72 Books Like Bruno and Boots

I loved the bravery of the author in tackling a controversial question.

This book deals with the US Supreme Court’s “parental rights doctrine.” Through a complete overview of jurisprudence from the earliest days of the country’s existence, Shulman challenges the commonly-held modern idea that parental rights have long held an exalted position in American jurisprudence. He demonstrates that, on the contrary, the American state originally entrusted parents with custody of the child for the purpose of meeting the child's needs and that the notion of the custody of one’s child as an entitlement is a relatively modern one.

I think this is a message that is vital to be brought out into the public sphere, and I am happy that the author was willing to devote an entire book to it.

I liked that this book was specifically aimed at the Canadian market. It shows compassion for children, framing their rights as an important value and their advancement as a valid goal for Canadian society.

I am pleased that, unlike many others, the authors show some agreement with the premise that children should be able to have choices and participate in the decisions that affect their lives. I think this is a perspective that is lacking in many publications on the subject of children’s rights, which often focus more on the protectionist aspect of the issue than on the autonomy aspects.

I love this classic novel; it is one of my old favorites.

Nowhere in the genre of young adult literature does there seem to be an author more subversive than Paula Danziger; here (and in the companion novel The Cat Ate My Gymsuit), she directly encourages the young reader to question adult authority and suggests that with protests and education about what rights the law gives (and withholds from) young people, it might be possible to effect change and increase their rights.

I also found it great that the novel shows the protagonist’s parents in raw realism–the father as a hypocritical, cheap, unlikable domestic despot, the mother as a shrinking violet who at first tends to excuse the father and conform to his expectations, but eventually starts questioning her stance when she sees her daughters rebel.

This is my favorite manifesto monograph for children’s rights. It is very radical for its date of publication (1974) and argues for emancipating kids as much as possible from adult control. His message is laid out in a number of clear, simple, and explicit points and is accompanied by appropriate argumentation.

I love that the book does not shrink from controversy and that it adopts explicit recommendations for diametrically altering the status of young people without beating about the bush. The message is still timely today, and it would be good if more people thought to act upon it. It is a classic that should be rediscovered by today’s generations.

I can truthfully say that I felt an immediate sense of connection with sweet little Ruthie and how she felt after she lied. When I was in third grade, I cheated on a test. I felt awful for the rest of the day—until I told my mama what I had done. She took me right back to the school to tell the teacher. The relief I felt telling the truth overrode most of the worry I had about getting in trouble.

I recommend this book to anyone who has given in to temptation but felt bad enough to tell on themselves despite the consequences. (We need more people in politics who are willing to admit their mistakes. Maybe Ruthie can be Libby’s vice-president?)

I grew up reading Svetlana Chmakova’s work back when she was releasing the manga series Dramacon and I am beyond thrilled that kids and teens today still get to read her work!

Awkward is all about kids exploring their differences in the arts and sciences and it feels like a page ripped out of my childhood. It is so relatable, so charming, and full of emotion and wit to boot. Her work inspired me when I was drawing comics in my sketchbook for fun all the way until today, when I do it for a living. I think her work will go on to inspire many generations to come!

The Glory Wind is set on the prairies in 1940 and is a wonderful story for the reader who enjoys a good cry. Eleven-year-old Luke is attracted to an imaginative and impulsive new classmate Gracie. Their innocent friendship is tried and tested by small-town prejudices over Gracie’s mother’s morality and Luke struggles to stay true. Then tragedy in the form of a tornado throws Luke’s heart to the wind.

This was one of my favourite books when I was a child, and it still makes me laugh even now. On first reading, I was immediately captivated by the witty depiction of the closed world of Linbury Court Preparatory School, a traditional boys’ boarding school inspired by the school at which the author had taught. The endearing central character of Jennings is well-meaning and spirited, but his mad-cap schemes, in which he is aided by his chum Darbishire, inevitably backfire with hilarious results. I especially loved the language of their schoolboy banter, eg “what a wizard wheeze!” for “what a great idea”. Although first published in 1950, it’s still a very entertaining read.

What can I say? It’s the goated friendly freaks book.

This collection of super short connected stories stars one kid per tale. The kids are weird and wild, and something that has really stuck with me my whole life is that some of the kids are rotten and stay rotten. Not everyone needs to grow and change in 120 pages.

Let a character stink. Let a kid be a wet rat. Let a nasty teacher be eaten. Anyway, there’s this incredible way that the author employs a third-person limited POV that gets me every time, even on the hundredth read.

A few illustrators have graced the pages of this all-time favorite. I grew up reading an edition illustrated by the amazing Julie Brinkloe. I also have a copy illustrated by Adam McCauley, which I also really love.

Into the Labyrinth by John Bierce is another academy-fantasy tale where the main character, Hugh, studies magic alongside others. This is a great story for emotional development and plot twists! At first, things seem like they don’t add up, but by the end, you get a satisfying sense of “ah-ha!” as most of your questions are answered (not all, though!).

This is a great coming-of-age story where Hugh finds great mentors, deals with his first love, and struggles with magic where others excel. It’s a great entry point for younger readers, too. Just well worth the read.