100 Books Like The Artless Word

All of my recommendations are about the ways modern architects have learnt from traditional architecture. The first appeared when I began working on the first edition of Analysing Architecture back in the 1990s. It is Kevin Nute’s exploration of the ideas that Frank Lloyd Wright gleaned from encounters with traditional Japanese architecture in the late nineteenth and early twentieth centuries. Nute’s book influenced my perception of architectural creativity as not fitting neatly into separate historical/stylistic categories, but as a realm of possible cross-fertilisation across cultures.

This book focuses on Japanese traditional architecture and its influence on present-day architects. By drawing a line from traditional Shinto architecture to the work of the modern architect Tadao Ando it shows that rather than being distinct categories, modern and traditional architecture share a historical continuum, and that, in a way, great architectural ideas never die. It also brings to attention approaches to space and light that any architect might beneficially explore in contemporary design.

Konstantinidis was a leading modern architect in Greece. Filled with his own sketches and photographs, he put this book together to illustrate his debt to the traditional architecture of his own country. It implies a line of shared relationship with landscape and materials going back thousands of years, to Callicrates and Ictinus (architects of the Parthenon) and beyond. I like that this book includes pictorial sketches and plans of traditional buildings, as well as constructional details showing the uses of materials readily available from the land.

Illustrated with many of the sketches made by Le Corbusier during his legendary 1911 ‘Journey to the East,’ when he travelled from northern Europe down to the Middle East, Kortan’s book examines the lessons possibly the greatest architect and urban designer of the twentieth century learnt from the traditional Ottoman architecture of Istanbul and Anatolia, including its poetic relationship between inhabitation and spatial organisation. This book is in Turkish, English, and French.

All these books have reinforced my understanding of architecture as a universal language of place-making shared by all cultures around the globe, and as the richest and endlessly fascinating expression of our relationship with the world in which we find ourselves…

For an architect to take an incisive, unflinching look at his own profession is refreshing and enlightening. Francis-Jones positions architecture’s strengths and failings in reflection to society, politics, equity, aspiration, ecology, power, and defiance. As a promoter of architects and what they do, I’m happy to see a title that places architecture in a broader scope, and in the same breath as other creative expressions, such as film, music, and literature. He raises questions and observations about the nature of architects and architecture that make one think: Is there any truth in architecture? Why are we driven to build so tall? Why do architects feel so sad, overwhelmed, and helpless? Conversely, within its rubric of architecture, Truth and Lies is a book about us—about how people engage and disengage from society and the consequences that ensue. 

I remember Geoffrey Baker’s lectures about space, movement, and light in Le Corbusier's buildings from my own student days.

His infectious enthusiasm is captured in his book, with his own clear sketches and diagrams.

Baker’s analysis has been a lasting influence on my own work, encouraging me to experience moving around and through architecture, and where this is not possible to imagine that experience from drawings and photographs.

Check out Baker’s Design Strategies in Architecture: An Approach to the Analysis of Form, too.

Sometimes the best books are not the ones that make you take notes, but the ones that make you think new thoughts.

Fisher’s book is one of these thought-provoking pamphlets where the best moments of reading are when you let the book rest on your lap and reflect upon how his thoughts on practicing architecture can reflect on your own work. This happens to me as I read about the revival of the language of brick and mortar.

This small format hardback is a really enjoyable read, as it asks a lot of good questions about architecture that will really get you thinking and curious about the topics. Each question is answered quickly (in a sentence), and then in a longer format, but still very digestible. It’s a great gift for any architecture lover.

I recommend A Philosopher Looks at Architecture by Paul Guyer because it illuminates how the built environment reflects the deeper forces that also shape international relations: identity, ethics, technological change, and our evolving understanding of human dignity.

Guyer’s exploration of architectural principles (good construction, utility, and beauty) reveals why societies design the spaces they do and how those choices mirror political power, cultural values, and collective aspirations. In an era when emerging technologies and new strategic domains are reshaping global order, understanding architecture as a philosophical and ethical practice becomes essential.

Guyer’s book reminds us that the structures we build, on Earth or beyond it, are expressions of what we prioritise and how we negotiate competing interests – making it a valuable lens on the forces driving world politics today.

This book focuses on the role of modern architecture in Paris, and by “modern,” Dennis has in mind the architecture created during the reinvention of Paris in the seventeenth and eighteenth centuries. Dennis provides the best introduction to a crucial factor in Paris’s essence: the particular kind of residential architecture that became characteristic of the cityscape in the seventeenth and eighteenth centuries: the hôtel or townhouse. Great architecture helps make a city great, and in Paris in particular, much of the greatest modern architecture was originally residential – grand townhouses built for the wealthiest Parisians.

Today, most of these townhouses have become museums, government ministries, foreign embassies. With its focus on the relation between public and private space in the city and the ways in which residential architecture can and should function in relation to the streets and the public space in which it is embedded, Dennis’s work is essential… show more.