Here are 100 books that Blue Shadows Fall fans have personally recommended if you like
Blue Shadows Fall.
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After devouring fantasy novels in my late teens and early twenties, I eventually hit a dead end. Where had all the good old-school fantasy gone? I wanted dashing heroes, compelling love stories, and epic battles between good and evil, but I could not seem to find it anymore–at least not as regularly as I wanted to. Eventually I set about writing my own stories, the kind of stories I always wanted to read. When I’m writing, I always go back to books on this list to rekindle my fire and remind me what good fantasy should be.
This novel features a strong protagonist, separated from his love by an evil emperor.
I love characters that aren’t just fighting for a good cause, but are fighting for love, and this series features a gripping love story. The characters find a way to beat impossible odds using wits, magic, and courage. It’s one of the few books I was excited to read more than once.
SOUL OF THE FIRE saw the political machinations that have dogged the midlands reach new heights as the Chimes ran free and threatened magic everywhere. As the novel ended Kahlan has narrowly avoided death and now she and Richard Rahl, the Seeker, must strive again to save the world from the resurgent armies of the Emperor Jagang. From the very first page FAITH OF THE FALLEN PITCHES Richard and Kahlan into their most desperate fight yet, a fight where worlds once again hang in the balance. Richard must embark on a course of action that will leave his people feeling…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
This is high-caliber space fantasy in the realm of Star Wars or Dune. It brings together a grizzled holy warrior having doubts about his faith with a naïve and sheltered princess in a brutal world ruled by absolutely vile overlords. The perspective switches between the two of them. The warrior – Drin – grapples with whether the church’s mission to fight evil brings it to use methods too similar to the evil it fights. Meanwhile the princess – Anais – has to come to terms very quickly with the reality of life outside the palace when slavers invade her home and abduct her off-world.
After years of fighting for justice with his deadly nanotech, Templar Drin abandons his post, crash landing on a desert world controlled by a tyrannical alien empire. Its inhabitants are forced into slavery, broken where a once-proud race cultivated its lands.
For the first time in Drin's life, he has no backup, no support, none of his brothers.
He stands alone against evil.
Drin must face overwhelming odds to liberate millions of slaves from their captors and bring faith to a downtrodden world. But in his way stands the most dangerous…
Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
Superpowered people, living like the Amish, guarding the secret to eternal life. Like Blue Shadows Fall, this sets up a location so unique in the town of Edenia that it’s nearly a character by itself. Unlike that book, Edenia is less a place you’d want to live and more a mystery you want to unravel. This book really drills into the teenage frustration of having no control over your location or circumstances from some very different perspectives in the variety of POV characters. A lot of the story’s tension comes from the main cast’s refusal or inability to come clean with each other, but the underlying reasons for them to keep their secrets are very convincingly layered.
Award-winning YA Fantasy for fans of Good Omens and Cruel Prince
All that stands between the 6000 year old secret of immortality and the end of the world are the Guardians of the Garden.
Rejected by her family and her town, Miriam Miller wants nothing more than to turn her back on Edenia and forsake the new, invasive magic which makes her a Guardian of the Garden of Eden. In the outside world she could be free from the garden, free to lead her own life, and free to forget that she is a freak.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
Can you call it “urban fantasy” when most of the action happens in rural areas? You really get a sense of how much young Paxton Locke lost when his mother murdered his father to summon a demon, and how that shapes him in the present into a man who goes out of his way to help others all over the country. Paxton isn’t the only character whose layers we get to dig into either. Without spoiling anything, he does pick up a sidekick in his travels who is more than meets the eye, and the narration occasionally switches to some other colourful characters on their own arcs to intersect Paxton’s.
From Dragon Award nominee Daniel Humphreys Son of a Witch
Family drama is bad enough without adding magic and human sacrifice. Ten years ago, Paxton Locke’s mother killed his father in a mysterious ritual that – thankfully – went incomplete. Now, Paxton makes his living as a roving paranormal investigator, banishing spirits while Mother languishes in jail.
