Here are 53 books that Rescued by a Kiss fans have personally recommended if you like
Rescued by a Kiss.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other.
Benjamin January is a rarity in New Orleans 1830s; a free Black man. He is free because his mother is a place, the mistress of a wealthy white planter. Ben is educated and smart, but the casual racism of the times means he makes a living as a musician instead of a surgeon.
Despite his papers, he is always afraid of being kidnapped and sold into slavery, and that fear casts a shadow over his life.
When a beautiful quadroon is murdered, and no one cares, Ben’s sense of justice inspires him to investigate, despite risking his own freedom.
I love the exotic setting and reread every few years. I marvel at the way Hambly threads the mystery through this unusual culture.
This lush and haunting novel tells of a city steeped in decadent pleasures and of a man, proud and defiant, caught in a web of murder and betrayal.
It is 1833. In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orléans when the evening's festivities are interrupted--by murder.
The ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
In a complete departure from the previous book, Gods of New Orleans is a dieselpunk science fiction adventure. Emma Farnsworth, her saxophone-playing boyfriend Eddie Collins, and the Conroy family have escaped from Chicago City and are going to start life again in New Orleans. However, everything they think they know about New Orleans is turned on its ear.
People of color are in charge. White people are expected to keep their eyes averted, refer to people of color as "sir" or "ma'am" ... and mixed ethnicity couples like Emma and Eddie are eyed askance. White people are also expected to carry a little tin badge with them if they're "working out" -- which is what slaves who were allowed to "sleep out" in New Orleans during the 19th C. were required to do. In short: Sikes has turned the typical examination of racism on its ear with this book.
With nothing but horror behind her, Emma Farnsworth pilots the Airship Vigilance into the night sky outside of Chicago City on a one-way trip to New Orleans. She’s carrying precious cargo: her lover and four other strays that escaped the nightmare of gods and monsters on the shores of Lake Michigan. The trip hasn’t been anything like fun, but it’s been quiet. And for Emma’s money, quiet equals good. Good enough to think they might make it to New Orleans without a hitch. Like the saying goes . . . The good things come to a fast end. Emma and…
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
This time, let’s have a look at a young adult novel. In Color Blind, April Lockhart's dad has passed away, and since she's only 17 years old she has to go live with her aunt in New Orleans. To say that April is unhappy about this is to greatly understate the situation. She meets Miles Baptiste when she decides to take a cemetery and voodoo tour ... and that's when she meets Marguerite, as well.
The voodoo priestess seems to know a good many things about April. The book proceeds through April's misadventures, taking the reader on a tour of New Orleans that touches not only the tourist spots but also the Lower Nine and more hard-hit areas yet to recover after Hurricane Katrina. We see April go on a journey of maturation and self-discovery as well.
What I loved about this book was its examination of New Orleans…
A 2017 Killer Nashville Award Winner A 2017 Readers' Choice Award for Best Fiction-Young Adult
April is alone in the world. When she was only a baby, her teenage mother took off and now, unbelievably, her dad has died. Nobody's left to take April in except her mom's sister, a free spirit who's a chef in New Orleans--and someone who April's never met. In the aftermath of Hurricane Katrina, April is suddenly supposed to navigate a city that feels just like she feels, fighting back from impossibly bad breaks. But it's Miles, a bayou boy, who really brings April into…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
Fanny Newcomb is the daughter of a New Orleans lawyer. Having shunned a marriage proposal from her late father's partner, she comes to work at the Settlement House. There, she teaches reading, accounting, and other skills to young immigrant women in Crescent City. When her most promising student is murdered, Fanny starts looking into matters herself. Why?
One of the other women at Wisdom House, Olive Giddings, is a physician -- she was first on the scene and knows that Nora was strangled. Soon, though, the papers are claiming that Nora is the victim of the Irish Channel Ripper. And then, the House's German carpenter is arrested for the crime. So, Fanny has a vested interest in finding the real assailant and proving Karl innocent.
What I love about this book is the rich historical detail. We not only get a look at women’s roles but also at New Orleans’…
"...a promising start from a new author" —Historical Novel Review.Winner of 2018 IPPY Gold Ben Franklin in Historical Fiction. Gilded Age New Orleans is overrun with prostitutes, pornographers, and a malicious Jack the Ripper copycat. As threatening letters to newspaper editors proclaim, no woman is safe from his blade. Desperate to know who murdered her favorite student, ambitious typewriting teacher Fanny Newcomb launches into a hunt for the self-proclaimed Irish Channel Ripper. Fanny quickly enlists the help of her well-connected employers—Principal Sylvia Giddings and her sister Dr. Olive—and together the women forge through saloons, cemeteries, slums, and houses of prostitution.…
Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
I came across this book as a young teen and was riveted by the colorful, behind-the-scenes depiction of Mardi Gras in New Orleans, as well as the intimate stories of three generations of star-crossed lovers.
The characters were so well drawn that they seemed real, as if they must have loved and grieved, lived and died, as given. I felt as if I had walked the streets of the city and could recognize the places described.
I was also impressed by the Author’s Note detailing Keyes’s exhaustive research; reading it allowed me to accept the story as being as true to its place and time as possible. Years later, I followed her fine example, adding an Author’s Note with research details to my own books.
