Here are 100 books that Blackberry Wine fans have personally recommended if you like
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I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
Master the Art and Craft of Writing
by
Leon Conrad,
A comprehensive collection of engaging and effective exercises tailored for writers at all levels. Whether you're a beginner eager to find your voice, a seasoned writer exploring new genres, or a professional honing your craft, in this book, you'll discover invaluable techniques that will transform your writing journey.
As a child, my imagination and love of art drew me to comic books, and later, to immersive, worldbuilding fantasy. My 26-year hiatus from devoted creative pursuits while serving in the Air Force rewarded me with amazing experiences around the globe. As an Airman, naturalist, and scuba diver, I have been immersed in worldly ‘extremes’: the best and worst of humankind; nature’s most remote places and incredible creatures; and troubled regions afflicted by climate change and conflict. I now distill my experiences and creativity into the genre of “eco-fantasy.” The books of my diverse selection also leverage and explore worldly and otherworldly ‘extremes’ to elevate their stories. Enjoy!
It would be the most extreme of criminal acts for this beloved book not to be my ‘list topper!’ Reading this book instilled an instant love of good fantasy storytelling in me early on. It defines the fantasy genre, exemplifying the absolute best extremes in great world-building, characters, and epic storytelling.
Tolkien set the high bar I strive for in all areas in my own writing with one of the most memorable stories in one of the most unforgettable worlds of all time … and he managed to pull it all off within the context of a single book! No matter how many times I go back and re-read this one, I find something new to cherish, and you will too!
Special collector's film tie-in hardback of the best-selling classic, featuring the complete story with a sumptuous cover design inspired by THE HOBBIT: AN UNEXPECTED JOURNEY and brand new reproductions of all the drawings and maps by J.R.R. Tolkien.
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End.
But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot…
This book was first published in 1910. When I think of H.G. Wells, I think of his story about a time machine but this story, which I studied in school, was about changing your life, living your dream. Magic happens when Mr. Polly attempts suicide with the result that he becomes a hero and frees himself from the chains that bind him. I learned that all is possible. One does not need to be young, beautiful, and run a 4-minute mile to achieve one’s goals. With this thought in mind, I have run a marathon and entered two triathlons, finishing both and not coming last! I began my writing career at 70 years of age and am now the author of 5 books on mystery, history, and magic.
Mr Polly is an ordinary middle-aged man who is tired of his wife's nagging and his dreary job as the owner of a regional gentleman's outfitters. Faced with the threat of bankruptcy, he concludes that the only way to escape his frustrating existence is by burning his shop to the ground, and killing himself. Unexpected events, however, conspire at the last moment to lead the bewildered Mr Polly to a bright new future - after he saves a life, fakes his death, and escapes to a life of heroism, hope and ultimate happiness.
The Improbable Wonders of Moojie Littleman
by
Robin Gregory,
After his doting aunt dies, a special fourteen-year-old boy who has trouble fitting into a remote 1906 village goes against a powerful retired Army captain determined to eradicate his outcast kin.
A bit of a cheat, I confess, as this is a play. But what a play. Stories within stories. Characters so real, they are flesh and blood. And so much magic, real magic, delivered by a fairy queen and king, fairies, and a hobgoblin called Puck. As an author I learn so much from Shakespeare’s plots. He is able to describe human behaviour so well. I enjoy losing myself in magic or fantasy, suspending reality. (I just thought of Harry Potter).
A Midsummer Night’s Dream is a comedy written by William Shakespeare between 1590 and 1596. It is one of his most played pieces. The events of the play take place in and around Athens in ancient Greece and include scenes from a fairytale world inhabited by characters from Greek mythology.
A fullscreen colorful edition optimized for Kindle Fire HD. Includes about 70 illustrations by Arthur Rackham.
