Here are 100 books that Press Enter to Continue fans have personally recommended if you like
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I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
This is an excellent textbook to get readers and comic makers of all experience levels to loosen up, think deeply and personally, and make better, more confident comics. It’s warm but practical, smart but approachable, deep but unpretentious. This is a comics veteran generously sharing both her knowledge of comics and teaching, as well as her own methods for drawing, brainstorming, and writing. It’s an incredible resource and one I often find myself quoting and recommending to my own students.
Hello students, meet Professor Skeletor. Be on time, don t miss class, and turn off your phones. No time for introductions, we start drawing right away. The goal is more rock, less talk, and we communicate only through images. For more than five years the cartoonist Lynda Barry has been an associate professor in the University of Wisconsin Madison art department and at the Wisconsin Institute for Discovery, teaching students from all majors, both graduate and undergraduate, how to make comics, how to be creative, how to not think. There is no academic lecture in this classroom. Doodling is enthusiastically…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.
This is the most profoundly absorbing experimental art-comic the world has ever produced.
It’s a fun book to sit with someone else and page through, backward or forward, or just ambling around, discovering things. The very simple conceit is that it’s a book that spans millions of years in time, but all happens in exactly one single space. It grew out of a six-page short story that blew people’s minds in the 80’s comics anthology Raw.
I remember hearing that the author had decided, two decades later, to expand it to book form, and wondered if that was really necessary. The short version had been such a perfect jewel of a piece. Turns out he had very good reason.
From one of the great comic innovators, the long-awaited fulfillment of a pioneering comic vision. Richard McGuire’s Here is the story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years.
"In Here McGuire has introduced a third dimension to the flat page. He can poke holes in the space-time continuum simply by imposing frames that act as transtemporal windows into the larger frame that stands for the provisional now. Here is the comic-book equivalent of a scientific breakthrough. It is also a lovely evocation…
I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
You could really choose any graphic novel by Patrick Kyle—they’re all excellent. I personally like this collection of his short stories. The art is abstract, cartoony, expressive, drawn with a stylistic boldness not often seen in graphic novels.
The art could stand on its own, and often I find myself skimming this novel just to look at the art. But the narratives themselves are the real key here—completely original, contemporary thinking that discusses things like the end of cell phones and purifying skin creams. These narratives will change the way you think about narrative.
A keen observer of the absurd, Patrick Kyle's stories defamiliarize the machinations of life, work, and art with droll dialogue and his angular, humanely geometric drawing and sci-fi settings that recall set design more than satellite images. Kyle's figures may be foreign and his settings strange, but his stories resonate deeply.
Patrick Kyle lives and works in Toronto, ON. He is the author of the graphic novels Black Mass (2012), Distance Mover (2014), and Don't Come In Here (2016). At the 2016 Doug Wright Awards, he won the Pigskin Peters Award for New Comics #6 and #7.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
This is one of the first graphic novels to truly reinvent the medium, and is absolutely required reading for anyone who wants to experiment with visual storytelling. Instead of a traditionally bound book, you get an oversized box filled with pamphlets, booklets, newspapers, and more. The comics themselves read pretty straightforwardly, but it's the act of rifling through this giant box for the first time, not knowing exactly where it'll lead you, that's truly a unique reading experience.
In Chris Ware's own words, 'Building Stories follows the inhabitants of a three-flat Chicago apartment house: a thirty-year-old woman who has yet to find someone with whom to spend the rest of her life; a couple who wonder if they can bear each other's company for another minute; and finally an elderly woman who never married and is the building's landlady...'
The scope, the ambition, the artistry and emotional heft of this project are beyond anything even Chris Ware has achieved before.
A retired doctor and bookaholic since childhood, for me reading has always been more than just an escape into other lives. Rather, as with all art forms, I find it helps me better understand our topsy-turvy world. The Alice books were my introduction to the use of fantasy in storytelling that embraces a deeper meaning. Reading such imaginative fiction can be like stepping back from reality only to return with a better insight into what it means to be human in the real world. For me, as a doctor, this has always been so important. Each of the books I have recommended achieves this in the author’s own, unique way.
The stories of ageing, academic ex-spy, Lytton, merge with those of his young neighbour, Rosie, who, when searching for his cat in a basement enters another dimension where she embarks on a life-changing journey with young Jay, whilst in a dystopian future, scientist Angela Meerson, because of her latest invention, goes on the run from the corruptly controlling authorities. The reader just has to hang on there as past, present and future collide in a symphony of imaginative writing that challenges our concept of reality. And it all comes together in a brilliant conclusion.
Three interlocking worlds. Four people looking for answers.
April, 1960: In the cellar of a professor's house in Oxford, fifteen-year-old Rosie goes in search of a missing cat -- and instead finds herself in a different world.
Anterwold is a sun-drenched land of storytellers and prophecies. But is this world real -- and what happens if Rosie decides to stay?
Meanwhile, a rebellious scientist is trying to prove that time does not even exist -- with potentially devastating consequences.
As the three worlds come together, one question arises: who controls the future -- or the past...?
After half a lifetime working all over the world as an environmental scientist, I am now a full-time writer of fiction and non-fiction. I’ve studied the effects of oil industry waste in Yemen, monitored groundwater contaminated with radioactive tritium from bomb-making sites in Europe, and remediated oil pits in the South American jungle. I ran Australia’s national climate adaptation program and was CEO of Australia’s national marine science agency, which does much of the research on the Great Barrier Reef. And everywhere I’ve gone, I’ve seen how environmental destruction hurts people, societies, and, inevitably, our future. Each of my six novels and my non-fiction examines this issue in different ways.
