Books like Scotland and the French Revolution — picked by fans

Harry Dickinson supervised my Ph.D. thesis, and I am a huge fan of his writing, which is clear and accessible.

This book covers a lot of ground, explaining the different political positions people took in eighteenth-century Britain, inside and outside Parliament, but it’s so clearly set out. It’s an important book because it swam against the tide at the time it was published. The dominant opinion was that politics was an aristocratic pursuit and politicians were mainly motivated by self-interest.

This book shows that many politicians were driven by ideas, principles, and assumptions and that many more ordinary people were heavily involved in political campaigns and protests, too. 

This is a fantastic recent book that offers a walk-off-the-page sense of its large cast of characters—Mary Wollstonecraft, William Godwin, Thomas Paine, William Cowper, William Blake, Benjamin Franklin, William Wordsworth, Samuel Taylor Coleridge, and many others.

They were all regular guests at the dinner table of the London publisher, and bookseller Joseph Johnson, where he sat back and listened to his talented collection of authors talk about the issues of the day.

It’s both a great way into the world of publishing and selling books and a wonderful introduction to lots of famous writers of the period from a fresh new angle.

What’s not to love about eighteenth-century cartoons?! They are a brilliant way to understand at least some strands of public opinion on all kinds of issues, and I’m all about trying to understand what people were thinking and why.

This is a wonderful book, which contains a wealth of colour plates of graphic satires by James Gillray, Thomas Rowlandson, and many less well-known names. Their subjects range from political crises and the monarchy to fashion and manners to the role of the crowd.

It’s not just a catalogue of images with captions, though: it’s a really substantial discussion of the emergence and role of the genre of pictorial satire in the reign of King George III (1760–1820) and how to ‘read’ these images. 

Poor George III: ridiculed in caricatures and the object of attempted assassinations!

This enormous book is a real page-turner. Its aim is to show that the changing meanings of words had a huge impact on the politics of the 1790s in Britain. The fourteenth-century statute of treason listed among its crimes that of ‘imagining the king’s death.’

In the reign of Edward III, that meant actually planning the death of the monarch, but by the 1790s, the word ‘imagine’ had taken on the modern definition of ‘envisaging’ or ‘fantasising.’ This much wider definition of ‘imagining’ had dire consequences for reformers who had no intention of arranging the death of the king but whose language might be loose enough to open them up to the charge of ‘imagining’ it. 

The granddaddy of literary autobiography and biography, Jean-Jacques Rousseau’s Confessions was written in 1769 but published posthumously in 1782. Rousseau, whose pioneering Romantic political philosophy was by then already influential, was setting out to do something equally new when he decided to study human nature, taking as his experimental model the human he knew best – himself. The rollicking result, sometimes self-flagellating, occasionally exhibitionist, deviates from its own model, St Augustine’s fourth-century religious-philosophical Confessions, in being chock-full of what nowadays we call emotional intelligence.

Women played a major role in the French Revolution. Providing fuel for the core of the revolution, the female sans-culottes, poissardes, and other working-class women were instrumental in shaping the events and opinions of the revolutionaries such as Robespierre and Danton.

During the revolution, prominent women became agitators, hosted politically influential salons, led several major revolutionary clubs, wrote contemporary political position papers, organized and led women in para-military groups, and murdered key revolutionaries. The women of the French Revolution were no “shrinking violets.”

Ms. Stephens’s book is an excellent introduction to the various women who influenced the revolutionaries on a day-to-day intellectual basis. Madame Guillotine did not discriminate by gender⏤many of these women ultimately lost their heads.

Blanc discovered in the National Archives in Paris a remarkable cache of letters kept in an old tin labelled as the property of Fouquier-Tinville, the Public Prosecutor of the French revolutionary Tribunal. He was a man who in sending off the last batch of victims to be beheaded, even after hearing that Robespierre was dead and with him, the Terror, said ‘justice must run its course’

The letters, written by prisoners on the eve of their own execution, to wife, family, plangent pleas to be remembered – some containing a little keepsake: a shirt stud, maybe – were never delivered, but, on Fouquier’s order, impounded as possible evidence. Post mortem? What was the point? The letters are heart-rending, sad, pathetic, drained of hope, but as poignant a souvenir of the effect of the vicious law which was sending their authors to the scaffold as any you will read. Fouquier, whose… show more.

One of the great opening lines in fiction that begins with: “It was the best of times, it was the worst of times . . .” Sydney Carton is a lawyer in London at the time of the French Revolution. He takes on the case of Doctor Manette, released from imprisonment at the Bastille to live in exile in London with his daughter Lucie.

Returning to France, Dr. Manette is subsequently accused of being a spy for the British government and is sentenced to death. Sydney’s love for Lucie causes him to make the ultimate sacrifice to save Lucie’s father from the guillotine.

A fun twist on one of my favorite historical tales, The Scarlet Pimpernel, this novel portrays the elusive hero as a brilliant, determined woman. The cast of characters is full and well-developed, including a dashing hero worthy of our heroine’s love. This story is beautifully written, has plenty of twists and turns, heart-melting romance, and a delightful happily ever after. 

"La Belle Dame Sans Merci" may not be Keats’ most well-known poem but it’s right up there with his best, and Keats’ best might just be the very best when it comes to romantic poetry. This is a beautiful fantasy poem that’s both hot and disturbing. It’s dark fantasy at its best. Its lyrical and sensuous beauty will give you chills and goosebumps. Other fantasy-themed poems in this collection include "Endymion," "Lamia and Hyperion," "Isabella," and "St Agnes’ Eve," all based on myths and legends.