When a terrified ghost warns him of a dangerous, newly-freed entity, Paxton faces a fight far beyond simple exorcism. In a battle for his very soul, will he be able to endure – or simply fade away?
I am an academic and a passionate reader of women’s fiction. My job title, Reader in Contemporary Women’s Writing, is also, fortunately, my hobby. I love to think about how women’s writing explores women’s lives today. I chose the theme of dystopian fiction because The Handmaid’s Tale has been so central to my work. Still, other potential topics that came to mind were motherhood, home and domestic labour, reproductive politics, and feminist protest. It strikes me now that each of the books on my list also cover these topics. This is the element of my work I love – drawing out the connections and political convictions that make today’s women’s writing so powerful.
In a list of dystopian futures, Mackintosh’s book sits a little unsurely. It’s a dreamy, otherworldly novel, and we’re never quite sure when or where it’s taking place. Three sisters live in isolation with their parents, avoiding an outside world ravaged by contagion – but is the threat real or imagined?
I love this book for its strangeness: it’s an uncanny fairy tale, partly set in some kind of decrepit Victorian seaside retreat for lady hysterics, partly set in the woods where wolves (or men) may prowl.
Mackintosh builds layered dystopias, where both the diseased, brutal world of male violence and the claustrophobic, emotionally manipulative "care" of home and family threaten the sisters’ security. This hazy fever-dream of a book stayed with me for a long time after I finished it.
I’m a Canadian science fiction writer who writes very, very slowly. I’m interested in experimental fiction and books that are unique, both thematically and stylistically. I’d like to think my books fall into this category, or at least that’s what I aspire to. I used to read science fiction exclusively, and the five books I’ve listed here were all read during those formative years; they were fundamental stepping-stones for me, as a writer, and each of them left a profound mark on my idea of how good, or effective, novels can be.
Hand’s sentences are always beautiful, and this novel, her first, is dense with new ideas and original imagery. She evokes a bizarre future in a post-apocalyptic city where twins go on a hallucinogenic quest. Reads like a somewhat disturbing mythology. Gods and talking animals, autistic prophets, feral children, and death is personified. Unforgettable.
The “sensuous and evocative” debut of the Nebula Award–winning author of Waking the Moon: A dystopian journey through a world unburdened by moral taboos (Library Journal). Set in the surreal, post-apocalyptic City of Trees, Winterlong centers on Wendy Wanders, a girl who can tap into the dreams and emotions of the people around her, and her long-lost twin brother, Raphael, a seductive, sacred courtesan to the City’s decadent elite. During their voyage, they encounter man-made and godlike monstrosities—both hideous and gorgeous—in their effort to stop an ancient power from consuming all. Blending science fiction and fantasy, Winterlong is a dark…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I’ve long been fascinated with the dark side of science and human behavior, and grew up on a combination of dystopian classics and horror fiction. When I started writing for publication, apocalyptic themes quickly emerged. As the world around us grows more fraught by the day, I find a strange sort of comfort in reading and writing fiction that doesn’t shy away from depicting the negative aspects of social media, genetic engineering, artificial intelligence, or any other technology that has the capacity to create manmade disasters beyond our understanding. And as a small-press author myself, I’m always on the lookout for books that didn’t get enough love.
Unlike some of the others on my list, the apocalypse(s) at the center of The Crooked God Machineare in no way quiet. The narrator, Charles, has been born into a world in a constant state of collapse. Taking the form of a bildungsroman, the novel recounts the medical advancement of slip implants, “hot wire spiders” that live in one’s brain and turn its user into a brainless zombie. There are also buses that take you to hell, oracles with laser eyes in the back of their heads, and a family-killing murderess who’s considered a hero by the denizens of this demented world. Every page brings fresh horrors, and without giving away the ending I can say that the conclusion doesn’t provide any hope of improvement.