I am the son of Irish rural immigrants who at the age of nearly eighty already occupies several vanished worlds myself: London in the 1950s and 60s, the old world of the European peasantry, and a time when the greatest war in human history was still a daily presence. I spent most of my life as an academic historian writing books for an academic audience. Then, to my surprise, at the tender age of seventy, I discovered that I could write prose that had a certain grace and dignity and which seemed to move people as well as inform them. So, I began a second career as what is called a “writer.”
This is French peasant life in its last days, a life rendered from the outside by one who became an insider.
Berger went to live and work among the peasants of the French south in 1962. This world, like that of Spain at much the same time, saw the death of the old peasantry. It is not a work of observation like Norman Lewis’s book but a series of fictional stories. It treats peasants as human beings, on an equal standing with all others in society. They have depth and gravity. Just like us all.
How awful most writing about peasants is. This stands out proudly from that awfulness.
With this haunting first volume of his Into Their Labours trilogy, John Berger begins his chronicle of the eclipse of peasant cultures in the twentieth century. Set in a small village in the French Alps, Pig Earth relates the stories of skeptical, hard-working men and fiercely independent women; of calves born and pigs slaughtered; of summer haymaking and long dark winters f rest; of a message of forgiveness from a dead father to his prodigal son; and of the marvelous Lucie Cabrol, exiled to a hut high in the mountains, but an inexorable part of the lives of men who…
I became fascinated with France and the French as a child, and over the past 40 years I have spent as much time as I can here. I’ve been fortunate to be able to combine my dual passions—for France and for literature—in creating a series of classes for CUNY study abroad programs and for the Politics & Prose bookstore. Through this work, over the past 20+ years I have spent much of my time reading and teaching works of literature that explore France and the French people in depth. I now live in France, and I continue to find the French endlessly fascinating. I think I always will.
The main reason I love this book is that Jeffrey Greene is a wonderful writer. The story of how he and his wife (and eventually his mother as well) made their home in an ancient, rundown presbytery in a village in Burgundy provides a vivid, real-life picture of life in a French village for a couple of Americans. Greene’s approach allows us to not only see the French as he sees them, but also how they must see him and his wife. His deep respect and affection for his wife, his mother, his neighbors, life in France, and the beauty of nature shine throughout, all rendered in beautiful prose. And the many funny little stories he tells make me laugh out loud every time I reread this book.
When Jeffrey Greene, a prizewinning American poet, and Mary, his wife-to-be, a molecular biologist at the Pasteur Institute in Paris, discover a moss-covered stone presbytery in a lovely village in the Puisaye region of Burgundy, they know they have to live there. With an unabashed joie de vivre, they begin the arduous process of procuring their slice of paradise amid the wild beauty of the French countryside -- a place of gentle farmlands and dense forests, of rivers and lakes, of stunning fields bursting with the color and heady scent of wildflowers.
A heartfelt romantic fantasy set in a whimsical traveling theatre troupe—where the newest member is fleeing home, and the lead actor is hiding a dangerous fae curse.
Vai Delvecchio, escaping a family scandal, joins the eccentric Quicksand Theatre Company, where magic fuels both stage tricks and real-world consequences. As they…
Mark Greenside has been a civil rights activist, Vietnam War protestor, anti-draft counselor, Vista Volunteer, union leader, and college professor. He holds B.S. and M.A. degrees from the University of Wisconsin and his stories have appeared in numerous journals and magazines. He presently lives in Alameda, California, where he continues to teach and be politically active, and Brittany, France, where he still can’t do anything without asking for help.
A twenty year old American woman goes to Paris to paint, meets a French artist, marries, has a child, and together buy a farmhouse and make a summer home and art studios in rural Brittany: that story. A memoir.
The book was published in 2008, but the story takes place in the early 1960s when rural Brittany was closer to the 19th century than the 21st. I was in Paris in 1967, and it was still possible to rent a hotel room for under five dollars a night, to travel in Europe for ten dollars a day. In 1967, you could not safely drink the water in France, including in Paris, and you had to have proof of a typhus vaccine to return to the U.S. It was still more Henry Miller’s Paris than Macron’s.
