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Two boyhood experiences inspired my fascination with the Civil War: a family trip to Gettysburg and purchasing original photographs of soldiers at flea markets. Captivated by the old photos, I became an avid collector of Civil War-era portrait photography. Curiosity about identified individuals in my collection led me on a lifelong journey to tell their stories. In 2001, I started a column,Faces of War,in theCivil War News.Since then, I’ve profiled hundreds of participants in the column, and in six books. In 2013, I became the fourth editor and publisher of Military Images, a quarterly journal that showcases, interprets, and preserves Civil War photography.
Early in the war, writer Louisa May Alcott journeyed to the nation’s capital to care for sick and wounded soldiers. Over a period of six weeks, she experienced firsthand the rigors of life in crowded hospital wards as a nurse to men suffering from disease and wounds. She recorded her observations in a series of accounts printed in a Boston newspaper. These writings formed the basis of Hospital Sketches. Published a month after the end of the Battle of Gettysburg, when the outcome of the war remained uncertain, Alcott’s words encouraged other women to support the U.S. war effort, and remind us today of the critical role of nurses in times of conflict.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am a historian and educator based in Boston. I have authored three books and numerous essays on the Civil War era. You can find my op-eds in The Washington Post, The New York Times, The Atlantic, and The Daily Beast. Over the past few years, I have worked with students and teachers across the country to better understand the current controversy surrounding Confederate monuments.
This slim volume packs a mean punch. Following the secession of the seven Deep Southern states in 1860-61, commissioners were sent out to the remaining uncommitted slaveholding states to convince their leaders of the necessity of joining the new Confederate States of America. While the arguments of these secession commissioners included constitutional arguments in favor of secession, they relied even more so on emotional pleas that framed the election of the nation’s first Republican president as a direct threat to the institution of slavery and white supremacy. Their speeches were laced with horrific images of emancipation and a region plunged into racial violence. Charles Dew offers a compelling argument that highlights the importance of slavery and race in the outbreak of war.
Charles Dew's Apostles of Disunion has established itself as a modern classic and an indispensable account of the Southern states' secession from the Union. Addressing topics still hotly debated among historians and the public at large more than a century and a half after the Civil War, the book offers a compelling and clearly substantiated argument that slavery and race were at the heart of our great national crisis. The fifteen years since the original publication of Apostles of Disunion have seen an intensification of debates surrounding the Confederate flag and Civil War monuments. In a powerful new afterword to…
Despite what my kids think, I am not actually old enough to have “been there” during the Civil War itself, but I have spent my entire professional career studying it. Years in archives reading other people’s mail, old newspaper accounts, dusty diaries, and handwritten testimonies, along with sifting through records books and ledgers of all descriptions have taught me exactly how intertwined slavery, Civil War, and emancipation all were, and I am dedicated to trying to explain the connections to anyone who reads my books, stumbles across my digital history work, or sits in my classroom at Georgetown University, where I teach history. Two good places to see the results of my efforts include What This Cruel War Was Over: Soldiers, Slavery, and the Civil War which won the Avery Craven Award for best book on the Civil War and was a finalist for the Lincoln Prize and Frederick Douglass Prize, and Troubled Refuge: Struggling for Freedom in the Civil War, which won the Jefferson Davis Prize and was also a finalist for the Lincoln Prize.
A soldier in an Iowa infantry regiment, John Quincy Adams Campbell spent the conflict in the war’s western theater, present at, among other things, the fall of Vicksburg on July 4,1863, which even at the time he recognized as a turning point of the war. His diary, interlaced with some letters that he wrote to his hometown during the war, comments incisively on the military progress of war in the Mississippi Valley from the perspective of one infantrymen, offering today’s readers insights into the immediacy and also the limits of the view of one person actually living through the alternating boredom of camp life and terror of battle. Campbell also commented astutely on social conditions, on the motivations of his fellow soldiers and of the populations they met in the South, and on all that he saw at stake in the war. His first-hand account offers sharp insight into the…
Only rarely does a Civil War diarist combine detailed observations of events with an intelligent understanding of their significance. John Campbell, a newspaperman before the war, left such a legacy. A politically aware Union soldier with strong moral and abolitionist beliefs, Campbell recorded not only his own reflections on wartime matters but also those of his comrades and the southerners-soldiers, civilians, and slaves-that he encountered.
Campbell served in the Fifth Iowa Volunteer Infantry from 1861 to 1864. He participated in the war's major theaters and saw early action at Island No. 10, Iuka, and Corinth. His diary is especially valuable…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
Despite what my kids think, I am not actually old enough to have “been there” during the Civil War itself, but I have spent my entire professional career studying it. Years in archives reading other people’s mail, old newspaper accounts, dusty diaries, and handwritten testimonies, along with sifting through records books and ledgers of all descriptions have taught me exactly how intertwined slavery, Civil War, and emancipation all were, and I am dedicated to trying to explain the connections to anyone who reads my books, stumbles across my digital history work, or sits in my classroom at Georgetown University, where I teach history. Two good places to see the results of my efforts include What This Cruel War Was Over: Soldiers, Slavery, and the Civil War which won the Avery Craven Award for best book on the Civil War and was a finalist for the Lincoln Prize and Frederick Douglass Prize, and Troubled Refuge: Struggling for Freedom in the Civil War, which won the Jefferson Davis Prize and was also a finalist for the Lincoln Prize.