The only non-fiction book on my list, this prescient, chilling work examines the geopolitics of climate change.
Written in 2008 by an ex-naval officer turned journalist, this book works on two levels. First, cogent explanations of the science and interviews with senior military personnel from America and Great Britain. Then, eight scenarios that describe how the world might react as emissions rise.
Scenario One: 2045. The average global temperature is 2.8°C higher than in 1990. Prognosis: Awful.
And the scary thing is that’s pretty close to the trajectory we are currently on.
Dwindling resources. Massive population shifts. Natural disasters. Spreading epidemics. Drought. Rising sea levels. Plummeting agricultural yields. Crashing economies. Political extremism. These are just some of the expected consequences of runaway climate change in the decades ahead - and any of them could tip the world towards conflict. Bold, unflinching, and based on exhaustive research, "Climate Wars" grippingly reveals how world leaders are likely to react, and promises to be one of the most important books of the coming years.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am passionate about words and reading, and I love books that examine and record the chaos and mayhem of human existence. When I think about why I don’t want to die, it’s mainly because I can't bear the thought of missing out on what happens next. I feel privileged to be alive during this strange, fraught time of epochal change and to be able to use my skills as a writer to record not just the facts of what happens but how it feels to witness it all, the sensibility of our time, the recording of which is, I believe, the essence of great literature.
I was surprised at how much I loved The Wizard of the Kremlin. I was sorry to reach the last page. Why? The central character is a fascinating post-modern Machiavellian political strategist whose machinations set the global standard for disinformation as a political tool in the post-modern, digital world.
Vadim Baranov is based on a real-life character, Russian President Putin’s long-time former PR man and advisor, Vladislav Sirkov. The book is an imagined one-night meeting with the now-retired former reality TV producer, an utterly cynical but simultaneously surprisingly morally aware man, who unwinds the story of his career.
THE INTERNATIONAL SENSATION - a stunning work of political fiction about the rise to power of Putin's notorious spin doctor
'A great book, casting light on the creatures that crawl and slither behind the Kremlin's walls, on the mineral hardness of Putin, on the chaos engine that is his way of hurting us' John Sweeney
'An acute and timely dissection of Russian power, told through the eyes of a shadowy political advisor to Putin' Financial Times
'A fictional wandering through the dark corridors of the Kremlin' The Times, Biggest Books of the Season
With my degree in journalism, you’d think I would be firmly rooted in real-world dramas, but all my time in news did was push me deeper toward my love of fantasy and romance stories. A natural optimist and a bit of a dreamer, I have always been a voracious reader of the fantasy romance genre. I love a story that can take you away from the real world for a time with amazing heroes, end-of-world stakes, and of course, thick romantic tension. I have a special fondness for series’ where I can watch the characters grow in depth or where each story covers a different character's perspective or experience.
I absolutely love the high-intensity emotion and forbidden love in this story. Tanya Bird did an incredible job of pulling me into the tension between two characters, and I love how each book is about a different love story between characters within the same world!
A bit different from my usual fantasy picks, this series has a more dystopian and historical fantasy vibe, but it’s such a well-crafted dark world and the romantic tension is so good that I almost forget there are no real magical type elements.
Blake Suttone has a stomach full of grief and no food. A decade of famine has taken its toll on the splintered kingdom, but it is the merchants who suffer most. A wall stands between the hungry and the food, and the kingdom’s defenders stand guard atop it. Desperate times lead to desperate acts, and Blake will do whatever is necessary to ensure her family survives. But a growing attachment to a certain commander was never part of the plan. Now the man protecting the walls seems determined to guard her too.
I’ve been a sci-fi/fantasy fan ever since my dad introduced me to the original Star Trek (in reruns) and The Lord of the Rings in my youth. I’ve always loved thinking about possibilities—large and small—so my work tends to think big when I write. I also write poetry, which allows me to talk about more than just the everyday or at least to find the excitement within the mundane in life. These works talk about those same “possibilities”—for better or worse, and in reading, I walk in awareness of what could be.
I have adored my next pick for its long narrative threads ever since I read it in my youth. It is the first book of a trilogy, but its ideas about human dignity and honor transcended the first book and pulled me into reading the second and third.
E. P. Dutton, 1973. Trade paperback. This 1971 novel is the first book in "The Exiles" series, which also includes "Flight of Exiles" (1972) and "End of Exile" (1975). The three novels were later collected as "The Exiles Trilogy."
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
I loved the detailed characterization of the main protagonists (including a cat) in this novel set in Gloucester. Comptom’s prose is a delight to read; it is clear, descriptive, and unobtrusive. It is rare to read about a homeless person and their struggles, especially from that time and the obvious mental illness that he suffers from. His dealings with the vending machine and the cat are humorous and touching. The novel reminded me of the Beatles song ‘Eleanor Rigby,’ with a Father Mackenzie-type vicar and a lonely female journalist. It is sad, touching, real, and a good story. I read it in a couple of sittings.
In the near future, the super-modern city of Gloucester has been transformed - completely redesigned and rebuilt to the principles of 'scientific city planning'. This gleaming city is threatened with extinction by a mysterious spore from space that brings mankind's proud structures crashing to the ground . . .