The enchanting memoir of an artist?s liberating sojourn in France during the sixties?and the friendship that transformed her life
While in her late twenties, Marjorie Price leaves the comfort of her Chicago suburb to strike out on her own in Paris and hone her artistic talents. Dazzled by everything French, she falls in love with a volatile French painter and they purchase an old farmhouse in the Breton countryside. When Marjorie?s seemingly idyllic marriage begins to unravel, she forms a friendship with an elderly peasant woman, Jeanne, who is illiterate, has three cows to her name, and has never left…
Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
This exquisite book tells the story of the one family in the remote Maesglasau valley in Wales, and the ferocious changes that the twentieth century brings to their traditional rural way of life.
Originally written in the Welsh language and beautifully translated into lyrical English, this is a poignant and unforgettable story. I love how the language is simple, but it delicately renders the lives of the family members, giving them dignity and beauty despite sorrow and hardships. It feels old-fashioned yet also timeless.
"The most fascinating and wonderful book" JAN MORRIS
"A restrained, lyrical tour de force" OWEN SHEERS
In the early years of the last century, Rebecca is born into a rural community in the Maesglasau valley in Wales; her family have been working the land for a thousand years, but the changes brought about by modernity threaten the survival of her language, and her family's way of life.
Rebecca's reflections on the century are delivered with haunting dignity and a simple intimacy, while her evocation of the changing seasons and a life that is so in tune with its surroundings is…
Since childhood, I have wanted to live in the country. Six of my earliest years were spent in the city of Bradford, Yorkshire, and San Francisco, California. Sandwiched between those two periods was a year I barely remember on a chicken farm in Zephyrhills, Florida. The fuzzy reminisces of that period elevated it in my mind to a lovely existence in which I roamed about freely, following my parents as they worked in the garden and produced delicious meals from its bounty. I romanticized living on the land as I grew up. My favorite books in childhood were Little House on the Prairie and The Bobbsey Twins in the Country.
This is an academic book, but I found it easy and fascinating to read. The author is a sociologist who studied 1300 of the thousands of individuals who gave up their suburban homes in the 60’s, 70s, and 80s for a few acres of rural land.
I loved it because the experiences of the families the author studied shared my values and my own reasons for living off the grid. It also described some of my romantic misconceptions about what it would be like to live a “simple life” with a group of friends. I would describe this book as an introduction to homesteading for city dwellers who dream of moving to the country.
"[P]ractically everyone I know is nursing fantasies about escaping the life they're trapped in and creating one that makes more sense," writes the editor of Utne Reader in a recent issue. "The people I most admire, though, are those who actually do it-who break free and pursue a higher calling no matter how great the risk."
New Pioneers is about one such group of people-the hundreds of thousands of urban North Americans who over the past three decades have given up their city or suburban homes for a few acres of land in the countryside.
Writing is about the metaphysical as well as the rational if it’s any good. As an author, I am always more interested in the wreckage of a crisis than the crisis itself—in the aftermath. Survivors search for purpose above all else. They undertake long sojourns, seek spiritual counsel, or find solace in art or politics. As a writer who has dealt with illness for most of my adult life, I think one path that is shared by all these novels is the discovery of agency—over one’s body, one’s choices, and one’s own life and death. There lies meaning.
This is a meta-fictional novel about the fragile state of memory and interpretation.
Stories can save us, and in the case of 13-year-old Briony Tallis, stories can ruin us. A single accusation is enough to destroy her sister, a young man’s life, and their future together. It shows us that the art of writing can be both sacred and profane.
It is a novel inhabited by ghosts, one that taught me the importance of absence in storytelling, of the silences and liminal spaces when writing about epic events. The style obfuscates the plot, then later renders it in vivid detail.
What lives between the lines is critical. It asks if forgiveness and acts of retribution can counter the death that eventually comes for all of us.
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a…
