Here are 100 books that Blonde Roots fans have personally recommended if you like
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Before fan fiction was popular, I would often daydream about the lives of my favorite book characters. Did Jane Eyre gain more confidence from her inheritance? Did Ponyboy find a way to survive his tragic childhood? Decades later, I gravitate toward retellings, often picking them up simply because I like the source material. Still, when I started working on this list, I realized what a daunting task I’d set myself. There are so many! And I haven’t even read two recently lauded titles: Barbara Kingsolver’s Demon Copperhead and Percival Everett’s James. So hat in my hand, I present these favorites ranging from serious to light-hearted.
I am a sucker for Jane Austen retellings, and this one is my favorite. Kamal’s characters are as vivid as their original inspirations from Pride and Prejudice.
The Pakistani setting also adds a layer of complexity. Even as the novel sweeps charmingly along, moments of social commentary cut through the lightness. Perhaps most satisfying is how Charlotte Lucas, here Sherry Looclus, gets a happier ending.
“This inventive retelling of Pride and Prejudice charms.”—People
“A fun, page-turning romp and a thought-provoking look at the class-obsessed strata of Pakistani society.”—NPR
Alys Binat has sworn never to marry—until an encounter with one Mr. Darsee at a wedding makes her reconsider.
A scandal and vicious rumor concerning the Binat family have destroyed their fortune and prospects for desirable marriages, but Alys, the second and most practical of the five Binat daughters, has found happiness teaching English literature to schoolgirls. Knowing that many of her students won’t make it to graduation before dropping out to marry and have children,…
Brings together Maggie Humm's pioneering work on feminist literary criticism, Virginia Woolf, film and visual cultures. Explores a range of critical approaches to Woolf’s writings including modernism, psychoanalysis, French feminist theory, and postmodernism.
A survey and analysis of feminist criticism from the 1970s.
I love reading adaptations of classics which complicate the original texts in interesting ways, I have just written one myself, The Middle Daughter. Transcultural adaptations, particularly remind us that we are all members of one human family, dealing with the same kind of problems across time and space and cultures. In these times of deepening polarization, it's important to see that there's more that unites us than not.
I read this play in high school, and then later, a university theatre group performed it at our school. It was one of the first plays I ever watched.
It’s a Yoruba (Nigerian) adaptation of Sophocles’ Oedipus Rex (and was in fact my introduction to Oedipus Rex) with Yoruba gods replacing the Greek ones, and like Oedipus Rex is a powerful commentary on how inescapable fate is.
In this play, the theme of Sopocles' "Oedipus Rex" is skillfully transplanted to African soil. King Odewale's progress towards knowledge of the murder and incest that must be expiated before his kingdom can be restored to ealth is unfolded with a dramatic intensity heightened by the richness of the play's Nigerian setting. It had its first performance in Nigeria at the Ife Festival of the Arts in 1968, has since been staged with great success in other West African countries, and was awarded the first prize in the African Arts/Arts d'Afrique playwriting contest in 1969.
I love reading adaptations of classics which complicate the original texts in interesting ways, I have just written one myself, The Middle Daughter. Transcultural adaptations, particularly remind us that we are all members of one human family, dealing with the same kind of problems across time and space and cultures. In these times of deepening polarization, it's important to see that there's more that unites us than not.
This is a bold exploration of racism, jealousy, revenge, class, and friendship.
Set in an elementary school in the US in the 1970s, this is a bold re-imagination of Shakespeare’s Othello. Although the characters are children, Chevalier doesn’t devolve into simplistic language and emotions.
She handles heavy themes with a deftness of hand that makes this a compulsively readable, if sometimes uncomfortable book.
'O felt her presence behind him like a fire at his back.'
Arriving at his fourth school in six years, diplomat's son Osei Kokote knows he needs an ally if he is to survive his first day - so he's lucky to hit it off with Dee, the most popular girl in school. But one student can't stand to witness this budding relationship: Ian decides to destroy the friendship between the black boy and the golden girl. By the end of the day, the school and its key players - teachers and pupils alike - will never be the same…
Brings together Maggie Humm's pioneering work on feminist literary criticism, Virginia Woolf, film and visual cultures. Explores a range of critical approaches to Woolf’s writings including modernism, psychoanalysis, French feminist theory, and postmodernism.
A survey and analysis of feminist criticism from the 1970s.
