Here are 16 books that Blood of Empire fans have personally recommended if you like
Blood of Empire.
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Exceptional, despite the oodles of death. Think Maze Runner meets Ready Player One meets Hunger Games, with a dash of Highlander. Loved the characters. Loved the morals. Loved the Running Man moments. And the aliens. ALL THE ALIENS. I stayed up far too late trying to finish it, then stayed in bed the rest of the morning finishing it. After reading this I binged the rest of the series, and I’m waiting impatiently for book #9!
A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible.
In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground.
The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe.
Everything you know about Santa Claus is a lie. And that’s just the way she likes it.
She remembers nothing of her real parents. She was abducted by fairies who taught her all she knows. Everyone calls her Key, but no one can tell her why.
As an author, I’m fascinated with the fictional quest for power and the challenges and changes that journey both entails and provokes. Progression fantasy, beyond all the numbers and formalized rankings, is about the character first… not just people growing stronger, but how that growth impacts them on a fundamental level. It's something central to my own fiction, and as I’ve explored the progression fantasy genre, I’ve loved seeing the different ways other authors tackle that same idea. The worlds, people, and magic systems vary wildly between different series in the genre, but that central conflict’s impact on those engaged in it remains uniquely compelling.
Shadeslinger is another LitRPG but belongs to the subgenre known as VRMMO.
The characters are playing a full-immersion, virtual reality MMO, and it’s the game world that provides the framework of levels, skills, and advancement. It’s not a subgenre that I always love, but Shadeslinger and its sequels are an exception to that rule!
I love how the author leans into the game nature of the world to create constant challenges and global threats, and I love the main character’s me-against-the-world attitude, which changes as he finds an in-game family beyond anything he had in the real world.
But my favorite aspect is one unique to this subgenre… as someone who played MMOs for decades, these books do an incredible job of capturing that atmosphere while injecting humanity and pathos into the mix.
Corporate flameout Ned Altimer dreams of leaving his world behind. So when Earthblood Online splashes onto the VRMMO scene, he dives in and never looks back.
His advantages are twofold: exclusive access to the game’s three-day Head Start period, and a ridiculously handsome talking axe named Frank who has knowledge of the game’s deepest secrets…if the magnificent Frank ever feels like sharing them.
But those advantages also make Ned a target. Once the Head Start period ends, his fellow players will stop at nothing to rip that suave, violent-yet-disarmingly-charismatic axe right out of his hands.
I’m Scott Drakeford, engineer, former corporate person, long-time reader of fantasy fiction, and current author of epic fantasy books that heavily feature a fight against an unjust empire. I’m also the co-host of the Publishing Rodeo podcast, which explores the business side of traditional publishing. I approve this message.
'The Age of Kings is dead. And I have killed it.' Field Marshal Tamas's coup against his king sends corrupt aristocrats to the guillotine and brings bread to the starving. But it also provokes war in the Nine Nations, internal attacks by royalist fanatics and greedy scrambling for money and power by Tamas's supposed allies: the Church, workers' unions and mercenary forces. Stretched to his limit, Tamas relies heavily on his few remaining powder mages, including the embittered Taniel, a brilliant marksman who also happens to be Tamas's estranged son, and Adamat, a retired police inspector whose loyalty will be…
Everything you know about Santa Claus is a lie. And that’s just the way she likes it.
She remembers nothing of her real parents. She was abducted by fairies who taught her all she knows. Everyone calls her Key, but no one can tell her why.
Cormac McCarthy delivers a dark, unflinching vision of the apocalypse in THE ROAD, never letting up on its intensity. The novel is a visceral exploration of a father and son struggling to survive in a world stripped of hope and humanity, where simply waking up to face another day is a victory in itself. Their destination may be the ultimate goal, but it is the harrowing journey, the emotional weight of their bond, and the relentless struggle to survive that give the story its power. McCarthy’s masterful writing makes every moment feel raw, haunting, and unforgettable.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
Inquisitor Glokta, a crippled and increasingly bitter relic of the last war, former fencing champion turned torturer extraordinaire, is trapped in a twisted and broken body - not that he allows it to distract him from his daily routine of torturing smugglers.
Nobleman, dashing officer and would-be fencing champion Captain Jezal dan Luthar is living a life of ease by cheating his friends at cards. Vain, shallow, selfish and self-obsessed, the biggest blot on his horizon is having to get out of bed in the morning to train with obsessive and boring old men.
This applies to the Saxon Chronicles series as a whole, not just the first book. I am someone who has an interest in Viking Age Britain on a scholastic and entertainment level.
I read the entire series back to back and found it quick, easy, enjoyable and sometimes hard-hitting. Uhtred isn't a perfect person, he often gets in his own way and has his bad qualities but deep down he is a good man, even if he can be viewed as more morally grey than perhaps the other major characters in the plot.
There's plenty of bloody action and drama but you also see characters evolve as they grow older and the world dramatically changes around them during this very pivotal time in British history.
The first book in the epic and bestselling series that has gripped millions.
A hero will be forged from this broken land.
As seen on Netflix and BBC around the world.
In a land torn apart by conflict, an orphan boy has come of age. Raised by the Vikings, deadly enemies of his own Saxon people, Uhtred is a fierce and skilled warrior who kneels to no-one.
Alfred - Saxon, king, man of god - fights to hold the throne of the only land still resisting the pagan northerners.
