Here are 100 books that Bloom & Other Poems fans have personally recommended if you like
Bloom & Other Poems.
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I’ve written five poetry books and I am presently working on my sixth. My poems are also confessional and narrative styles. I have also written two novels and enjoy writing fiction and poetry. I hope you enjoy the books on this list as much as I have. They have saved my life on many occasions.
I love this book because it’s an epic poetry book. The first of its kind. Three-hundred and ninety-six-page poetry book. Ariana Reines is one of my favorite top three modern poets as well. Poetry lovers should have this book in their collection. If not, what are you waiting for? It’s a masterpiece. I can see her soul in this book, I can see her heart. I can see her mind. It’s as if sand is literally under your feet as you read these poems divided into sections. This book is meant to be read slowly, like a fine glass of wine. It took me months to read it. It taught me that a poet is an artist and is a traveler of time and space. It taught me to break rules and to do whatever you want as a poet. It taught me to not limit myself as a writer…
Deadpan, epic, and searingly charismatic, A Sand Book is at once relatable and out-of-this-world. In poems tracking climate change, bystanderism, state murder, sexual trauma, shopping, ghosting, love, and the transcendent shock of prophecy, A Sand Book chronicles new dimensions of consciousness for our strange and desperate times.
What does the destruction of our soil have to do with the weather in the human soul? From sand in the gizzards of birds to the iridescence on the surface of spilt oil, from sand storms on Mars to our internet-addicted present, from the desertifying mountains of Haiti to natural disasters and state…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My childhood diary entries often turned into poems. Writing and art have been in my life a long while. After earning a BA in Advertising and Design, I became an art director for Prentice Hall, a large educational publisher. My reading tastes are eclectic. Reading the work of poets came to me later in life when poetry began oozing out my pores. I’ve maintained an art & writing blog since 2014. I self-published an illustrated collection of poetry in 2016. My work has been published in a variety of journals. Do check out the books on my list, they are unique, just like you.
I’ve never been one to read a writer because of their accomplishments. But there are confessional voices (with stellar accolades), I can’t avoid. Louise Glück’s poetic voice evaluates experiences in ways that remind me that we’re all a bit messed up, but beauty sometimes lingers under rocks if you’re willing to dig. And dig I must to improve my work.
My poetry sometimes hides behind soft language, while my word-wolf remains hidden. Poems like Ms. Glück’s “Purple Bathing Suit” force me to evaluate if I’m artfully deceiving or striving to rise to her level of genuine gut-wrenching prose.
“I like watching you garden / with your back to me in your purple bathing suit: your back is my favorite part of you, the part furthest away from your mouth”
The collected works of the inimitable Pulitzer Prize–winning poet
It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone, a copper beech, a mother and father…
I’m a lifelong typewriter lover. That passion has taken me down some deep and wonderful rabbit holes, including critiques of digital tech. I’m just as hooked on tech as the average person today, and of course, it has real benefits, but I’m painfully aware of how my addiction damages my attention, privacy, and self-reliance. The books I’ve picked help me articulate the problems, imagine just how bad things can get, and see alternatives. In my day job as a philosophy professor, I think about topics like memory, time, and technology, and specialize in controversial thinker Martin Heidegger (I own his typewriter!).
I’ve tried my hand at street poetry with a typewriter and been surprised by the hugs and tears my little efforts sometimes provoke. This book shows me why: people are hungry for someone to listen and care. And something about a mechanical intermediary promotes attention, while digital tech pushes us apart.
I was absorbed by Sonia-Wallace’s stories and jealous of his chance to be Amtrak’s writer-in-residence, typing poems on a train across America.
It might surprise you who’s a fan of poetry — when it meets them where they are.
Before he became an award-winning writer and poet, Brian Sonia-Wallace set up a typewriter on the street with a sign that said “Poetry Store” and discovered something surprising: all over America, people want poems. An amateur busker at first, Brian asked countless strangers, “What do you need a poem about?” To his surprise, passersby opened up to share their deepest yearnings, loves, and heartbreaks. Hundreds of them. Then thousands. Around the nation, Brian’s poetry crusade drew countless converts from all walks of life.
Mia Lark is running out of options. There is only one way to change the score: the fantasy planet Revivium.
Armed with the powerful magic in the helm and the friendly AI, Hex that goes with it, Mia throws caution out the window. It’s time to find the main guildhall…
As a poet and a novelist, I'm fascinated by the places where these two genres meet, undo each other, and create something new again. That sounds a lot like what love can do, and whenever I read a long poem that achieves a unique aesthetic unity, I feel the writer has found a new way to love the world, to love the reader. And, as usual, both the world and the reader are challenged by that love—to grow.
Ultimately, this is a work about trauma, both personal and cultural; it is a deeply human testimony to trauma’s power to erase, shape, and reshape the narratives of our lives.
The self, this book implies, is one such narrative, and the forces of contemporary society act in powerful and often surreptitious ways to shape that story.
Rankine is a complete original in her methods of tackling these mysteries, and a reader leaves this book with a sense of having woken, if only a bit more, to the forces that are living our lives for us.
A brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine’s Don’t Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars—doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age.
First published in 2004, Don’t Let Me Be Lonely is a hauntingly prescient…
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
Even if you don’t want to be a poet, there’s something about playing with poetic form that I think is useful to any writer because it enables you to explore the use of rhythm, metaphor, simile and other ways of honing your consciousness into literary and written form. It demands specificity of description and uniqueness of voice, and Kate Clanchy’s book - she is herself a published poet, writer but also a teacher - gets to the nub of it through examples and exercise, to emerge a more fluent and confident writer, and in whichever form you choose.
Do you want to write a poem? This book will show you 'how to grow your own poem' . . .
