Here are 100 books that Bourgeois Utopias fans have personally recommended if you like
Bourgeois Utopias.
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My passion from a young age has always been cities, the most fascinating of human creations. This has led me to work on them as an urban designer to help shape and guide them. I have been privileged to work on amazing projects in cities as diverse as s diverse as Toronto, Hartford, Amsterdam, New York, Boston, Montréal, Ottawa, Edmonton, Calgary, St. Louis, Washington DC, Paris, Detroit, Saint Paul and San Juan Puerto Rico. On the way, I met remarkable people, learned valuable lessons, and had the opportunity to collaborate with great colleagues. I have written about these experiences in three books and had the opportunity to share my passion through teaching. I have chosen some of the books that have most inspired me on my journey.
This eye-opening book was a revelation to me as a young student of architecture. It provided the keys to how cities really work. Its observations are as relevant and fresh today as they were when it was published in 1961. For me and many in my generation, it helped us to see and appreciate the organic, human-centered dynamics of neighborhoods, introducing the powerful concept of “organized complexity,” which made sense of things we saw but failed to understand.
I met Jane in Toronto in 1968 where she became a lifelong friend and mentor until her death in 2006. It remains a foundational text for me in understanding urban life and my life’s work.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.
I can still remember so much from this book. A great stat Hawes included was that in the year 1870, 90 percent of upper-class New Yorkers lived in townhouses or other types of single-family homes. By 1930, 90 percent lived in apartment buildings or “French flats,” as they were sometimes called. Basically, almost alone among American cities, New York chose to emulate Paris in its model of urbanism rather than London.
New York developers built and sold “French flats” that were large and ostentatious, like the Ansonia and the Dakota, which are still there today. These iconic apartment buildings were built along the streetcar and subway lines. Hawes was a writer for The New Yorker, so this is very readable.
Recounts New York City's transformation from a provincial, Victorian town to a bustling city, focusing on the architectural emergence of the apartment building after the Civil War and its influence.
I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.
Joel Garreau, a longtime reporter for The Washington Post, was one of the first people to take the sprawling suburbs, the collections of malls, subdivisions, and office parks seriously. He was one of the first people to call them cities. After publishing his book, academics, and professional urban planners began discussing “edge cities.”
Garreau gives many specifics because he is a reporter, which is how he works. He travels the country looking at different edge cities, starting with the one in his own backyard, Tyson’s Corner, outside Washington, D.C.
First there was downtown. Then there were suburbs. Then there were malls. Then Americans launched the most sweeping change in 100 years in how they live, work, and play. The Edge City.
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.
Accurate prophets are few, but in the title essay of this book, the critic Lewis Mumford tells with eerie precedence just how the United States of America will be transformed, often for the worse, by the overinvestment in highways and the neglect of railroads.
Mumford originally wrote this for The New Yorker, where he was the in-house architecture critic. As the country was going all in on the new Interstate Highway System, Mumford was one of the few who foresaw the flaws of this one-dimensional megaproject.
A collection of essays by the respected social commentator on some problems faced by cities such as New York, Philadelphia, and Paris, on the architecture of Saarinen, Le Corbusier, and Wright, and on city and highway planning.
I grew up in Brooklyn in a family that often faced financial difficulties and started working in my early teens in my father’s grocery store. These experiences made me painfully aware of the great disparities in education, security, material well-being, and opportunity in our society. I saw how these inequalities caused some people to become cynical, resigned, or indifferent—while others became determined to overcome them. I became fascinated by them. I felt that if I wanted to live in a more just and productive society, I first had to understand how it worked. My recommended books inspired me further and helped me to gain that understanding.
This book brings together economics, education, and urban development by showing how our public policies advantaged wealthy suburbanites over less wealthy urban dwellers after World War II. Many people think there is a natural migration to the suburbs after couples have children. Jackson does a masterful job of showing why that is not the natural order of things. It is the result of specific policy choices such as how we fund infrastructure, what tax incentives we provide, who has access to credit, and how we draw political boundaries. His insights offer a blueprint for a more equitable society.
The winner of the Bancroft Prize and the Francis Parkman Prize, this book is the first detailed history of suburban life in America from its origin to the drive-in culture of today.
My life, in particular, has been a series of challenges to overcome, from an attempted kidnapping at age eight to surviving breast cancer (twice!) before the age of forty-five. I believe in a world of equal opportunity, but I know the pursuit of happiness takes hard work. As a general contractor in the male-dominated construction industry, I’m well aware of gender biases in our world and the dedication it takes to overcome them. However, the struggle empowers us all, and even small victories inspire us to overcome adversity. Life is a survival story, and art imitates life. So I crave, read, and write novels starring empowered women.
I love a book rich with flawed characters; this one is full of them. Perrotta’s peek into the mundane life of a stay-at-home mother at war with her lot in life is delicious. Sarah once coined herself a feminist, and now, she’s wiping noses. It’s a struggle many mothers of little children face, and while most don’t go to the lengths Perrotta’s characters explore, it’s a valiant example of losing oneself for the sake of a higher calling: motherhood.
I first read this book at graduate school, with two babies at home. Perrotta taught me that exploring the human condition is necessary for connecting with readers. I’ve received many letters from readers citing that they connected with Veronica on the pages of Trespassing, and that’s the best accolade.
Unexpectedly suspenseful, but written with all the fluency and dark humor of Tom Perrotta's The Wishbones and Joe College, Little Children exposes the adult dramas unfolding amidst the swingsets and slides of an ordinary American playground.