I have always been obsessed with stories where underdogs must enter elite institutions carrying heavy secrets and impossible odds. Growing up, I devoured military academy fantasy because I loved watching flawed characters tested to their absolute limits, where survival demanded tactical cleverness rather than brute force. As an author, I am endlessly fascinated by morally grey antiheroes who must balance internal trauma against uncompromising goals. Sharing these five masterclasses in tension, magic, and academy trials is a joy because they represent the exact books that inspired me to pick up a pen and write.
I fell in love with epic fantasy because of this book's incredible magic system and heist structure.
I was captivated by Kelsier and Vin, two deeply flawed survivors using stealth, strategy, and street smarts to challenge an immortal god king. I loved how Allomancy felt like a physical science, where push-and-pull forces dictated every combat encounter.
The academy of thief crews and rebellion planning kept me hooked on every page. It taught me how powerful a story can be when magic has strict rules and real physical consequences.
Brandon Sanderson - the international phenomenon who finished the Wheel of Time sequence - introduces a fantasy trilogy which overturns the expectations of readers and goes on to tell the epic story of evil overturned in a richly imagined world.
A thousand years ago evil came to the land and has ruled with an iron hand ever since. The sun shines fitfully under clouds of ash that float down endlessly from the constant eruption of volcanoes. A dark lord rules through the aristocratic families and ordinary folk are condemned to lives in servitude, sold as goods, labouring in the ash…
I liked the intriguing world and premise. It brings up some really fascinating questions about the ramifications of a "superior" type of human. The protagonist is definitely dynamic and complex, and there are layers to the side characters as well, which all contributes to the sky-high tension and conflict throughout most of the story. I didn't like the lack of description and detail, especially in the fight scenes and when describing technology and settings. The action scenes are streamlined, but sometimes feel rushed or are difficult to visualize. However, it still carries an impressive emotional weight. A few parts of the world-building felt somewhat illogical, in my humble opinion. The story is very fast-paced, perhaps a bit too much for my liking. Lastly, it leaves you wondering about book 2!
NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ENTERTAINMENT WEEKLY, BUZZFEED, GOODREADS AND SHELF AWARENESS
Pierce Brown's heart-pounding debut is the first book in a spectacular series that combines the drama of Game of Thrones with the epic scope of Star Wars.
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'Pierce Brown's empire-crushing debut is a sprawling vision . . . Ender, Katniss, and now Darrow' - Scott Sigler, New York Times bestselling author of Pandemic
'[A] top-notch debut novel . . . Red Rising ascends above a crowded dystopian field' - USA Today
I received the Dungeons and Dragons Basic Red Box as a kid, and I have been hooked on all things fantasy fiction since. It has become a part of my life so much that each character takes on a special importance for me. Some characters exist in worlds full of swords and magic, while others live in realms that are dirty, bleak, and on the brink of utter ruin. As a writer, I enjoy seeing the different perspectives these characters bring to fantasy settings. It makes them unique, each in their own way. Some want to right the wrongs of the worlds they reside in, while others don’t care if it all burns down around them.
In reading The Black Company, I felt like I was stumbling onto soldiers’ private journals.
No shining heroes, no noble speeches—just tired men doing dirty jobs for dirtier employers. What hooked me wasn’t the battles but the banter, the sense of weary camaraderie. Croaker’s perspective makes war almost intimate, showing us the quiet boredom between bursts of chaos. I loved how Cook doesn’t romanticize anything. Instead, he captures the confusion, cruelty, and humor of being part of something too big to fully grasp.
It’s fantasy that smells like mud, sweat, and campfire smoke.
Some feel the Lady, newly risen from centuries in thrall, stands between humankind and evil. Some feel she is evil itself. The hard-bitten men of the Black Company take their pay and do what they must, burying their doubts with their dead.
Until the prophesy: The White Rose has been reborn, somewhere, to embody good once more. There must be a way for the Black Company to find her...
So begins one of the greatest fantasy epics of our age―Glen Cook's Chronicles of the Black Company.
I am a world traveler and educator, a student of psychology and myth, and a lover of the wild and ancient places. I believe that sword and sorcery, the vanguard of modern fantasy, is overdue for a comeback. These tales echo the trials of Hercules, the rage of Achilles, and the melancholy of Gilgamesh and Beowulf, to name a few. There is much yet to learn: I write to stir my readers’ blood, and to examine the lessons of the epics: that man must face down the inhuman and monstrous to discover himself; that we cannot truly live until we have borne a great trial of our own. Stay fierce!
A doomed king, the last of his kind: a final shepherd of a race fallen into such depravity and barbarity that most no longer see the Picts as human; a man driven to deliver his kin from Roman oppression, to lift his people out of squalor. I was floored by Howard’s iron-hard writing in this all-too-brief sequence of heroic stories. The razor descriptions cut to the core of a man willing to give his all in a doomed quest. I read and re-read the few tales of Bran, but I always find something new and ferocious in the brooding king’s tragedy and bitter triumph. These tales rekindled my love of sword and sorcery, and helped me hone the edge in my own stories. I recommend them to any fantasy fan!
From Robert E. Howard’s fertile imagination sprang some of fiction’s greatest heroes, including Conan the Cimmerian, King Kull, and Solomon Kane. But of all Howard’s characters, none embodied his creator’s brooding temperament more than Bran Mak Morn, the last king of a doomed race.
In ages past, the Picts ruled all of Europe. But the descendants of those proud conquerors have sunk into barbarism . . . all save one, Bran Mak Morn, whose bloodline remains unbroken. Threatened by the Celts and the Romans, the Pictish tribes rally under his banner to fight for their very survival, while Bran fights…
