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Now an emeritus professor of history at the University of York, I have long been fascinated by France, by its history and identity, and by its innumerable tensions and contradictions. In the course of my career I have published more than a dozen books on different aspects of the Revolutionary and Napoleonic era, ranging from a biography of Napoleon in 2011 to more specialized works on the experience and memory of war – on the soldiers of the Revolution, on the letters and memoirs they wrote, and on the legacy of the Revolutionary and Napoleonic Wars for nineteenth- and twentieth-century France. My current research focuses on France’s place in the wider Atlantic world and on the significance of the Revolution and Empire in world history.
Although the Napoleonic Wars are most commonly discussed from a French perspective, with their roots in ideology and the Wars of the French Revolution, they are increasingly being understood as the climax of conflicts over power and colonial possessions that had raged between the major European powers across the long eighteenth century. In this hugely ambitious and highly readable book, Alex Mikaberidze considers the Napoleonic Wars as part of a wider global conflict in which France and Britain struggled for dominance, a conflict that extended to the Americas, Egypt, Iran, the Indian Ocean, even to China and Japan, and assesses their role in defining the post-war world.
Austerlitz, Wagram, Borodino, Trafalgar, Leipzig, Waterloo: these are the places most closely associated with the Napoleonic Wars. But how did this period of nearly continuous warfare affect the world beyond Europe? The immensity of the fighting waged by France against England, Prussia, Austria, and Russia, and the immediate consequences of the tremors that spread from France as a result, overshadow the profound repercussions that the Napoleonic Wars had throughout the world.
In this far-ranging work, Alexander Mikaberidze argues that the Napoleonic Wars can only be fully understood with an international context in mind. France struggled for dominance not only on…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
For fifty years I've studied the British sailing navy, fascinated by its workings, the slow communications, the vagaries of the winds and tides. In parallel with my work in archives, I've sailed in most of the European waters described in Convoys. I worked at the National Maritime Museum, Greenwich, for 27 years, leaving as Deputy Director in 2000. Since then, I've taught postgraduates and written about Nelson and the British government (Britain against Napoleon), and became convinced that Britain came very close to being defeated by Napoleonic France. If Napoleon had not thrown it all away by his invasion of Russia in 1812, I might be writing this in French, with a very different script!
The most important strategic fact in this war was the defeat of Napoleon’s great army which invaded Russia in 1812, and its destruction by winter weather during the retreat from Moscow later that year. It was a blow from which Napoleon never recovered.
This fascinating book is written from Russian sources, bringing the extraordinary story of the decision to abandon and burn Moscow, and how the Russian army was used and commanded. No one who looks at the war as a whole can ignore this book. The fact that Hitler repeated the same mistake of invading Russia in 1941 makes it even more powerful.
'A compulsive page-turner ... a triumph of brilliant storytelling ... an instant classic that is an awesome, remarkable and exuberant achievement' Simon Sebag Montefiore
Winner of the Wolfson History Prize and shortlisted for the Duff Cooper Prize
In the summer of 1812 Napoleon, the master of Europe, marched into Russia with the largest army ever assembled, confident that he would sweep everything before him. Yet less than two years later his empire lay in ruins, and Russia had triumphed. This is the first history to explore in depth Russia's crucial role in the Napoleonic Wars, re-creating the epic battle between…
Now an emeritus professor of history at the University of York, I have long been fascinated by France, by its history and identity, and by its innumerable tensions and contradictions. In the course of my career I have published more than a dozen books on different aspects of the Revolutionary and Napoleonic era, ranging from a biography of Napoleon in 2011 to more specialized works on the experience and memory of war – on the soldiers of the Revolution, on the letters and memoirs they wrote, and on the legacy of the Revolutionary and Napoleonic Wars for nineteenth- and twentieth-century France. My current research focuses on France’s place in the wider Atlantic world and on the significance of the Revolution and Empire in world history.
Ian Coller’s study shows how, even in the Napoleonic era, the empire was a two-way process that left a lasting legacy for modern France. He discusses the community of Arabs - several hundred Egyptians, Syrians, and others - who followed the French army back home after the Egyptian Campaign to settle in France, mainly in Marseille and Paris. They faced critical issues of identity and cultural isolation, forging few links with the native French, and their story leads Coller to reflect on the history of France more generally, with due emphasis on the processes of memory formation and forgetting.
