100 Books Like Little Children

I related to Atticus Finch.

He was the dad everyone wished they had. He was also a lot like my old high school football coach. There is authentic love and warmth when he and Scout are together. And there is honesty and spine when Atticus is in the courtroom, defending those who have been wrongly accused.

This beloved book has inspired generations of readers around the world. It is a morality tale about a rough and imperfect country, written in a way that has inspired idealists to stay the course in our fight for justice. We may be flawed, but we can still be strong.

I was one of those women who was obsessed with Oprah’s Book Club. She started it in 1996, the same year I started my sophomore year of college. I can’t say that I read every book assigned to me in my classes, but I damn sure as hell read every book Oprah recommended.

White Oleander was picked in May 1999, just a few months before my wedding. I did zero wedding planning the week I read that book. I ignored my soon-to-be husband and called my sisters to demand that they read the book. The story, which follows Astrid (why did my parents name me such a terrible ugly name like Courtney when Astrid was right there?) as she navigates foster care following her mother’s conviction for murder, is compelling. However, I fell in love with the prose and the way Finch describes the people and places in the novel.… show more.

Breathless is Warman’s first full-length novel, perhaps lesser known than some of her others, and it’s a brilliant example of coming to age. Warman’s style is propulsive and character-driven. Katie, often overlooked due to the attention her older brother requires, is forced to make her own way in the world. She attends boarding school and finds family among people to whom she has no biological relation.

I first met Warman while earning a master’s degree in writing alongside her.  Needless to say, I learned as much from her as from our instructors. Her ability to throw a reader into immediate conflict, as well as her talent to put one at ease, is notable—especially here, where her young protagonist navigates a crooked path to the promise of happiness.

To say Guccione influences me would be an understatement, as she was one of my first mentors in the industry. The Chick Palace is unusual, in that it’s centered around the back nine of life—after children are grown, and after aging parents are no longer a responsibility, when the time has come for women to focus on themselves. However, Guccione’s usual colorful characters and robust setting will take you on a vacation well deserved in this era, not to mention in the brutal cold of winter. 

The same goes for Trespassing’s Veronica, in a sense. She’s at a crossroads, and perhaps for the first time, she’s making decisions without the influence of a man. Add to that the backdrop of Key West, and you’ll find yourself on a mental retreat.

A character-driven novel with seemingly simple, captivating scenes that move at a thrilling clip. April and Frank, a married couple living in 1950s suburbia trying to survive their lives after WWII, are human and flawed.

At times, I despised and loved them simultaneously. It’s relationship at its ugliest and most passionate. The desperation they feel, their attempt at normalcy, and their desire to break away from it all, their angst and anguish, are timeless themes.

There’s a scene where they decide to give up their lives and move to Paris, and I thought, how many times I have done that? The novel, unlike its characters, is flawless.

I love smart thrillers like The Practice of Deceit—thrillers that keep me turning the pages even if my alarm is going off early the next morning; thrillers that don’t rely on violence to propel the story forward but rather on interesting, richly drawn, complex characters who are not portrayed in black and white.

Charming bachelor Eric Lavender, a psychotherapist, falls for Colleen O’Brien Golden, a lawyer, but when a conflict of interest with Colleen’s client implodes Eric’s idyllic suburban life as a husband and father to an adorable stepdaughter and a newborn, he learns the dark truth about Colleen’s past. Eric’s flaw is, to me, the one that makes a character most sympathetic—being blinded by love and desire. I love that this book is in the male point of view, and it’s done so well that when Colleen tries to destroy Eric, it is a gut punch.

D.J. Waldie’s writing reminds me of a Raymond Carver short story. His short, deliberate style draws the reader in immediately. You are hooked.

He walks to work. He lives in his parent’s original tract home, part of a planned development built in the 1950s in Lakewood, CA. It was the first one on the west coast. Waldie observes his friends and neighbors, the neighborhood, and its unique place in Southern California history.

After my parent’s divorce, my father lived in Lakewood and Long Beach, so I spent a lot of time down there when I was a kid. Does anyone remember Buffums department store?

This book is engaging because it shows how the base of the Democratic party has changed since Franklin Roosevelt first assembled the New Deal political coalition in the 1930s. 

Today, it is increasingly the party of college-educated suburban voters and reflects their cultural and political priorities. From the Great Depression until the 1960s, however, working-class urban voters formed the heart of the party. Geismer uses metropolitan Boston as a template to depict this important transition, which helped produce suburban candidates such as Massachusetts Governor Michael Dukakis, whose political career emerged from and was shaped by his life in Brookline, MA.  

This book brings together economics, education, and urban development by showing how our public policies advantaged wealthy suburbanites over less wealthy urban dwellers after World War II. Many people think there is a natural migration to the suburbs after couples have children. Jackson does a masterful job of showing why that is not the natural order of things. It is the result of specific policy choices such as how we fund infrastructure, what tax incentives we provide, who has access to credit, and how we draw political boundaries. His insights offer a blueprint for a more equitable society.

Alice, Corvus, and Annabel, children without mothers, traverse air-conditioned buildings and desert landscapes, strewn with symbols and signs of mortality—from the preservation of those teetering on the brink of death at a nursing home to a wildlife museum full of taxidermies; and these teenagers are orbited by agitated, confused adults who seem wholly unaware of the strangeness—and messages—defining their lives. Joy Williams is a master at dark humor in literary fiction, and The Quick and the Dead is one of her finest achievements.