100 Books Like Blood Eye

This one isn’t fantasy at all. In fact, it’s probably the most accurate fictional retelling of the battle of Gettysburg out there. But I love it so much I had to list it here.

Furthermore, the characters involved—such as Lee, Longstreet, and Chamberlain—are deeply spiritual men, meaning that many pages meditate on the meaning of all this blood and loss. These meditations evoke a sense fantasy often can: that the visible world contains a mystery deeper than our limited minds can grasp. 

Yet the text remains deeply human. The Civil War pits brother against brother, friend against friend. In it, there is a great speech by Col. Chamberlain addressing his men which captures a theme of the book.

“This is a different kind of army,” he says. “If you look back through history you will see men fighting for pay, for women, for some other kind of loot. They fight… show more.

This has to be one of–if not the–greatest single book I’ve ever read about war in the ancient world. I read the first ten pages, and I was interested; then I read the next forty, and I was utterly hooked. As a description of an elite military force holding out against overwhelming odds it fascinated me, but as a human story of the way Spartan society worked to produce those warriors, imbued with heroism, honour and humour in equal amounts I was simply blown away.

It’s fair to say that this book has been my greatest influence all the way through my writing career. I dare anyone with an interest in the genre to read this and then deny that they were informed, entertained, and (perhaps darkly) amused by the story and its payoff. This is God-tier writing, plain and simple, and, not for no reason, the closest thing the… show more.

Speaking of books, I love The Saxon Tales, or as you TV plebs will know it, The Last Kingdom, which is absurdly good. I love the TV show (on Netflix), but the books are next-level.

Uhtred, son of Uhtred, raised by Danes but Saxon by blood fights to regain his blood right and the home that was stolen from him. Cornwell writes the best battle scenes in all of literature, and these books are full of them. I loved them so much that I styled the fighting in my own books after Cornwell’s battle scenes in this series. 

Warriors of God is an up-close and very personal deep dive with two legendary players during the Third Crusade, Richard the Lionheart and Saladin as they battle for the Holy Land. We dive headfirst into each ruler’s accession to power and how they clashed over the sands of the Levant. The novel is as gripping as it is profound, and I would highly recommend it to anyone seeking to further their knowledge and understanding of the crusades and their impact on our world today. However, it should be noted that while “history” tends to cross the line into fiction at times. Warriors of God is the only non-fiction history novel on this list. I feel that the narrative and story are strong enough to be read for knowledge and entertainment.

The publisher’s blurb for this novel says: "In the stirring tradition of Northern Europe's heroic sagas, Kay brings to life an unforgettable world balanced on the knife-edge of change."

The lives of three young people, a Celt, an Anglo-Saxon and a Viking, coincide in this unforgettable story full of action and elements of the supernatural. Kay mixes history and fantasy in his own special way to create a frightening yet tender coming-of-age tale.

A beautifully written page-turner.

I've read Anglo-Saxon history. I've read Viking Age history. But this is the first book I've read that combined them together to make a clear picture of the forces that drove these two people against each other.

This book covers the alliances, battles, and the people who were constantly shifting from one person's orbit to another. Although its main focus was England, the book also provides a view of the conflicts going on in Norway and Denmark, to give a holistic view of Northern Europe and what happened when huge armies of Danes and Norwegians came to England, leaving a power vacuum behind them in the north.

This is a book about much more than just the most famous of the Saxon kings, Alfred the Great. The narrative begins in 789 and runs to 955, and charts not only the ‘beginning’ of England, as we know it, but also the ‘end’ of the smaller kingdoms of Northumbria, East Anglia, and Mercia. One of the more recent of my book recommendations, Max Adams simply thinks about Saxon England the way that I do, and he’s able to weave a narrative that’s conscious of both the narrative sources for the period and recent archaeological advances. I often pick up his books (he’s written two others about earlier Saxon England) to make use of his timelines and maps. He has a lightness of touch and flair that makes even the murkiest of topics, engaging and more importantly, comprehensible.

Thomas Williams was project curator for the major international exhibition Vikings: Life and Legend, held at the British Museum in 2014. In this tremendously readable account of Viking Britain from the late eighth to the end of the tenth century he interweaves first-person narrative, evocative prose, and more conventional historical and archaeological discussion to provide a new form of Viking history. Williams demonstrates how the Vikings have shaped British society, and how our perception has been shaped by authors such as J.R.R. Tolkien and William Morris.

This may not look, at first sight, like a book for the general reader. But in my research into the period I have found no more useful, better written, or more thought-provoking work. David Griffiths is, like me, an archaeologist; and he knows his material. How the Vikings explored, conquered, and settled the lands in and around the Irish Sea is a story of marvellous sculpture and enigmatic burial mound; of silver, towns and landscape. A very fine book.

I was at a strict boarding school and read this book long into the night by torch under the bedclothes. It is 973 and King Edgar is on the throne. The story takes us from Cornwall, but it starts in Cornwall and has a Cornish heroine at its heart. I felt her pride in tracing her family back to King Arthur and followed her adventure with bated breath. All of Anya Seton’s books captivate me, but this one drew me completely. It’s in the placenames, the descriptions, the myths, and folklore. Celtic Cornwall is more than a setting; the desolate moors and wonderfully described scenery weave a mystical power of their own.