Many think of Muslims in Europe as a twentieth century phenomenon, but this book brings to life a lost community of Arabs who lived through war, revolution, and empire in early nineteenth century France. Ian Coller uncovers the surprising story of the several hundred men, women, and children - Egyptians, Syrians, Greeks, and others - who followed the French army back home after Napoleon's occupation of Egypt. Based on research in neglected archives, on the rediscovery of forgotten Franco-Arab authors, and on a diverse collection of visual materials, the book builds a rich picture of the first Arab France -…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
To an Atlantic historian like me, the era of revolutions is one of the most dramatic historical periods, which erased many of the structures on which the Atlantic world had been built for centuries. It raised many hopes, which were often defeated, but lasting advances were made nonetheless.
The first book to successfully show that the age of revolutions also manifested itself in the Indian Ocean and the Pacific. The book also reveals how the British “neutralized” (in what the author calls an “imperial counter-revolt” of "counter-revolution") the age of revolution by coopting concepts of liberty, free trade, reason, and progress.
This is a story of tides and coastlines, winds and waves, islands and beaches. It is also a retelling of indigenous creativity, agency, and resistance in the face of unprecedented globalization and violence. Waves Across the South shifts the narrative of the Age of Revolutions and the origins of the British Empire; it foregrounds a vast southern zone that ranges from the Arabian Sea and southwest Indian Ocean across to the Bay of Bengal, and onward to the South Pacific and the Tasman Sea. As the empires of the Dutch, French, and especially the British reached across these regions, they…
I have always been fascinated by the Regency Period, and because of this fascination, I explored its historical context in full. That includes, of course, the French Revolution and its repercussions in England and globally. I am also obsessed with the literary concept of the heroine, and wanted to create characters who in some ways synthesized Moll Flanders andJane Eyre, bridging the gap between 18th and 19th Century expression.
Essential historical background work for anyone wanting to read French Revolution-based fiction. I am especially attracted to this work because, although non-fiction, it has emotion, and a sense of first-person involvement. I was also very much grabbed by the legend of the first manuscript having been destroyed by fire, and the work having to be re-written – true literary heroism, and an example to us all.
The French Revolution: A History was written by the Scottish essayist, philosopher, and historian Thomas Carlyle. The three-volume work, first published in 1837 (with a revised edition in print by 1857), charts the course of the French Revolution from 1789 to the height of the Reign of Terror (1793–94) and culminates in 1795. A massive undertaking which draws together a wide variety of sources, Carlyle's history—despite the unusual style in which it is written—is considered to be an authoritative account of the early course of the Revolution.
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
"La Belle Dame Sans Merci" may not be Keats’ most well-known poem but it’s right up there with his best, and Keats’ best might just be the very best when it comes to romantic poetry. This is a beautiful fantasy poem that’s both hot and disturbing. It’s dark fantasy at its best. Its lyrical and sensuous beauty will give you chills and goosebumps.Other fantasy-themed poems in this collection include "Endymion," "Lamia and Hyperion," "Isabella," and "St Agnes’ Eve," all based on myths and legends.
'What the imagination seizes as Beauty must be truth' So wrote the Romantic poet John Keats (1795-1821) in 1817. This collection contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the 'Odes' and the two versions of the uncompleted epic 'Hyperion', and work which only came to light after his death including his attempts at drama and comic verse.
It all demonstrates the extent to which he tested his own dictum throughout his short creative life. That life spanned one of…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
Fiona Sampson is a leading British poet and writer, a Fellow of the Royal Society of Literature, awarded an MBE for services to literature. Published in thirty-seven languages, she’s the recipient of numerous national and international awards. Her twenty-eight books include the critically acclaimed In Search of Mary Shelley, and Two-Way Mirror: The life of Elizabeth Barrett Browning, and she’s Emeritus Professor of Poetry, University of Roehampton.
The granddaddy of literary autobiography and biography, Jean-Jacques Rousseau’s Confessions was written in 1769 but published posthumously in 1782. Rousseau, whose pioneering Romantic political philosophy was by then already influential, was setting out to do something equally new when he decided to study human nature, taking as his experimental model the human he knew best – himself. The rollicking result, sometimes self-flagellating, occasionally exhibitionist, deviates from its own model, St Augustine’s fourth-century religious-philosophical Confessions, in being chock-full of what nowadays we call emotional intelligence.
