Here are 100 books that And Her Smile Will Untether the Universe fans have personally recommended if you like
And Her Smile Will Untether the Universe.
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My PhD work focused on horror fiction and film, and I spent ten years teaching about horror (I even included two of my recommended books in courses). The academic stuff is more a symptom than a cause of my passion for the scary. I’ve been a horror freak forever, becoming interested in vampires by age four, reading Stephen King and writing stories to frighten classmates by age nine, and putting a poster of Freddy Krueger on my wall at age ten. Extremes of fiction take me away from extremes of real life, which are much harder to handle.
This book originally consisted of six short collections of novellas and stories, but they’ve since been gathered into a two-volume set, so I’m hoping I can count them as one. They go together, and I think they’re nearly all excellent.
When I was a kid, these stories helped build a bridge for me, from the likes of Stephen King (whom I still adore) to new imaginative worlds of horror that include all kinds of transgressive imagery.
I love how Barker combines the fantastic with the visceral, blurs lines between the monstrous and the human, and makes desire dark, dirty, and wonderful. I also love these stories for all they taught me and helping usher in modern extreme/hardcore horror.
Rediscover the true meaning of fear in this collection of horror stories from Clive Barker, New York Times bestselling author and creator of the Hellraiser series.
Everybody is a book of blood; wherever we're opened, we're red.
In this tour de force collection of brilliantly disturbing tales, Clive Barker combines the extraordinary with the ordinary, bringing to life our darkest nightmares with stories that both seduce and devour. As beautiful as they are terrible, the pages of this volume are stained with unsettling imagery, macabre humor, and visceral dread. Here then are the…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Mike Thorn is the author of Shelter for theDamned, Darkest Hours, andPeel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, includingVastarien, Dark Moon Digest, and The NoSleep Podcast.His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), The Film Stage, and elsewhere.
Thomas Ligotti is one of the few writers whose work genuinely, profoundly scares me. His vision is underscored by an all-too-convincing commitment to pessimistic philosophy (which is accessibly detailed in his 2010 book The Conspiracy Against the Human Race). Songs of a Dead Dreameris haunted by the philosophical outlooks of E. M. Cioran, Arthur Schopenhauer, H. P. Lovecraft, and Edgar Allan Poe, but Ligotti’s fixation on marionettes, dolls, and the illusory nature of human agency is singular and distinctive. This is a masterpiece of existentially disturbing dark literature.
Thomas Ligotti's debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti crafted his own brand of existential horror, which shocks at the deepest levels. In decaying cities and lurid dreamscapes tormented by the lunatic pageantry of masks, puppets, and obscure ritual, Ligotti's works lay bare the sickening madness of the human condition.
From his dark imagination emerge stories like "The Frolic" and "The Last Feast of Harlequin," waking nightmares that…
Mike Thorn is the author of Shelter for theDamned, Darkest Hours, andPeel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, includingVastarien, Dark Moon Digest, and The NoSleep Podcast.His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), The Film Stage, and elsewhere.
Kathe Koja changed everything with the release of The Cipher in 1991, emerging as the most exhilarating new voice in American dark fiction since the arrival of Stephen King nearly two decades prior. Her work is characterized by hyper-sensory immersion into complex subjectivities, achieved by an inimitable, modernism-tinged voice. Koja is a master novelist, and it’s a rush to read her style within the more condensed form of short fiction; once you’re finished with Extremities, be sure to pick up her genre-expanding 2020 collection, Velo/Cities.
Blending elements of horror, fantasy, and science fiction, an imaginative anthology of seventeen short stories by a Bram Stoker and Locus Award-winning author includes "Disquieting Muse," "Anels in Love," "Bird Superior," and "The Neglected Garden." IP.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Mike Thorn is the author of Shelter for theDamned, Darkest Hours, andPeel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, includingVastarien, Dark Moon Digest, and The NoSleep Podcast.His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), The Film Stage, and elsewhere.
Scarlett R. Algee’s debut collection is an exemplar of concision, comprised of stories that have been sanded down to their unsettling essences for maximally chilling impact. Bleedthrough deftly navigates the space where beauty and horror intermingle, often boldly upending genre conventions in the process. These pieces are vivid and absorbing, drawing fully realized worlds before exposing the terrible things that lurk on the peripheries.
A virtual-reality getaway stirs up latent malice. A lingering illness hides a truly monstrous malady. A young girl realizes her new stepmother is something other than human, while a dying man’s last wish bestows his ghoulish lover with the most intimate of gifts. A solitary occultist wakes to find his summoning ritual gone horribly awry, a mother’s grief leads her into a resort’s troubled past, and a teenage girl’s growing pains mark the beginning of an otherworldly change.
These and other stories await in Bleedthrough and Other Small Horrors, the debut collection of dark short fiction…
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
The 19th-century Scottish writer George MacDonald is said to be the father of the modern fairy tale, inspiring C.S. Lewis, Tolkien, and many others. I chose The Light Princess because I find it his most charming tale: it's about a princess under a wicked spell who has been made weightless, unable to obey the laws of gravity. As in all good fairy tales, a prince eventually comes along to drag her back down to earth. He must sacrifice himself for her, but in the end, it is she who rescues him – from a feminist perspective, a most gratifying conclusion.
George MacDonald (1824-1905), the great nineteenth-century innovator of modern fantasy, influenced not only C. S. Lewis but also such literary masters as Charles Williams and J. R. R. Tolkien. Though his longer fairy tales Lilith and Phantastes are particularly famous, much of MacDonald’s best fantasy writing is found in his shorter stories. In this volume editor Glenn Sadler has compiled some of MacDonald’s finest short works―marvelous fairy tales and stories certain to delight readers familiar with MacDonald and those about to meet him for the first time.