As an immigrant in the United States, I have been fascinated by the dynamics between races and cultures—both in the country and globally. As I travel extensively (63 countries so far), I experience some of the biases firsthand—sometimes in the unlikeliest places. I have come to realize that despite the difference in the color of our skin—and the clothes we wear—we are more alike than different.
I loved the book because of my deep interest in its theme: the radicalization of Muslim youth in Europe. It’s a convincing account of a young Londoner getting drawn to ISIS, which upends a family already mired in tragedy.
The key characters shine in their own narrative, and their respective truths speak to me. I also loved that the writer gives us a snapshot of the lives of the ISIS recruits living in Syria.
_______________ WINNER OF THE WOMEN'S PRIZE FOR FICTION WINNER OF THE LONDON HELLENIC PRIZE A BOOK OF THE YEAR IN THE GUARDIAN, OBSERVER, TELEGRAPH, NEW STATESMAN, EVENING STANDAND AND NEW YORK TIMES _______________ 'The book for our times' - Judges of the Women's Prize 'Elegant and evocative ... A powerful exploration of the clash between society, family and faith in the modern world' - Guardian 'Builds to one of the most memorable final scenes I've read in a novel this century' - New York Times _______________ Isma is free. After years spent raising her twin siblings in the wake of…
I am a retired psychotherapist and teacher, but if someone asked me what the purpose of life is, I’d say, “to become aware.” Awareness is the capacity to see without prejudice, bias, or conditioning. I don’t like being in the dark, and so I have been on a lifelong journey to become aware. I have stepped into seeing several times in my life, so now my task is to teach others. It’s who I am—my essence is to continue teaching, to set people free from societal conditioning and their upbringings. Growing up means losing certain comforting illusions, but greater understanding fills their place.
I liked the concept of man being small and adrift in the darkness of the wide world. This book taught me to see through politics, grandstanding, and the grandiose nonsense of man. Swift is my kind of guy, brutally satirical and profound. This book is really not for children. We see Gulliver travel on many adventures and experience Swift's disappointment as he engages different cultures, small and large, rational and irrational.
His adventures demolish Gulliver’s sense of humanity to the point that when he is about to be rescued, at first, he rejects the offer like a misanthrope before finally climbing aboard. Swift is very dark here. Why would anyone want to return to the same old life after having their eyes opened?
'Thus, gentle Reader, I have given thee a faithful History of my Travels for Sixteen Years, and above Seven Months; wherein I have not been so studious of Ornament as of Truth.'
In these words Gulliver represents himself as a reliable reporter of the fantastic adventures he has just set down; but how far can we rely on a narrator whose identity is elusive and whoses inventiveness is self-evident? Gulliver's Travels purports to be a travel book, and describes Gulliver's encounters with the inhabitants of four extraordinary places: Lilliput, Brobdingnag, Laputa, and the country of the Houyhnhnms. A consummately skilful…
I have had a passion for anything vampire since I was a child. This started with films with Bela Lugosi, Nosferatu, and Christopher Lee as Dracula but soon I was into everything and anything to do with these enigmatic immortal beings. Their strength, their passion, their possession, their sense of style, it all hit a nerve. There was something inherently sexy as they stalked their victims as they pursued their eternal love. I paired this with my love of ancient history, mythology, and my pagan roots then wove all these different facets together. I hope you enjoy the writers on my list and hope you enjoy my humble contribution.
Terry was not only a master at reflecting true human nature and touch upon many current issues within his Discworld novels but also a true wordsmith. Thoroughly entertaining, filled with an array of wonderful characters but now also, just when I thought his books could not get any better, vampires. This book has one of my all-time favourites characters in it namely Granny Weatherwax, the best witch that ever lived. She and her fellow witches and a befuddled priest take on the bloodsuckers who threaten the peaceful town of Lancre but be aware you will find yourself laughing out loud while reading this or any other of the disc world novels and incurring worried glances from the strangers around you. A great series to chase away the blues.
A beautiful hardback edition of the classic Discworld novel
In this and indeed other lives there are givers and takers. It's safe to say that vampires are very much in the latter camp. They don't have much time for the givers of this world - except perhaps mealtimes - and even less for priests.
Mightily Oats has not picked a good time to be a priest.
Lancre's newest residents are a thoroughly modern, sophisticated vampire family. They've got style and fancy waistcoats. They're out of the casket and want a bite of the future. But they haven't met the neighbours…
When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.
