kate, in The Taming of the Shrew-in the summer apprentice program of a renowned Vermont Shakespeare theater company.
But Cass can barely lace up her corset before her troubles begin. The leading man, Drew, is a complete troll, and he's going to ruin Cass's summer. Even worse, Cass's bunkmate Amy has somehow fallen head over heels for Drew. Eww! Cass can't…
As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
If you’ve never done theater, this book will have you running for the nearest audition. The non-fiction book contains heartwarming reflections from the cast, crew, and creative team for Fiddler on the Roof in Yiddish, including director Joel Grey. Readers get an inside look at show life, from cast bonding to pre-opening stress to performance mishaps. The vignettes convey what each cast and crew member contributes to making the magic happen. While heavy on the feel-good memories, it rings true and mesmerizes.
Theatre Quotient: High. It’s all theater, all the time!
A look inside Off-Broadway's Fiddler on the Roof in Yiddish, the ground-breaking, award-winning musical. Samantha Hahn, the youngest member of the cast, tells the story of how "Yiddish Fiddler" came to be. Samantha has interviewed the cast, crew, and creative team - each with a unique take on the show and the impact it has had on their lives - for a behind-the-scenes look at what makes "Yiddish Fiddler" so special. On the Roof takes the reader on a never before seen journey - from rehearsals that end in tears and screaming in elevators, to the beautiful bonds between company…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
I like the grittiness and real-life issues addressed in this story. The pressures and joys of being students at an elite performing arts high school are described through the eyes of five friends: two actors, one writer/director, and two dancers. Aspirations, disintegrating friendships, budding romances, vengeance, and addiction interweave as the students forge ahead to the career-making (or breaking) Senior Showcase. Tragedy enfolds the friends in a dark ending as the dangers of the outside world pierce their high school bubble.
Theatre Quotient: Medium. Plot is split between dance and theater, and the show gets minimal pages.
It's always been you - you know that, right? At a prestigious New York City performing arts school, five friends connect over one dream of stardom. But for Joy, Diego, Liv, Ethan, and Dave, that dream falters under the pressure of second semester, senior year. Ambitions shift and change, new emotions rush to the surface, and a sense of urgency pulses among them: Their time together is running out. Diego hopes to get out of the friend zone. Liv wants to escape, losing herself in fantasies of the new guy. Ethan conspires to turn his muse into his girlfriend. Dave…
When I was a kid, I moved from Sri Lanka to the US without any knowledge of English. I first learned the language through the stories I watched and then the ones I read. I spent hours in the library and was most strongly attracted to stories with magic and witches, which allowed me to escape my own life and find refuge in my imagination. These stories are why I became a writer, and many of these stories still hold sway over me today. When life gets hard, I love to escape into these magical worlds.
I’ve loved the magical girl genre for a long time, ever since I first watched Sailor Moon when I was eight years old. This great duology for teens flips the genre on its head with a trans boy as its protagonist and wonderfully explores the nuances of what it means to be a hero. And it’s quite funny, too.
A breathtakingly imaginative fantasy series starring Max - a trans high school student who has to save the world as a Magical Girl ... as a boy! Although he was assigned female at birth, Max is your average trans man trying to get through high school as himself. But on top of classes, crushes and coming out, Max's life is turned upside down when his mom reveals an eons old family secret: he's descended from a long line of Magical Girls tasked with defending humanity from a dark, ancient evil!
With a sassy feline sidekick and loyal gang of friends…
I’m an academic researcher interested in this topic but also one of the people who gets demonized in conservative media: the parent of a transgender child. I want my daughter to know that similar people have existed in history and that lawmakers are wrong to claim that we’re in a scary new world when we advocate for respect and the rights of trans people. While doing that advocacy work, I’m alarmed by positions within the LGBTQI+ movement echoing right-wing ones, including what’s known as “gender critical feminism.” My book argues a positive case for coalition in the face of pressures to fracture along distinct lines of sexuality and gender identity.
As a parent (and a researcher), I’m so happy this book exists! It’s the best response to the argument that trans kids are new and, therefore, how we raise them is dangerously experimental. Where Gill-Peterson finds such kids historically is mainly in medical archives, where treatments were directed mostly at intersex children, many of whom we’d see as trans. She shows a fascination with the “plasticity” of the body in the early twentieth century, although predictably, possibilities for transforming bodies were viewed differently across racial lines. The best counter to conservative attacks, though, is his research into Val, a 1920s teen in rural Wisconsin who went to school as the gender she affirmed and had negotiated agreements about things like which bathroom she could use, over which we’re fighting a century later!
A groundbreaking twentieth-century history of transgender children
With transgender rights front and center in American politics, media, and culture, the pervasive myth still exists that today's transgender children are a brand new generation-pioneers in a field of new obstacles and hurdles. Histories of the Transgender Child shatters this myth, uncovering a previously unknown twentieth-century history when transgender children not only existed but preexisted the term transgender and its predecessors, playing a central role in the medicalization of trans people, and all sex and gender.
Beginning with the early 1900s when children with "ambiguous" sex first sought medical attention, to the…
Queer community means what we make it mean—but in the end, we mostly have each other, with our varied histories and problems and capacity to care for our peers and harm them. Intergenerational community is a model for young people that the problems they’re facing aren’t new. I grew up in LGBT youth groups, in a generational moment just before gay marriage, PrEP, and increased access to healthcare for trans people transformed our sense of what “activism” and “solidarity” meant. As the political pendulum swings in the other direction, I think some of the best stories we can tell are ones where we aren’t individuals or couples in our own narrative bubbles.