As the Union Army penetrated into Confederate territory, enslaved men, women, and children fled bondage to take refuge with the army. Roughly half a million formerly enslaved people exited slavery in this way, spending the war in encampments appended to the army or in Union occupied cities. They influenced the progress and outcome of the war as well as emancipation. They also encountered conditions that amounted to a humanitarian crisis, one that soldiers tasked with fighting a war were ill-equipped to meet. Civilians from the North made their way to camps and occupied cities to serve as relief workers. Harriet Jacobs headed South as just such a worker. Jacobs herself had been born a slave and made a harrowing escape decades earlier, but when war broke out, she braved the South again. She made her way to Alexandria, Virginia where she worked among the many freedom seekers who came to…
This is the only collection of papers of an African American woman held in slavery.Although millions of African American women were held in bondage over the 250 years that slavery was legal in the United States, Harriet Jacobs (1813-97) is the only one known to have left papers testifying to her life. Her autobiography, ""Incidents in the Life of a Slave Girl"", holds a central place in the canon of American literature as the most important slave narrative by an African American woman.Born in Edenton, North Carolina, Jacobs escaped from her owner in her mid-twenties and hid in the cramped…
I’ve always enjoyed the intrigue of the mystery and the constant back and forth of the twists and turns offer in a well-written novel. The tremor of my nerves at the base of my neck as I try to figure out the culprit and their intentions, has always enticed my imagination. To, me, those sensations are mind stimulating, and are only born through reading.
The Tin Roof Blowdown shows us New Orleans, and the surrounding areas the days after Katrina raged havoc. Taking into account the lives that have been traumatized as crime and murders increased nine-fold. Detective David Robicheaux of Iberia Parish finds himself in the midst of a murder in an old-time neighborhood, as he tries to figure out if the murder of a local black boy during a robbery was racially motivated or not. The details and stories of this horrific tragedy show the bleakness of the aftermath and that not only did many reach their deaths, but how many who survived died also. No order exists as Robicheaux tries to unravel his latest mystery.
Hurricane Katrina has transformed New Orleans into a violent wasteland. Criminals capitalise on the devastation as survivors wait for help that never comes.
David Robicheaux - his city in ruins -- is tasked with investigating the murder of a pair of looters: is it a simple case of 'stand-your-ground', or something altogether darker? The dead men's accomplice holds the key but he has disappeared to escape the people hunting him.
As Robicheaux uncovers a brutal catalogue of greed, torture and murder, his own family is threatened, and the ravaged city provides the perfect…
Lilian Terry’s background is quite out-of-the-ordinary. Born in Egypt in 1930 to Maltese and Italian parents, she undertook academic studies in Cairo and Florence. Terry studied classical piano until age 17, developing an interest in jazz in her early teens. She participated in a variety of ways with jazz in Europe, beginning in the 1950s. As a singer, she was an active performer and recording artist. At the same time, she produced radio and television shows for Italy’s RAI network, and this activity led to some of her encounters with major figures of American jazz. Seven of these interactions (most of which spanned decades) are the subject of Dizzy, Duke, Brother Ray, and Friends.
Donald Marquis takes you firmly by the hand and leads you into that Wonderland that was New Orleans from 1877, when Bolden was born; then through the brief but extraordinary rise of Bolden’s personality and the powerful sound of his trumpet echoing through the streets of New Orleans. The author brings out Buddy’s tragic descent into mental illness, his entrance into the Insane Asylum of Louisiana, and his untimely death in 1930 at the young age of thirty-three. The book is a very sober tale of life in those times, it is rooted in the political and artistic history of jazz music and a very touching homage to a ghost. Today there are people wondering if Buddy Bolden really did exist?
The beginnings of jazz and the story of Charles ""Buddy"" Bolden (1877- 1931) are inextricably intertwined. Just after the turn of the century, New Orleanians could often hear Bolden's powerful horn from the city's parks and through dance hall windows. Despite his lack of formal training, his unique style- both musical and personal- made him the first ""king"" of New Orleans jazz and the inspiration for such later jazz greats as King Oliver, Kid Ory, and Louis Armstrong.
For years the legend of Buddy Bolden was overshadowed by myths about his music, his reckless lifestyle, and his mental instability. In…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
Mystery fiction was one of my favourite book genres growing up. I especially enjoy reading mysteries taking place in remote locations, since it narrows down the suspects to only the people present there. Having the cast isolated from the rest of the world creates a special kind of pressure on them to find out who committed the crime. These mysteries also often involve ensemble casts and deep and complicated relationships between characters that are fun to keep track of. Reading these mysteries, including the ones in this list, inspired me to write my own! I’ve written and self-published two amateur sleuth murder mystery books, and I’m currently writing my third one!