I have a passion for fairy tale stories especially ones for adults because they are often the first stories we learned as kids. The ability to look back at how we interpreted them and how our understanding changes over time and culture makes for something that is truly timeless, and therefore like a beloved trope is never the exact same thing twice. Each time only builds on our enjoyment and the many possibilities we can imagine. Not only in worlds of magic, but our own.
Sometimes you simply want all, I get it. That’s part of the reason why so many fairy tale characters know each other in my series, so why not try a brand-new fantasy romance anthology? Featuring 20 different short stories and authors, Once Upon A Forbidden Desire is bound to be magical. If you are anything like me, you have a long to-do list and there never seems like enough time. Short stories are the perfect thing for that in my opinion. I always savor them like an advent calendar’s candy.
When it comes to true love, rules are meant to be broken …
Dark forests and locked doors, poisoned apples and forbidden lovers ... Bold heroines and swoon-worthy heroes break all the rules in this enchanting anthology of the fairy tales you thought you knew.
Once Upon A Forbidden Desire features 20 enticing fairy tale retellings by a diverse selection of fantasy romance authors. From sweet true love’s kisses to sizzling passion, from modern streets to enchanted forests, and from a mage Rapunzel to a winged Prince Charming ...
If you enjoy captivating romance, enthralling new worlds, and stories with…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
Verlyn Flieger is the doyenne of Tolkien criticism, and this collection sees her at her best.
I’ve often found that her brilliance lies in pointing out what’s been hiding in plain sight–and once you have seen it, your view is forever changed. “But What Did He Really Mean?” and “Politically Incorrect Tolkien” are my favorites, but there are many gems here worth excavating.
Devoted to Tolkien, the teller of tales and co-creator of the myths they brush against, these essays focus on his lifelong interest in and engagement with fairy stories, the special world that he called faerie, a world they both create and inhabit, and with the elements that make that world the special place it is. They cover a range of subjects, from The Hobbit to The Lord of the Rings and their place within the legendarium he called the Silmarillion to shorter works like "The Story of Kullervo" and "Smith of Wootton Major."
Fairy tales are some of my favorite stories: each time we touch them, we change them. Before we began writing them down, fairy tales were passed from speaker to listener, always changing with the teller, the audience, the culture. I’m fascinated by how often we revisit them, by what we change, and what we decide to keep. I think there are as many ways to tell a story as there are folks who are interested in telling it, and I like to see what authors and illustrators will cook up from our communal pot of stories.
Anna-Marie McLemore’s prose is so poetic and elegant that I sometimes reread sentences just because they have such a beautiful cadence to them.
This book is a reimagining of “Snow White and Rose-Red” with elements ofSwan Lakeand Latinx folklore.
Everything McLemore writes is magic, but this story weaves together everything I love about their work: magical realism, velvety descriptions, and fairy tales cracked open in new ways to shed light on racial and gender politics.
I love the complicated, loving relationship between the two sisters, and I love that the boy Blanca falls in love with has a complicated relationship with gender that is in part inspired by McLemore’s transgender and non-binary husband.
Award-winning author Anna-Marie McLemore retells Swan Lake in this spellbinding YA story of sisters who are each other's best friends―and worst enemies.
The biggest lie of all is the story you think you already know.
The del Cisne girls have never just been sisters; they’re also rivals, Blanca is as obedient and graceful as Roja is vicious and manipulative. They know that, because of a generations-old spell, their family is bound to a bevy of swans deep in the woods. They know that, one day, the swans will pull them into a dangerous game that will leave one of them…
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
This is a fairy tale. I’ll state this upfront because at first glance, it’s a bit of a hard read. And why is it a hard read? Because—to me, anyway—it feels like wish-fulfillment fantasy on steroids. It’s like the rantings of a terribly abused boy. Of course, much fiction—especially fairytales which is this book’s genre—is wish fulfillment. But the story feels very uncomfortable. Mio is so over-the-top happy about having been transported into the kingdom of his father the king that one feels as if one is listening to a pitiful delusion. I found myself reading the book with two minds. One mind kept saying, “Dive into the reverie and joy of a boy who has found his dead father in a faraway land and who discovers that he’s important to the world.” And simultaneously, my other mind was thinking, “Oh my heavens! This little boy…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
“All stories have two sides,” my fifth-grade teacher said to us one day. “Sometimes, they have more than that.” She told us to rewrite a scene from the book we were reading from the perspective of a different character. What was meant to be a quick writing exercise turned out to be the start of my lifelong fascination with retellings. I love that retold tales show the fundamental truth that everyone has a story, no matter how peripheral they might seem in the original. I’ve written two Pride and Prejudice continuations, and my forthcoming novel is a historical retelling of Beauty and the Beast.
Napoli is a master at rewriting fairy tales and other classic stories, and Zel might just be my favorite of her works. A young adult retelling of Rapunzel from three perspectives, it sticks to the original tale’s basic plot points but deeply expands the reader’s understanding of each character, particularly Rapunzel’s mother, whose feelings and motivations are written with exquisite nuance. Though it’s written for a YA audience, I still enjoy this story as much now as I did when I first read it at age 13, and now that I’m a mother myself, I experience it on an entirely different level. This is a deceptively simple book that really has layers upon layers to unwrap.
High in the mountains, Zel lives with her mother, who insists they have all they need -- for they have each other. Zel's life is peaceful and protected -- until a chance encounter changes everything. When she meets a beautiful young prince at the market one day, she is profoundly moved by new emotions. But Zel's mother sees the future unfolding -- and she will do the unspeakable to prevent Zel from leaving her..."Will leave readers spellbound."-- Publishers Weekly, starred review