51 Books Like Burning Angel

James Lee Burke’s Robichaud novels are terrific. In this book, Detective Dave Robichaud is caught up in a deadly struggle over a Nazi U-boat buried off the Louisiana coast.

Like any great protagonist, Robichaud is a guy with troubles that pre-date and persist long after any case is closed. This time it’s a sunken Nazi ship that has been the stuff of nightmares since he was a child. The story unfolds in a moody New Orleans, teeming with dark characters all pursuing their own violent ends.

Burke's language is lyrical, his dialogue dead-on. Best of all, he tells this tale with fearless imagination, his eye firmly on the presence of evil in the world.

All of James Burke's novels are my favorites. His plots constantly take you by surprise, and his characters drip with foibles and exotic passions. This book does not take place in New Orleans yet, but Mr. Burke seems to equally understand the heat, the intentions, the loneliness, and the nightmares of the Southwest border. I could not get enough of his colorful dialogue and poetical descriptions.

As the name implies, Midnight Bayou is another romantic ghost story set in New Orleans—a place I’ve now been fortunate enough to visit!

Sometimes called the “City of the Dead”, NOLA makes a perfect location for this haunting mystery. I literally could not put this book down, despite having young children when I read it! Once again, the past and present intertwine as a sassy Cajun heroine and a hunky carpenter unravel the dark secrets of Manet Hall in a passionate journey.  

I was approached by Jerry Pushcar's brother when he first published this book, and I agreed to take a look, but was skeptical, being as it was self-published. But when I read it, I was blown away.

Not only is the writing beautiful and literary, but the journey is hard to believe: paddling 9,000 miles over three years, from New Orleans, up the Mississippi and St. Croix rivers, along the shore of Lake Superior, over the Grand Portage, across Canada and all the way to Nome, Alaska. If you're wondering what that was like, you'll have to read along.

Right at the end of World War I, a shellshocked cop, a jazz trumpeter, and a Mafia doyenne find their paths cross with an ax murderer in Spanish flu-ravaged New Orleans in one of America’s first true serial killer cases.

A unique structure of interlocking POVs really made the narrative shine for me and straight up stole Rich’s structure for my book! Good writers copy, etc. 

In 1967 I worked for seven months at DePaul psychiatric hospital in New Orleans, LA as an attendant during the 11 pm to 7 am shift. During that time period, there was often nothing to do but stay awake, because schizophrenics, like everybody else, usually sleep through the night. There was a tiny library in the "Seton Unit" section of the hospital where I worked that featured a dozen or more Nero Wolfe murder mysteries by Rex Stout. I read them all, some of them more than once. The books brought me back to my late childhood years when I read all of the Arthur Conan Doyle Sherlock Holmes stories. What fascinated me about both these sets of books later when I became a writer was the relationships between the storytellers (John Watson/Archie Goodwin) and the larger-than-life detectives (Sherlock Holmes/Nero Wolfe). They acted like bickering but loving married couples while… show more.

This is a mystery set in the gritty side of New Orleans, back alleys of the French Quarter and neighborhoods that tourists don’t see.

The murder setup is well-written and the author keeps the reader guessing about the outcome. Music lovers will appreciate the references to real singers and musicians that are woven into the story.

This is the 7th book in the Sleepy Carter detective series. There are a few references to previous books, but if you have not previously read any in this series, you won’t be lost. Fans of Walter Mosely will enjoy. I love New Orleans, (there are many mouth-watering food references in the story) and this book takes me there.

I came across this book as a young teen and was riveted by the colorful, behind-the-scenes depiction of Mardi Gras in New Orleans, as well as the intimate stories of three generations of star-crossed lovers.

The characters were so well drawn that they seemed real, as if they must have loved and grieved, lived and died, as given. I felt as if I had walked the streets of the city and could recognize the places described.

I was also impressed by the Author’s Note detailing Keyes’s exhaustive research; reading it allowed me to accept the story as being as true to its place and time as possible. Years later, I followed her fine example, adding an Author’s Note with research details to my own books.

Benjamin January is a rarity in New Orleans 1830s; a free Black man. He is free because his mother is a place, the mistress of a wealthy white planter. Ben is educated and smart, but the casual racism of the times means he makes a living as a musician instead of a surgeon.

Despite his papers, he is always afraid of being kidnapped and sold into slavery, and that fear casts a shadow over his life.

When a beautiful quadroon is murdered, and no one cares, Ben’s sense of justice inspires him to investigate, despite risking his own freedom.

I love the exotic setting and reread every few years. I marvel at the way Hambly threads the mystery through this unusual culture.

In a complete departure from the previous book, Gods of New Orleans is a dieselpunk science fiction adventure. Emma Farnsworth, her saxophone-playing boyfriend Eddie Collins, and the Conroy family have escaped from Chicago City and are going to start life again in New Orleans. However, everything they think they know about New Orleans is turned on its ear.

People of color are in charge. White people are expected to keep their eyes averted, refer to people of color as "sir" or "ma'am" ... and mixed ethnicity couples like Emma and Eddie are eyed askance. White people are also expected to carry a little tin badge with them if they're "working out" -- which is what slaves who were allowed to "sleep out" in New Orleans during the 19th C. were required to do. In short: Sikes has turned the typical examination of racism on its ear with this book. 

I… show more.