100 Books Like Bound Feet

I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.

I’ve been a fan of horror—specifically, supernatural horror—for as long as I can remember. Though the topic of life after death is perhaps one of the most long-standing debates in existence, almost every family has a story or two about things that can’t be explained. I’ve turned my lifelong interest in death, the occult, and how the two can coexist, into slow-burn horror stories for people who like a little weird with their fear. Stories that explore the beautiful complexity of queer people. Stories for the strange at heart.

I’m a Shirley Jackson Award-nominated author of horror fiction and have always had an affinity for the autumn season. I grew up in North Carolina and have wonderful memories of the time of year when the summer heat finally ends and the chill returns—the season of long walks in the turning woods, campfires, ghost stories, and, of course, Halloween. There’s something about that time that has always stuck with me and finds its way into my writing even now. My first collection, As Summer’s Mask Slips and Other Disruptions, draws on this period of transition and so I absolutely love sharing those works which have influenced and entertained me.  

The things that I am most interested in are books that are deliciously fun to read and books that pick you up out of your comfortable chair and drag you across a fantastic landscape. What does that require? Three Ws for starters. Wit: both on the part of the characters and the author—I like smart characters, biting banter, and clever turns of phrase and story. Weird: in the sense of the unusual and mysterious—good world-building coupled with mysteries meant to be unraveled by the reader as much as by the characters. Wild: fast-paced action filled with sudden turns and unexpected drops and conversations that are three parts well-written words and two parts fencing without a blade. 

The ghostly/magical and Taiwan are two of my major interests—I have written about both in my fiction. After living in Taiwan for a few years and getting to know my mother’s side of the family, I gained an appreciation for its complicated history, riveting politics, and the energy of daily life there. Its confluence of people and histories has made it a unique cultural amalgam and these books capture the way folk religion and the spiritual/magical are wedded into the bustling contemporary urban life of Taiwan. I hope you find yourself as enchanted and intrigued by these stories as I have been!

I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.

I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.

I grew up in South Wales, where ghost stories are cherished. As a child, I spent many a winter evening telling spooky tales with my mum and my sisters, sitting before the fire. We would record them on tape (I am that old) complete with homemade sound effects, then play them back to listen to. I loved the combined fear and excitement these stories instilled in me. My father also loved to read horror and scary fiction, which had some influence on what I chose to read as I grew older. For someone who always loved to write, I think publishing in this genre is simply a natural extension of all that.

I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!

I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creating a world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.