The first of Keyes' novels set in Louisiana was Crescent Carnival, which tells the story of three generations of two intertwined families. The Breckenridges are Protestants, while the Fontaines are Catholic Louisiana Creoles. The plot hinges on the way that pride and misfortune conspire with cultural and political differences to keep prospective lovers from marrying. The cycle of failure only ends when two people have the courage to defy the odds and accept their love for each other. Carnival celebrations and Mardi Gras parades form the backdrop of many scenes. Captures the social mores, Carnival season, and the French Quarter…
My love of mysteries began with Nancy Drew books. As I read more mysteries over the years, I finally decided it was time for me to write my own. A setting came to me immediately—New Orleans. I fell in love with the city through the Anne Rice and Julie Smith’s books. To write my cozy mystery series, I read all kinds of books. I read them for pleasure, but to make sure the details are correct in my books, The French Quarter Mysteries. I’m able to enjoy New Orleans through my sleuth, Samantha. It’s the next best thing to being there myself.
In New Orleans, police detective Skip Langdon searches for the killer of Rex, King of Carnival for this year's Mardi Gras, a member of the powerful but tragic St. Amant family
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I believe deeply that, as messy and painful as life is, there is always joy, and usually humor, to be found. The book I wrote, Leaving’s Not the Only Way to Go, pulls from some of the painful experiences I’ve had, and I often find myself following my description of the book, about two women who meet in a grief group, with “but it’s not a downer!” It’s true, because Leaving is also inspired by all the joy and connections I’ve made for myself, even in the midst of loss. I learned how to balance the two sides of life through books like the ones on this list.
Fat Tuesday is the book that taught me what a lesbian was and what a joyful possibility that could be for me.
It’s about a high school senior named Rusty who decides, despite all the desperate circumstances of her life, to travel to New Orleans for Mardi Gras with her sick mother and dysfunctional friends.
Rusty and company are obsessed with soap operas as an escape from their current reality, and as their road trip proceeds, their reality becomes more and more like a soap opera plot, with all the drama, dramatic twists, and exaggerated exuberance that soap operas are known for!
What does Rusty Quinn do when her mom loses touch with reality, her best friend's dad explodes over a kiss, her other best friend gets committed to a psych ward, and the sanest person she knows is an egotistical Finnish exchange student who swears in a language nobody understands? She could write a soap opera, of course - or go to Mardi Gras. In fact, she could do both!
Funny how destiny comes down to single choices, focused moments, and split-second decisions. Can running away to Mardi Gras really change four lives forever?
Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
Though a seventh-generation Louisianian, I was born and raised in the northern portion of the state. When I decided to write about early New Orleans, I realized deep research would be required. The first book my local librarian recommended was Saxon’s Fabulous New Orleans.
I was enthralled, not least because I discovered he was also not a native of the city, though he lived in the French Quarter for many years and was instrumental in preserving many of its historic buildings from demolition.
With a style that immediately draws you in, this book is filled with pageantry and grandeur, personality, and rich detail, which makes researching the Vieux Carré a pleasure rather than a chore.
This classic reprint evokes a city steeped in the traditions and idiosyncrasies of three cultures--French, Spanish, andAmerican. Known widely as one of Louisiana's great writers, Lyle Saxon documented many of the quirks and mysteries of New Orleans. His narratives include a vivid picture of Mardi Gras as seen through the eyes of a young boy, a brief history of the city, and accounts of strange and remarkable events, including the great Mississippi flood of 1927, the year of the great plague, and a voodoo cult ceremony.
By any standards, New Orleans is a unique city, and Saxon depicts it unadorned,…
There's almost nothing better than getting in a canoe, putting your paddle in the water, and pushing out into a current that will carry you away. As someone who grew up on the Mississippi River, and who has spent much of my life canoeing, I always love a good river journey. And when I can't take one myself. I love going vicariously with someone else, like with these books.
I was approached by Jerry Pushcar's brother when he first published this book, and I agreed to take a look, but was skeptical, being as it was self-published. But when I read it, I was blown away.
Not only is the writing beautiful and literary, but the journey is hard to believe: paddling 9,000 miles over three years, from New Orleans, up the Mississippi and St. Croix rivers, along the shore of Lake Superior, over the Grand Portage, across Canada and all the way to Nome, Alaska. If you're wondering what that was like, you'll have to read along.
After a 1,200 mile solo canoe trip from Grand Portage, Minnesota to Hudson Bay, Manitoba, Jerry Pushcar wanted to see more of North America’s untamed wilderness. Waters Beneath My Feet is the personal memoir of his response: a three-year solo odyssey from New Orleans, Louisiana to Nome, Alaska.His compelling journey began by paddling up the mighty Mississippi, battling barge traffic and wing dams all the while. The danger didn’t stop there. Between the Mississippi and his destination, Pushcar would spend more than two years in the bush, navigating tricky encounters, mammoth lakes, untamed rivers, and inhospitable winters. All were precursors…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
In 1967 I worked for seven months at DePaul psychiatric hospital in New Orleans, LA as an attendant during the 11 pm to 7 am shift. During that time period, there was often nothing to do but stay awake, because schizophrenics, like everybody else, usually sleep through the night. There was a tiny library in the "Seton Unit" section of the hospital where I worked that featured a dozen or more Nero Wolfe murder mysteries by Rex Stout. I read them all, some of them more than once. The books brought me back to my late childhood years when I read all of the Arthur Conan Doyle Sherlock Holmes stories. What fascinated me about both these sets of books later when I became a writer was the relationships between the storytellers (John Watson/Archie Goodwin) and the larger-than-life detectives (Sherlock Holmes/Nero Wolfe). They acted like bickering but loving married couples while…
As any herpetologist will tell you, the fer-de-lance is among the most dreaded snakes known to man. When someone makes a present of one to Nero Wolfe, Archie Goodwin knows he's getting dreadully close to solving the devilishly clever murders of an immigrant and a college president. As for Wolfe, he's playing snake charmer in a case with more twists than an anaconda -- whistling a seductive tune he hopes will catch a killer who's still got poison in his heart.
