96 Books Like Bleedthrough and Other Small Horrors

This book originally consisted of six short collections of novellas and stories, but they’ve since been gathered into a two-volume set, so I’m hoping I can count them as one. They go together, and I think they’re nearly all excellent.

When I was a kid, these stories helped build a bridge for me, from the likes of Stephen King (whom I still adore) to new imaginative worlds of horror that include all kinds of transgressive imagery.

I love how Barker combines the fantastic with the visceral, blurs lines between the monstrous and the human, and makes desire dark, dirty, and wonderful. I also love these stories for all they taught me and helping usher in modern extreme/hardcore horror.

Thomas Ligotti is one of the few writers whose work genuinely, profoundly scares me. His vision is underscored by an all-too-convincing commitment to pessimistic philosophy (which is accessibly detailed in his 2010 book The Conspiracy Against the Human Race). Songs of a Dead Dreamer is haunted by the philosophical outlooks of E. M. Cioran, Arthur Schopenhauer, H. P. Lovecraft, and Edgar Allan Poe, but Ligotti’s fixation on marionettes, dolls, and the illusory nature of human agency is singular and distinctive. This is a masterpiece of existentially disturbing dark literature.   

Kathe Koja changed everything with the release of The Cipher in 1991, emerging as the most exhilarating new voice in American dark fiction since the arrival of Stephen King nearly two decades prior. Her work is characterized by hyper-sensory immersion into complex subjectivities, achieved by an inimitable, modernism-tinged voice. Koja is a master novelist, and it’s a rush to read her style within the more condensed form of short fiction; once you’re finished with Extremities, be sure to pick up her genre-expanding 2020 collection, Velo/Cities.

This book's heightened literary consciousness suggests a lifetime of practice, but it is, in fact, Gwendolyn Kiste's debut (she has quickly become one of contemporary dark fiction’s most celebrated, leading figures). Throughout Untether, the author examines both societal and individual forms of suffering (e.g. depression, dissociation, and the dangers of socially imposed normativities). My favorite piece is “Skin Like Honey and Lace,” which depicts a group of women who achieve social induction by taking skin from strangers and applying it to their own bodies. A staggeringly accomplished collection. 

This is an easy-to-read introduction to magic for people who don’t want to join organized groups or participate in spiritual traditions in order to learn. It allows readers to experiment with practices and techniques on their own and includes everything a beginner needs to know about the art and craft of magic, including visualization, ordinary ethics, ritual practices, and vital safety measures.

Wise Women. Ancestral Worship. Charms and rituals: Thank you—to author, performer, and ritual priestess, Luisah Teish—for this reminder that “our foremothers knew things that modern science is still struggling with.”

Originally published in 1985, this eclectic mix of memoir, spiritual teachings, and practices is a delightful and accessible road map to New Orleans Voudou, which, like Jamablaya—“a spicy dish with many fine ingredients cooked together”—blends the practices of African ancestor reverence, Native American earth worship, and European Christian occultism into one tradition.

Reading this book, I find myself pulled into the mysteries of the natural and spiritual worlds, and the centuries-old traditions of the ancestors, whose voices echo through time, guiding us and blending with our own.

This is an excellent, yet brief history of the Black Arts and the famous (or infamous) people who practiced them. It was while reading this book, particularly the chapter on LaVoisin, that inspired the story of Christina Lafage, the main character in Widdershins. The book also describes other interesting practitioners, such as Dr. John Dee, Eliphas Levi, Nostradamus, Aleister Crowley, and many more. The chapters on Black Magic and Sorcery and Raising the Dead also contributed to my ideas for my book. I often find myself referring to this book over and over again for great source material.

I’ve read this book as a child, I was probably around 10 years old. I loved that a regular person was able to conquer the world given the right tools. I was also intrigued by the occult and mystical elements in this book. I found all the geographical and cultural references fascinating and I loved that it had a happy ending.

I pull this book off my shelf all the time. It is so beloved that I might need a new copy; some of those pages look old. This is the oldest book I recommend and the only reference book, but if you’re practicing witchcraft, you need reference books.

I find that the internet can be very helpful for research, but also weirdly unreliable. You just don’t know what you’re getting. But I know I can trust Scott Cunningham, I know he researched every word in his books and that the information is grounded in that research. So when I’m doing a spell and I need an herbal concoction, or I just want inspiration, this book is my go-to.

Hey, this non-fiction book I’ve read has a lot to offer. Great study for those who wants to understand more about metaphysical world!

This is his fourth book that I’ve read besides Reincarnation, The Secret Teaching of All Ages, and The Wisdom of the Knowing Ones. I love his books, because can I learn a lot of mystical things which is related to the fantasy series that I’ve been working on. And it has a great impact on my writing for the first book in my series.

It taught me that we are not alone in this world. There are a lot that we don’t know about spiritual dimension that can’t be seen with our mundane eyes. As within, so without. Our inner wisdom creates the reflection of our reality.
I feel contented with the knowledge shared in this book. It helped me to enlighten my perspective… show more.