The Black Planet is an oppressive world terrorized by a masked god. Charles is a young idealist struggling to keep his family from falling apart amidst daily violence and chaos. When Charles falls in love with the enigmatic Leda, she gives him hope for an existence outside of the masked god's regime. After Leda disappears one night, Charles leaves his small town to search for her. Along the way he uncovers the origin of the Black Planet, and confronts the god that would destroy all life in pursuit of a perfect and unchanging paradise.
I currently reside in my home state of Connecticut with my darling wife and a duo of sweet cuddly dogs. I am a renaissance man having dabbled in Acting for Film and Theater, Fencing and Mixed Martial Arts, Professional Dorkary, and a bevy of other passions before coming to land on writing. Having stepped into numerous fantasy worlds over the years I have had the chance to sample many different flavors of imagination and developed a refined taste for all things dark, mystical, and tragic.
A kind of perfect dystopia. The fractured storytelling is as compelling as the characters and greater narrative itself. Sleepwater Beat has a comic book level of action and appeal while also feeling incredibly intellectual and relevant to today’s hot topic issues. Again there is a healthy dose of minority repression on display in the cast of charters presented in this book. Hutson’s Sci-Fi is just as dark and gritty as her fantasy.
They say the pen is mightier than the sword. In Sleepwater’s world, words are literally more powerful than bullets.
Leo could always make people believe anything she says—really believe. When her chest burns and the words come from her mouth, her targets’ eyes glaze over, they forget their own thoughts, and they’ll do anything she says. It’s what keeps her alive after being on the run and living on the streets for years. But after using it on her girlfriend and her dad’s drug dealer, it’s also what got her here on the streets in the first place.
With my degree in journalism, you’d think I would be firmly rooted in real-world dramas, but all my time in news did was push me deeper toward my love of fantasy and romance stories. A natural optimist and a bit of a dreamer, I have always been a voracious reader of the fantasy romance genre. I love a story that can take you away from the real world for a time with amazing heroes, end-of-world stakes, and of course, thick romantic tension. I have a special fondness for series’ where I can watch the characters grow in depth or where each story covers a different character's perspective or experience.
I absolutely love the high-intensity emotion and forbidden love in this story. Tanya Bird did an incredible job of pulling me into the tension between two characters, and I love how each book is about a different love story between characters within the same world!
A bit different from my usual fantasy picks, this series has a more dystopian and historical fantasy vibe, but it’s such a well-crafted dark world and the romantic tension is so good that I almost forget there are no real magical type elements.
Blake Suttone has a stomach full of grief and no food. A decade of famine has taken its toll on the splintered kingdom, but it is the merchants who suffer most. A wall stands between the hungry and the food, and the kingdom’s defenders stand guard atop it. Desperate times lead to desperate acts, and Blake will do whatever is necessary to ensure her family survives. But a growing attachment to a certain commander was never part of the plan. Now the man protecting the walls seems determined to guard her too.
I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
Press Enter to Continue is incredible on every level. The art is beautiful, with a technicolor palette and skillful drawing that belies the corporate horror in the narratives. We see humiliating job interviews, vampiric computer viruses, and cosmic labor camps that feel a little too close for comfort in our online world. It’s a collection of short stories told with a deadpan minimalism that makes the reader think, sweat, and maybe put their phone away for a while.
Spanish cartoonist Ana Galvañ charts an often-psychedelic and existential course for modernity in her English language debut, utilizing swaths of electric and florescent colors to create a series of short stories that intertwine and explore the dehumanizing effects of contemporary society. Like a candycolored collection of Black Mirror episodes, Galvañ’s world, set in the very near-future, is familiar and cautionary at once. Galvañ’s unwitting and addictive characters navigate a world of iridescent pastels and geometric energy like puppets. Departments of inhumane resources dehumanize the people it is purported to protect; information is determinedly mined like the gold of the 21st…