I don’t usually love coming-out stories, since the coming-out narrative tends to replace anything else that happens for trans people, but this one shines—in part because Sasha Masha’s emergence precedes her contact with queer community, but only starts to actually makes sense in the context of knowing other gay and trans people.
It’s one of the only trans girl YA novels I know of, and it feels like it’s written for someone who is, like Sasha, half-out and tripping down the final steps. This is a fantastic book about how we may find our most real selves alone, but it might take a one-sided romantic friendship, a community showing of Querelle, or a couple old drag queens showing you their hallway of photos of Queer Icons to feel like you aren’t going crazy.
Alex feels like he is in the wrong body. His skin feels strange against his bones. And then comes Tracy, who thinks he's adorably awkward, who wants to kiss him, who makes him feel like a Real Boy. But it is not quite enough. Something is missing. Is the missing piece a part of Alex himself?
As Alex grapples with his identity, he finds himself trying on dresses and swiping on lipstick in the quiet of his bedroom. He meets Andre, a gay boy who is beautiful and unafraid to be who he is. Slowly, Alex begins to realize: Maybe…
Alongside my professional role as Emeritus professor and former head of postgraduate medical and dental education for NHS London and the South East region, I’ve been engaged with LGBTI human rights for thirty years, working with legal teams and advising a range of government departments and stakeholders. I wrote The Hidden Case of Ewan Forbes to remind us all that until the late 1960s, trans people self-identified, received affirmative medical care, corrected their birth certificates, and lived in full equality. At a time when discussion of trans lives is almost submerged by entrenched ideological dogma, the historical and scientific facts of trans experience feel particularly important. I hope you enjoy my selection on this theme.
The first trans child we know of to self-identify and receive affirmative medical care was Ewan Forbes, whose mother accessed early testosterone treatments for him in the 1920s. A hundred years later, when I’m asked by parents for one book to understand the how’s and why’s of trans kids, Diane’s is my go-to recommendation. Based on her own real-life clinical experience, she sets out a spectrum of gender diversity, and shows how parents can support their children’s explorations and decisions.
Key to this is letting children define their own social presentation and activity, for as she puts it, ‘if we want to know a child’s gender, it is not for us to say but for the child to tell’. Diane demonstrates that this approach allows both child and parent to identify whether their gender expression is ‘insistent, consistent, and persistent’, in other words, the direction in which the…
Developmental and clinical psychologist Diane Ehrensaft, PhD, has devoted her career to the care of children and teens who do not abide by the gender binary, either in their gender identities or expressions. In her first book, Gender Born, Gender Made, she coined the phrase "gender creative" to replace what the Diagnostic and Statistical Manual, at the time, still officially termed a "disorder." Now, in The Gender Creative Child, Dr. Ehrensaft gives families, teachers, and therapists a totally up-to-date, comprehensive resource to caring for children whose gender expression is fluid or who question the gender they were assigned at birth.…
When I was growing up, I played everything my older brother, Joe, played. Including all the “boy” games. So they called me a “tomboy” and teased me. I wish my library had had books that showed how fun, play, games, pets, colors, kites... are not “for boys only” or “for girls only.” They would have made me feel better and, hopefully, opened the door to some interesting discussion of how imagination and creativity are gender neutral. These five picture books explore those established gender rules with humor and heart and great stories!
I love bugs, baseball, and playing in the mud, and was often teased or called a “tomboy” because of it. How I wish the adults in my life had had a book like Jack (Not Jackie).
A big sister realizes that her little “sister” doesn't like dresses or fairies—but likes ties, bugs, and the name Jack. This book takes the concepts of gender expression and makes them simple to understand from a youngster's point of view—this can be a great book to kick off discussion!
In this heartwarming picture book, a big sister realizes that her little sister, Jackie, doesn't like dresses or fairies-she likes ties and bugs! Will she and her family be able to accept that Jackie identifies more as "Jack"?
Susan thinks her little sister Jackie has the best giggle! She can't wait for Jackie to get older so they can do all sorts of things like play forest fairies and be explorers together. But as Jackie grows, she doesn't want to play those games. She wants to play with mud and be a super bug! Jackie also doesn't like dresses or…
When I was a kid, I knew that my gender was different. I didn’t feel like a boy or a girl, but I didn’t know the word “nonbinary.” There were no kid’s books about people like me. I grew up with a lot of questions, which drove me to become a doctor of Women’s and Gender Studies and an expert on transgender history. Now I’m passionate about writing the kind of picture books that I needed as a child. If you want the kids in your life to understand transgender identity and feel loved whatever their gender may be, you’ll enjoy the books on my list.
I love middle-grade novels and George is a classic. It reminds me of Beverly Cleary’s Ramona books, and I can think of no higher compliment! Alex Gino masterfully captures the perspective of a trans girl and her journey to expressing herself. This book isn’t shy about the difficulties that George faces, but its tone is gentle and hopeful. That’s the balance that I try to strike in my own writing. I can only hope I’m as successful as Gino. You’ll love this book.
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What is this book about?
The unforgettable debut from Stonewall Award Winner Alex Gino.
George joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!
When people look at Melissa, they think they see a boy named George. But she knows she's not a boy. She knows she's a girl.
Melissa thinks she’ll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web. Melissa really, really, REALLY wants to play Charlotte. But the teacher says she can't even try out for the part... because she's a boy.
