100 Books Like Avalon

This satirical novel, with a total eclipse of the Sun at its heart, was one of the most loved books of my childhood. It tells the story of Hank Morgan, the foreman of an American factory in the late 1800s, who receives a blow on the head from one of the employees. He wakes up in Camelot at the time of King Arthur. As he does not fit in, he is brought before the king and sentenced to be burned at the stake.

Fortunately, just as the execution is about to begin, a total solar eclipse occurs, and Morgan persuades the king and the assembled crowd that he is responsible. This leads not only to his release but also to his appointment as the second most powerful person in the kingdom.

Alright, this one isn’t a Regency, and it’s not technically a romance, but it is a love story. It’s set during the Restoration period, so it’s much earlier, but it showcases how a love story can also be an adventure story and a journey of self-discovery.

The heroine, Lady Dona St. Columb, retreats to her estate in Cornwall only to find that a pirate is using her cove as a secret hideaway and her house as his own retreat. They set out on a madcap adventure and fall in love until her husband arrives and attempts to capture her lover, forcing Dona to choose between the life she has and the life she wants.

This is one of my favorite stories because the themes in it are timeless—who among us has not grappled with the same dilemma in the 21st century? I think that makes a book strong—regardless of time… show more.

It seems that there is no detail of life in the late 1700s and early 1800s that Winston Graham doesn’t know. From aspects of history, geography, social class culture, medicine, ship-building, mining… Graham is ‘The Man’. But he is also a composite storyteller, weaving a compelling, generations-spanning narrative that charts the turmoils and triumphs of Ross Poldark and his family. One detail that I love is the representation of genuine female experience in a mode that is not about feminist agendas; Graham writes his women with compassion and complexity, making them far more than the housewives and bodice-rippers characteristic of some historical fiction. Quintessentially English, but never rose-tinted, these novels are a treasure that deserve greater acknowledgment.

This novel was an immersive journey through the English countryside, from Cornwall to the Cotswolds. I was so deep into this setting and story that I was always stunned to look up and see that I was at home in my own living room. Rosamunde Pilcher is from Scotland, and she knows this landscape so well. She takes us there with deft prose and page-turning skill. 

The story is about a woman named Penelope Keeling and her extended family. It is a novel of connections—mothers, daughters, husbands, and lovers—all revolving around a famous painting called The Shell Seekers. Through a bohemian childhood and a wartime romance, we come to love the complicated Keeling family. 

It's probably not by accident that three of the five books on this list are by Icelandic authors, as so much of the history and mythology of that nation is tied up with its Viking heritage. This novel, while somewhat unevenly paced, is a vivid depiction of life in Medieval Iceland, where kinship and honor were the basis by which human society clung to an unforgiving landscape. Its thematic emphasis falls on entrapment and isolation, and it offers a gorgeous sense of a premodern Nordic landscape.

Thomas Williams was project curator for the major international exhibition Vikings: Life and Legend, held at the British Museum in 2014. In this tremendously readable account of Viking Britain from the late eighth to the end of the tenth century he interweaves first-person narrative, evocative prose, and more conventional historical and archaeological discussion to provide a new form of Viking history. Williams demonstrates how the Vikings have shaped British society, and how our perception has been shaped by authors such as J.R.R. Tolkien and William Morris.

I've read Anglo-Saxon history. I've read Viking Age history. But this is the first book I've read that combined them together to make a clear picture of the forces that drove these two people against each other.

This book covers the alliances, battles, and the people who were constantly shifting from one person's orbit to another. Although its main focus was England, the book also provides a view of the conflicts going on in Norway and Denmark, to give a holistic view of Northern Europe and what happened when huge armies of Danes and Norwegians came to England, leaving a power vacuum behind them in the north.

While written in a similar vein as The Last Kingdom, Kristian has a knack for making his writing come to life in a very Anglo-Saxon epic poem kind of way. In this novel, we follow an orphan of sorts, Raven, as he joins a rapacious band of Norsemen embarking on a violent quest. Kristian is a relative newcomer compared to the others on this list, but he does not disappoint and will take the reader on a grand adventure.

This is a book about much more than just the most famous of the Saxon kings, Alfred the Great. The narrative begins in 789 and runs to 955, and charts not only the ‘beginning’ of England, as we know it, but also the ‘end’ of the smaller kingdoms of Northumbria, East Anglia, and Mercia. One of the more recent of my book recommendations, Max Adams simply thinks about Saxon England the way that I do, and he’s able to weave a narrative that’s conscious of both the narrative sources for the period and recent archaeological advances. I often pick up his books (he’s written two others about earlier Saxon England) to make use of his timelines and maps. He has a lightness of touch and flair that makes even the murkiest of topics, engaging and more importantly, comprehensible.

Romantic in style, taste, and theme, this is a saga that culminates in that most human of narratives: the love triangle. Heavily inspired by the European romance genre, this saga has key themes of chivalry, history, and poetry. With its unusual focus on women and their desires, it has been suggested that this saga might even have been written by a woman, and for this reason alone, it is worth a read.

I believe there is no greater character in Icelandic literature than the tragic Guðrún. For those who wish to learn more about women in medieval Iceland beyond stereotypical accounts of shield maidens and queens, this is the book for you.