Tom Perrotta's thirty-ish parents of young children are a varied and surprising bunch. There's Todd, the handsome stay-at-home dad dubbed "The Prom King" by the moms of the playground; Sarah, a lapsed feminist with a bisexual past, who seems to have stumbled into a traditional marriage; Richard, Sarah's husband, who has found himself more and more involved with a fantasy life on the internet…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
As someone who grew up a child of the sixties amidst suburban conformity but with a decidedly nonconformist gothic sensibility, I have wanted to find a way to combine these contradictory forces. Happily, as a professor of literature and film studies at Hofstra University, I was able to achieve my goal last year when I taught "(Un)Dead Girls and (Un)Safe Spaces: The Suburban Gothic in Film" and "Suburban Horrors" (a literature class). Unaware however that a global pandemic would mean teaching these courses via Zoom, my students and I found ourselves trapped within the confines of our own boxes in a suburban nightmare while discussing fictional and film narratives about sinister neighbors, monsters in closets, murderous family members, conspiratorial racists, and uncanny house hauntings. Oh, the horrible irony.
The possibility of evil. Not only is this the title of the first selection in this collection of classic and newly printed stories by the queen of suburban gothic – it is the essence of her uncanny literary witchcraft, where subtle twists and sudden turns force readers to confront a creeping unease in post-WWII America. No hideous monsters or grotesque horrors here. Instead, sinister insinuation and irrational fears invade the “safe” suburban spaces. A man believes someone is stalking him on his way home from work. Anonymous poison pen letters threaten a community. A runaway teenager reappears several years later … and seems to be someone else.
The deconstruction of so-called normality is what makes these stories so unsettling. Who knows what evil lurks behind the white picket fences? Shirley Jackson does.
The perfect read for Hallowe'en, this new hardback volume of Jackson's finest stories reveals the queen of American gothic at her unsettling, mesmerising best
There's something nasty in suburbia. In these deliciously dark tales, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the country manor, and from the small-town apartment to the dark, dark woods...
When my children were 1, 3, and 5, my husband and I adopted two teenage boys. Suddenly, I was a mom to five, trying to keep my head above water. I turned to other women for advice, friendship, and compassion. While bonding over our chaotic lives, I found stories. My friends offered new perspectives on my world. I learned that every woman is living life on her own terms, and no two tales are the same. This is the magic of listening to another woman. I'm passionate about telling these stories so we can all see the world from a unique perspective and look at our situations with new understanding.
This book had one basic message, and it came down to this: Take time to put yourself first because you matter too. I love this message so much because it took me years (and I’m still working on it) to learn the importance of self-care.
Challenging relationships within my own family structure have taken a toll over the years. However, reading this book reminded me that I can take control of my own happiness and that it is not selfish to make a “Me List” and make myself happy, too.
"Balko's writing is pure magic and it's a must-read for today's divided world." –J.D. Greyson, founder of Move Me Poetry
Ziplining despite being scared of heights. Learning yoga when you're afraid of downward anything. Facing your strained relationship with your mother.
When Olivia writes a ME List, she picks 10 things to get her out of her suburban mom funk. But what she really needs is to figure out how to deal with her next-door neighbor, nemesis, and new boss-Patricia. Patricia is the top realtor in their town and has the perfect life. But when Olivia agrees to be Patricia's…
I am a writer who has spent my entire reading life emersed in the past, reading everything from Russian literature, to nineteenth-century English, to early modern American. It’s no surprise I became a historical fiction novelist. The 1950s is one of my favorite eras to write about because of its complexity. The glamour of the Golden Age and the dark truths it represents make for compelling reads. I hope you love the list below as much as I do.
A character-driven novel with seemingly simple, captivating scenes that move at a thrilling clip. April and Frank, a married couple living in 1950s suburbia trying to survive their lives after WWII, are human and flawed.
At times, I despised and loved them simultaneously. It’s relationship at its ugliest and most passionate. The desperation they feel, their attempt at normalcy, and their desire to break away from it all, their angst and anguish, are timeless themes.
There’s a scene where they decide to give up their lives and move to Paris, and I thought, how many times I have done that? The novel, unlike its characters, is flawless.
Hailed as a masterpiece from its first publication, Revolutionary Road is the story of Frank and April Wheeler, a bright young couple who are bored by the banalities of suburban life and long to be extraordinary. With heartbreaking compassion and clarity, Richard Yates shows how Frank and April's decision to change their lives for the better leads to betrayal and tragedy.
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
Lassiter presents a nuanced examination of how social and political conflicts in Richmond, Atlanta, and Charlotte during enabled Richard Nixon and other Republicans to resurrect the GOP from its 1964 electoral disaster through reliance, not on a “southern strategy,” as many pundits have long claimed, but rather on a suburban strategy that involved the complex interplay of race, class, and other factors.
The messages that enabled the GOP to gain traction in the suburban South, Lassiter emphasizes, worked across the nation. The South was not as different as many observers have long claimed. Lassiter also chronicles how these conflicts reshaped the Democratic Party in the South, as by the early 1970s more moderate figures such Jimmy Carter had supplanted the staunch segregationists of decades past.
Suburban sprawl transformed the political culture of the American South as much as the civil rights movement did during the second half of the twentieth century. The Silent Majority provides the first regionwide account of the suburbanization of the South from the perspective of corporate leaders, political activists, and especially of the ordinary families who lived in booming Sunbelt metropolises such as Atlanta, Charlotte, and Richmond. Matthew Lassiter examines crucial battles over racial integration, court-ordered busing, and housing segregation to explain how the South moved from the era of Jim Crow fully into the mainstream of national currents. During the…