Books like Sleepwater Beat — picked by fans

For me, one of the most exciting things about a great book is discovering the world in which the story takes place. I absolutely love it when I find a story with a rich tapestry into which the characters are woven and which brings the story to life. If the world created by an author tantalizes the senses and feels believable (no matter how fantastical), it makes the characters and story feel real. This makes it feel like the stakes and the consequences of the character’s actions matter in the context of the world and brings us along on the journey and all the possibilities that await the reader.

I’ve loved both history and fantasy since I was a child. The first book I can remember reading at all was The Hobbit. The first historical novel I fell in love with was The Killer Angels. I visited the battlefield of Gettysburg with my family, and currently teach the movie every year to my high school film class. (I’ve never visited Middle Earth, but plan to visit New Zealand as soon as possible). I’ve been reading both genres ever since—and quite by accident my first novel contains a mix of both genres.

I currently reside in my home state of Connecticut with my darling wife and a duo of sweet cuddly dogs. I am a renaissance man having dabbled in Acting for Film and Theater, Fencing and Mixed Martial Arts, Professional Dorkary, and a bevy of other passions before coming to land on writing. Having stepped into numerous fantasy worlds over the years I have had the chance to sample many different flavors of imagination and developed a refined taste for all things dark, mystical, and tragic. 

I currently reside in my home state of Connecticut with my darling wife and a duo of sweet cuddly dogs. I am a renaissance man having dabbled in Acting for Film and Theater, Fencing and Mixed Martial Arts, Professional Dorkary, and a bevy of other passions before coming to land on writing. Having stepped into numerous fantasy worlds over the years I have had the chance to sample many different flavors of imagination and developed a refined taste for all things dark, mystical, and tragic. 

I’m a queer, nonbinary writer who has always loved reading and writing speculative fiction, whether it be dystopian novels, sci-fi, fantasy, and beyond. I think speculative fiction is such an effective and creative way to hold a mirror up to our society, explore traumatic and heavy themes, and ultimately, show us what it means to be a person, no matter how strange or unfamiliar the world is. Like many millennials, I grew up reading that awful transphobic woman’s magical series but soon realized how limiting that series was, and how there were so many better, smarter, more inclusive books out there, especially those that center queer and trans characters and know how to break my heart ten times over.

I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.

I'm a queer guy who loves speculative fiction. That hasn't been easy. The Disney villains of my childhood were all some kind of horrible LGBTQIAP+ stereotype (Ursula from The Little Mermaid literally modeled after a drag queen. Gaston, the muscle queen. Jafar, the effeminate manipulator...the list goes on and on). I recently watched the first season of Vox slack-jawed: the only queer representation was an effeminate, over-weight, makeup-ed, middle-aged queen lusting after a much younger straight character. Like many writers in the last few years, I'm trying to re-imagine speculative fiction with an array of LGBTQIAP+ characters in my upcoming contemporary epic fantasy YA book These Precious Stones.

I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.

I have always been drawn to YA novels – big feelings conveyed across shorter word counts, intense experiences, other worlds, characters finding their way in the world. For a long time in these books and across a range of genres, women and girls could only hope to be on the sidelines of these big stories. They were the maiden in the tower, the prospective bride or love interest of the hero. We’re incredibly lucky to live in a time where a wide range of female experiences can be found in our YA books, and these are always stories I seek to read and to tell. 

I am an academic and a passionate reader of women’s fiction. My job title, Reader in Contemporary Women’s Writing, is also, fortunately, my hobby. I love to think about how women’s writing explores women’s lives today. I chose the theme of dystopian fiction because The Handmaid’s Tale has been so central to my work. Still, other potential topics that came to mind were motherhood, home and domestic labour, reproductive politics, and feminist protest. It strikes me now that each of the books on my list also cover these topics. This is the element of my work I love – drawing out the connections and political convictions that make today’s women’s writing so powerful.