Books like Bleedthrough and Other Small Horrors — picked by fans

This book originally consisted of six short collections of novellas and stories, but they’ve since been gathered into a two-volume set, so I’m hoping I can count them as one. They go together, and I think they’re nearly all excellent.

When I was a kid, these stories helped build a bridge for me, from the likes of Stephen King (whom I still adore) to new imaginative worlds of horror that include all kinds of transgressive imagery.

I love how Barker combines the fantastic with the visceral, blurs lines between the monstrous and the human, and makes desire dark, dirty, and wonderful. I also love these stories for all they taught me and helping usher in modern extreme/hardcore horror.

Thomas Ligotti is one of the few writers whose work genuinely, profoundly scares me. His vision is underscored by an all-too-convincing commitment to pessimistic philosophy (which is accessibly detailed in his 2010 book The Conspiracy Against the Human Race). Songs of a Dead Dreamer is haunted by the philosophical outlooks of E. M. Cioran, Arthur Schopenhauer, H. P. Lovecraft, and Edgar Allan Poe, but Ligotti’s fixation on marionettes, dolls, and the illusory nature of human agency is singular and distinctive. This is a masterpiece of existentially disturbing dark literature.   

Kathe Koja changed everything with the release of The Cipher in 1991, emerging as the most exhilarating new voice in American dark fiction since the arrival of Stephen King nearly two decades prior. Her work is characterized by hyper-sensory immersion into complex subjectivities, achieved by an inimitable, modernism-tinged voice. Koja is a master novelist, and it’s a rush to read her style within the more condensed form of short fiction; once you’re finished with Extremities, be sure to pick up her genre-expanding 2020 collection, Velo/Cities.

This book's heightened literary consciousness suggests a lifetime of practice, but it is, in fact, Gwendolyn Kiste's debut (she has quickly become one of contemporary dark fiction’s most celebrated, leading figures). Throughout Untether, the author examines both societal and individual forms of suffering (e.g. depression, dissociation, and the dangers of socially imposed normativities). My favorite piece is “Skin Like Honey and Lace,” which depicts a group of women who achieve social induction by taking skin from strangers and applying it to their own bodies. A staggeringly accomplished collection. 

This is an easy-to-read introduction to magic for people who don’t want to join organized groups or participate in spiritual traditions in order to learn. It allows readers to experiment with practices and techniques on their own and includes everything a beginner needs to know about the art and craft of magic, including visualization, ordinary ethics, ritual practices, and vital safety measures.

Wise Women. Ancestral Worship. Charms and rituals: Thank you—to author, performer, and ritual priestess, Luisah Teish—for this reminder that “our foremothers knew things that modern science is still struggling with.”

Originally published in 1985, this eclectic mix of memoir, spiritual teachings, and practices is a delightful and accessible road map to New Orleans Voudou, which, like Jamablaya—“a spicy dish with many fine ingredients cooked together”—blends the practices of African ancestor reverence, Native American earth worship, and European Christian occultism into one tradition.

Reading this book, I find myself pulled into the mysteries of the natural and spiritual worlds, and the centuries-old traditions of the ancestors, whose voices echo through time, guiding us and blending with our own.

I’ve read this book as a child, I was probably around 10 years old. I loved that a regular person was able to conquer the world given the right tools. I was also intrigued by the occult and mystical elements in this book. I found all the geographical and cultural references fascinating and I loved that it had a happy ending.

There are so many reasons to love this book.

First, the main character is compelling–intelligent, strong, flawed, and courageous. Second, excellent research takes you into the difficult politics of medieval Europe, the tensions between religions, and the madness of European Courts. Third, it takes you into the dark world of medieval alchemists and their dangerous competition to find the Philosopher's Stone.

The crimes make your skin crawl. I also love it because my very own detective, Doctor John Dee, is ever present but never seen.

Carl Jung is the person who actually coined the term “synchronicity” and was the first to recognize it as an important connecting principle between the unconscious and the outer world. He observed that such events occur when the archetypal processes of the collective and personal unconscious correspond to objective events in the real world. Here, for example, he reports the now-famous case of the patient who dreamed of a scarab beetle, a creature that represented transformation to the ancient Egyptians, only to find a similar beetle tapping on Jung’s consultation room window the next day, as the patient described the dream to him.

For Jung, virtually all authentic instances of synchronicity involve the archetypal unconscious and reflect mythic themes. This book includes a number of the first and best examples in synchronicity literature.

One of the reasons I read this genre is because so many of these stories include strong, fierce heroines and Calla Tor from Nightshade is one of the strongest. In a society and culture that imposes rules and oppression on their people, Calla is forced to test the limits and figure out who she really is and what she’s made of while still being a strong leader to her pack. This story is on my top 5 list because Calla is an unforgettable character, but so much of why you’ll love her is thanks to the world this author creates. Nightshade is another unique, fresh take on werewolves that you won’t want to put down.