Widely regarded as the first modern autobiography, The Confessions is an astonishing work of acute psychological insight. Jean-Jacques Rousseau (1712-78) argued passionately against the inequality he believed to be intrinsic to civilized society. In his Confessions he relives the first fifty-three years of his radical life with vivid immediacy - from his earliest years, where we can see the source of his belief in the innocence of childhood, through the development of his philosophical and political ideas, his struggle against the French authorities and exile from France following the publication of Emile. Depicting a life of adventure, persecution, paranoia, and…
Historical novels, movies, and TV shows have captured my interest even as a child since the Little House books by Laura Ingalls Wilder and A Little Princess by Frances Hodgson Burnett. My love of history has sent me into historic schoolhouses, churches, castles, pirate ships, ancient Roman spas and aqueducts, and other historical sites at home and in England, Spain, and Portugal, as well as pouring over journals, biographies, and non-fiction research books. My first love is Regency England, but I have a fascination for history of all eras and countries. My passion and fascination for detail have been the driving force behind my twenty-four published Regency romances and hundreds of articles and blog posts.
A fun twist on one of my favorite historical tales,The Scarlet Pimpernel, this novel portrays the elusive hero as a brilliant, determined woman. The cast of characters is full and well-developed, including a dashing hero worthy of our heroine’s love. This story is beautifully written, has plenty of twists and turns, heart-melting romance, and a delightful happily ever after.
The roads in and out of Paris are heavily guarded, but the dead have easy passage out of the city. A ragged old woman transports the coffins of the most recent victims of the guillotine and is waved on unimpeded. Later, the same crone watches five French aristocrats step out of their coffins unscathed. Not beheaded, but spirited away to safety by that most elusive of spies: the Pimpernel. Or, as she’s known in polite society, Lady Scarlet Cavendish.
When not assuming her secret identity as a hero of the French Revolution, Scarlet presents herself as a fashionable, featherbrained young…
I’m a historian of eighteenth-century France, above all, the French Revolution. Throughout my career, my primary goal has been to try to reconstruct the experience of revolution in all its dimensions. I have published extensively on subjects relating to the French Revolution, including the French revolutionary terror; the politics of the Jacobins; ideology, emotions, and revolution; revolutionary leaders – including Robespierre and Saint-Just; fear of conspiracy as a driver of actions; the influence of classical antiquity; women participants in the Revolution.
This is a gripping, wide-ranging, and detailed study of the explosive years of ‘the Terror’. Andress ranges far beyond the claustrophobic assemblies, clubs, and streets of Paris to show the country-wide impact of war, revolution, and terror. Andress has little time for revolutionary idealism, and there are no heroes in this book. His deep knowledge of his subject shines out from every page. The result is a vivid and disturbing account, dense, lively, and well-written.
The French Revolution marks the foundation of the modern political world. It was in the crucible of the Revolution that the political forces of conservatism, liberalism and socialism began to find their modern forms, and it was the Revolution that first asserted the claims of universal individual rights on which our current understandings of citizenship are based. But the Terror was, as much as anything else, a civil war, and such wars are always both brutal and complex. The guillotine in Paris claimed some 1500 official victims, but executions of captured counter-revolutionary rebels ran into the tens of thousands, and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Anouilh shapes his play in parallel reference to two of the most traumatic periods in French history: the immediate aftermath of the 1945 Liberation and the end of the Terror with the death of Robespierre. In post-war France, a group of friends hit on a plan to explore what twisted logic shapes the individual who gets caught up in the violence of oppression. They invite a local man, one Bitos, to attend a masked dinner where each of the guests will take on the role of a prominent figure of the Revolution, Bitos himself, who has greatly profited by collaboration with the occupiers, to take on that of Robespierre, whom Thomas Carlyle referred in his magisterial History of the French Revolution as the ‘sea-green incorruptible’, from the tinted spectacles he wore.
Carlyle’s prose is lush, baroque, strong meat but well worth dipping into. The idea is brilliant as a vehicle…
“Poor Bitos” is the strongest and most strikingly contemporary of Jean Anouilh’s plays. With freezing precision and extraordinary theatrical skill, Anouilh here exposes the evil at the heart of political extremism, with specific reference to the French people but with implications that are tragically universal. The principal character is one André Bitos, a thin-lipped, Eichmann-like public prosecutor with a fanatical sense of justice that outrages every normal feeling of compassion. Bitos since the close of World War II has made it his gruesome business to track down fellow countrymen suspected of collaborating with the Germans and to bring about their…