Devious might bit a bit heavy-handed with the religious references, but it makes sense given its location and the types of murders occurring in this book.
I enjoyed how the author worked those references into the overall mystery with not just the location, but the clues and other discoveries along the way. There also is a big twist behind the true killer in this book that I really enjoyed reading, too.
I wish I could explain it in more detail, but that would give away major spoilers!
Fans of Karen Rose and Nora Roberts will love Lisa Jackson's chilling new novel about a killer striking in the holiest of places.
Sister Camille, a troubled novice, is found garrotted in St Marguerite's cathedral. Bentz and Montoya discover this case is close to home - Montoya knew Camille previously as his brother's girlfriend and they even know the prime suspect: the priest Frank O'Toole, father of Camille's unborn child.
When more nuns are brutally slaughtered by someone who seems to know their darkest secrets, Bentz is sure Father O'Toole is their man. But…
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Kimberly Hanger’s Bounded Lives, Bounded Placesestablishes the role of free people of color in Spanish New Orleans. She traces families and individuals of color throughout the Spanish decades and weaves a rich tapestry of their world in the Crescent City. Women play an important role in her work, and she teases out the way that free people of color sought to fit in the colonial society of Louisiana. While never able to become equal to white people, they created a space above enslaved people that enabled them to participate as ‘almost free’ in New Orleans’s society.
During Louisiana's Spanish colonial period, economic, political, and military conditions combined with local cultural and legal traditions to favor the growth and development of a substantial group of free blacks. In Bounded Lives, Bounded Places, Kimberly S. Hanger explores the origin of antebellum New Orleans' large, influential, and propertied free black-or libre-population, one that was unique in the South. Hanger examines the issues libres confronted as they individually and collectively contested their ambiguous status in a complexly stratified society. Drawing on rare archives in Louisiana and Spain, Hanger reconstructs the world of late-eighteenth-century New Orleans from the perspective of its…
I'm a retired trial lawyer and a legal history professor and fellow at Marquette Law School in Wisconsin. As a young lawyer, I was struck by how much Americans focus on federal lawmakers and judges at the expense of their state counterparts, even though state law has a much greater effect on people's daily lives than federal law. The scholar Leonard Levy once said that without more study of state legal history, “there can be no … adequate history of [American] civilization.” I want to help fill that need through my books and articles, and I enjoy sharing this fascinating world with my readers.
Jefferson's Louisianais an absorbing study of a clash of cultures that helped to shape America's legal empire as it moved westward. Louisiana, governed by Spain and France under civil law codes for nearly a century before it became part of the United States, was a crossroads at which English law (dominant elsewhere in the new nation) and European law collided. Prof. Dargo first describes the uneasy cultural accommodation that French and Spanish settlers made with American immigrants at the turn of the nineteenth century, an accommodation made more challenging by Aaron Burr's simultaneous efforts to foment revolution in the trans-Appalachian West. Dargo then tells the story of how American and old-settler jurists collaborated to shape a new Louisiana code amalgamating common and civil law.
The Purchase of all of Louisiana in 1803 brought the new American nation into contact with the French Creole population of the Lower Mississippi Basin. The Spanish called it Baja Luisiana. While the settlement in and around the city of New Orleans (the capital of the province when it was ruled by Spain) was not large, it had well established governmental and legal institutions. Which system of law would prevail in this volatile corner of the North American continent, a region that was distant and strategically vulnerable to rival European powers -- Spain, France and Great Britain - who still…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I have no French or Acadian ancestors—as far as I know—yet the majority of my 21 books (history and fiction) explore different aspects of French colonial or Acadian history. Childhood visits to historic sites like the Port-Royal Habitation, Grand-Pré, Louisbourg and Fort Anne must have planted the seeds for the historian and writer I would become. Then again, working for years as an historian at the Fortress of Louisbourg definitely helped. France made me a chevalier of its Ordre des Palmes académiques for my body of work.
It comes as a surprise to many, but no Acadians were deported to Louisiana. It was a French colony in 1755, and those making the decisions about where the deportees were to go did not want to strengthen any French colony. They chose the Anglo-American colonies so there could be assimilation. The reason so many Acadians—renamed Cajuns—ended up in Louisiana was because of later migrations; voluntary migrations, not forced deportations. This book examines the growth, evolution, and political involvement of Louisiana's large Acadian community between the time of the Louisiana Purchase in 1803 and 1877, the end of Reconstruction in Louisiana. It’s a study that offers a good introduction to the Acadians (Cajuns) of that state.
This book is the first to examine comprehensively the demographic growth, cultural evolution, and political involvement of Louisiana's large Acadian community between the time of the Louisiana Purchase (1803), when the transplanted culture began to take on a decidedly Louisiana character, and 1877, the end of Reconstruction in Louisiana, when traditional distinctions between Acadians and neighboring groups had ceased to be valid.
Serving as a model for ethnohistories of other nonliterate peoples, Acadian to Cajun reveals how authentic cultural history can be derived from alternative historical resources when primary materials such as newspapers, correspondence, and diaries are not available. Here,…