A brilliant send-up of toxic work culture and self-optimization. This book has the dry, acid wit of *The Office* rewritten by Dorothy Parker.
Butler’s narrator is your worst millennial mood and best unreliable friend. She has contempt for her temp job but commits to the impermanence because she likes “slight atmospheric changes.” Butler is a wonderfully funny writer whose character, Millie, is all of us—who don’t have a trust fund; are forced to collect money doing mind-numbing work; when all we want to do is sit in bed, eat ice cream, and binge watch Netflix shows.
The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.
This classic satire gripped me even though I only half-understood it. Whatever disaster befell my family, my mother used to assert it was surely for the best; so when, as an eye-rolling teenager, I found this on the reading list—Mum’s philosophy, tested in the real world—I was hooked.
Voltaire drags his dopey characters, led by the philosopher Pangloss, through every type of horror, war, famine, and earthquake. World events now keep driving me back to his conclusion: in an age of folly and random misfortune, the best you can do is to dig your garden. Tend your own patch.
OK, the eighteenth century was racist, sexist, and colonial… but perspective is what Voltaire is all about. Didn’t quite cure me of optimism, btw.
In Candide, Voltaire threw down an audacious challenge to the philosophical views of the Enlightenment to create one of the most glorious satires of the eighteenth century. His eponymous hero is an innocent young man whose tutor, Pangloss, has instilled in him the belief that 'all is for the best'. But when his love for the Baron's rosy-cheeked daughter is discovered, Candide is cast out to make his own fortune. As he and his various companions roam over the world, an outrageous series of disasters - earthquakes, syphilis, the Inquisition - sorely test…
When I voyaged into the ancient world in the readings of my youth, it led me to realize that the gay-straight divide in modern perceptions of sexuality and relationships is an artifice. It was constructed by the conceit of the ascetic religions that the only legitimate purpose of sex is the production of children within a sanctified marital relationship. In Antiquity, the divide followed a more natural course between the groups who were the sexually active partners (mainly adult men) and those who were sexually passive (mainly women, youths, and eunuchs). My hope is to disperse some of the confusion that the obscuration of this historical reality has caused.
Who knew that the emperor Nero appointed an Advisor on Tastefulness, who also penned a bawdy and gritty novel about the adventures of several friends in the Roman Empire in the 1st century AD? Fairly few, and the even more surprising fact is that hundreds of pages of his text survive today. You can still read either in Latin or in English translation about two young men proposing to fight for the affections of the youth Giton and you can join them all in a visit to an archetypal Roman brothel. There is nothing else remaining that provides a more direct and authentic insight into daily experiences and relationships in ancient Rome.
`The language is refined, the smile not grave, My honest tongue recounts how men behave.'
The Satyricon is the most celebrated work of fiction to have survived from the ancient world. It can be described as the first realistic novel, the father of the picaresque genre, and recounts the sleazy progress of a pair of literature scholars as they wander through the cities of the southern Mediterranean. En route they encounter type-figures the author wickedly satirizes - a teacher in higher education, a libidinous priest, a vulgar freedman turned millionaire, a manic poet, a superstitious sea-captain and a femme…
I’m a former independent publisher and current writer of memoir and fiction. My degree was in zoology (animal biology), which got me my first job in educational publishing. After a solid career in textbooks, I switched over to trade publishing and finally writing. I may have left the "hard science" behind, but I continue to be fascinated by human and animal behavior, which shows up in my reading and writing.
The animal is a number of racehorses. The human is a collection of owners, trainers, jockeys, and more, yielding a comprehensive look at human and animal behavior in the horse racing industry. A strong, intimate novel. I used to ride but never very well, and I’ve always wondered what a horse’s “thoughts” involved. Author Smiley gave me a feel for that as she applied her own assumptions to one horse in particular.
#1 NATIONAL BESTSELLER A NEW YORK TIMES NOTABLE BOOK
"A WISE, SPIRITED NOVEL . . . [IN WHICH] SMILEY PLUMBS THE WONDROUSLY STRANGE WORLD OF HORSE RACING." --People
"ONE OF THE PREMIER NOVELISTS OF HER GENERATION, possessed of a mastery of craft and an uncompromising vision that grow more powerful with each book . . . Racing's eclectic mix of classes and personalities provides Smiley with fertile soil . . . Expertly juggling storylines, she investigates the sexual, social, psychological, and spiritual problems of wealthy owners, working-class bettors, trainers on the edge of financial ruin, and, in a typically bold…