Kate Clanchy has been teaching people to write poetry for more than twenty years. Some were old, some were young; some were fluent English speakers, some were not. None of them were confident to start with, but a surprising number went to win prizes and every one finished up with a poem they were proud of, a poem that only they could have written - their own poem.
Kate's big secret is a simple one: is to share other…
I'm a storyteller whose daydreams begin with “once upon a time”. I worked as a corporate paralegal and always thought that legal pads could be put to better use by writing a novel. Someone said that women learn best by observing the lives of women. I'm inspired by women who have stepped off the path as well as by those who have maintained it. My learning began by observing the women in my family, African American women who walked their paths, chosen and unchosen, with grace, style, and courage, sometimes, in heels. The stories of women, fictional narratives as well as biographies, poetry, and historical accounts, illuminate these strong souls.
The current United States Poet Laureate. She is an artist and not just of words. Harjo plays a mean saxophone. And writes poetry to send the soul soaring. Reminding me of the sky, the soil, the roots. My roots. “Do you know how to make a peaceful road through human memory?” Harjo’s Muscogee roots have their beginnings in the soil that nurtured some of my Georgia-born ancestors. What can I say? I feel the words.
In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family's lands and opens a dialogue with history. In An American Sunrise, Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother's death, to her beginnings in the native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to…
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
As a poet and a novelist, I'm fascinated by the places where these two genres meet, undo each other, and create something new again. That sounds a lot like what love can do, and whenever I read a long poem that achieves a unique aesthetic unity, I feel the writer has found a new way to love the world, to love the reader. And, as usual, both the world and the reader are challenged by that love—to grow.
Poets have many tools at their disposal in their attempt to bring aesthetic unity to a long poem, and C. D. Wright is innovative in her use of imagery and cinematic grammar to do exactly that.
This is a book to be studied for its remarkable ability to convey, in what Auden called “memorable speech,” the beautiful doom of the common heart.
Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. "In my book," she writes, "poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so."
C.D. Wright was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation.…
Sometimes, you just want to feel like you’re reading in an old library during a storm, you know? Because I’ve read so widely and studied so many Classics, I’ve had the opportunity to immerse myself in old books in a way that many others haven’t. Take that obsessive bookishness and add a love for magical, literary, character-driven stories, and voilà! I’m lucky I got to write my own dark academia novel for people looking to have that experience. Hopefully these books make you just as cozy and melancholy as they make me.
John Keats is one of my all-time favorite poets. It breaks my heart to think of how many poems were left unwritten when he died young. The ones he left behind are melancholy and absolutely gorgeous. The language tastes like chocolate. He’s a master of using sound to evoke nostalgia (for people who care about the mechanics of these things. It’s okay if you don’t.) His poetry speaks for itself. Read one of his poems slowly, and you’ll feel like you’re lying in a moonlit meadow with a glass of wine, pondering eternity.
Covering the entire output of an archetypal - and tragically short-lived - romantic genius, the Penguin Classics edition of The Complete Poems of John Keats is edited with an introduction and notes by John Barnard.
Keats's first volume of poems, published in 1817, demonstrated both his belief in the consummate power of poetry and his liberal views. While he was criticized by many for his politics, his immediate circle of friends and family immediately recognized his genius. In his short life he proved to be one of the greatest and most original thinkers of the second generation of Romantic poets,…
In 2019 I spent several days on a ladder witnessing children who were locked in a detention center in Homestead, and in early 2020, I traveled to the Brownsville/Matamoros border, where the stories people told me broke my heart. Often, it was not threats to their own lives but to their children’s lives that triggered their decision to flee. I wrote Immigrants and an accompanying book of poetry (Here in Sanctuary–Whirling) not to make political points, but to tell some of these stories and highlight the gaps between our human propensity toward kindness and the way we fall into the trap of “othering” those who are not exactly like us.
I love the simplicity of this book and the direct way in which the poet conveys his experience as a volunteer for a group that provides medical care and support for migrants crossing the Sonora Dessert.
Gamble’s close-up view of objects like an abandoned Hello Kitty backpack and a can of pinto beans with ants crawling into the slit allows him to shed light on much deeper stories of human suffering, evoking the reader’s sympathy without proselytizing.
"A Can of Pinto Beans" by Robbie Gamble is a startling poetry collection recounting the author's work with No More Deaths, a humanitarian organization in Arizona working to serve migrants.
Ramon Ramirez’s Dog is a collection of essays written over the years about the adventures and misadventures, mostly outside but occasionally inside the diplomatic career of a U.S. ambassador. Common threads weaving the stories together are a desire for a life well-lived, balancing career with family and friends, keeping physically…
Ever since I was a child and my father first pointed me to a few of his favorite poets (Wordsworth, Keats, Shelley), I have been passionate about poetry, particularly poems that speak plainly of the world in a very relatable way. I’ve found that I can learn something about myself and my humanity by reading my favorite poets who often teach me something new about the world. They are my guides and companions.
I love the simplicity of the language and how close the poet feels to the natural world. In her plainspoken language, Oliver’s poems transport us through nature and, by the way, teach us what it is to be human. Herons, sparrows, owls, and kingfishers flit across the pages in meditations on love, artistry, and impermanence.
It is the smallest element that counts the most in Oliver’s poems because it contains so much in so little, stripping the poet’s and our powers of observation down to an essential moment. Who doesn’t love Mary Oliver’s work?
Maybe our world will grow kinder eventually. Maybe the desire to make something beautiful is the piece of God that is inside each of us.
In this stunning collection, Mary Oliver returns to the imagery that has defined her life's work.
Herons, sparrows, owls and kingfishers flit across the page in meditations on love, artistry and impermanence. Whether considering a bird's nest, the seeming patience of oak trees or the paintings of Franz Marc, Mary Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments.
