Books like Birnam Wood — picked by fans

I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.

I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.

It is a masterful use of the narrative voice in crime fiction at its best.

In a world of aggregate and pre-release reviews, it’s easy to forget that one of the most important measures of a book's success is how much it stays with you in the years after you read it.

Look At Me has haunted me in the years since I read it. No other book has had a greater impact on the way I think about our perception of ourselves vs. the way the world perceives us, and how that can be manipulated and exploited.

Like many great books, knowing too much about the plot before you pick it up is going to lessen your experience, so I’m just going to say that it’s about people who have constructed new identities and covers themes of deception, and reinvention and let you discover it for yourself (and thank me later).

We all have secrets. If you read that sentence and thought “not me!” then that’s likely because you’ve repressed something so dark and dangerous that your psyche let you unleash it from the depths of your unconscious into your working memory.

This book looks at the myriad ways that holding onto secrets can affect our relationships and day-to-day lives through an engaging blend of personal, creative, and scientific perspectives.

Peppered with both fun tidbits of information (the average person has thirteen secrets), as well as complex, deeper insights into the science of secrets, I found this fascinating both as a general reader and more specifically as someone who writes characters who are burdened with secrets and have to construct a false reality around them.

In an age of constant digital deception, it was utterly fascinating to read the story of someone who manipulates people through the simple use of a phone call.

The plot follows two filmmakers, Carrie and Meadow, the latter of whom makes a documentary about “Nicole”, a woman who seduced an array of Hollywood heavy hitters armed with nothing more than a telephone. The novel unfolds through multiple perspectives and timeframes that begin as disparate but are slowly woven together by Spiotta’s expert hand.

The plot itself is fascinating, but Spiotta’s stylistic and thematic mastery are a wonder to behold. Sidenote: Nicole is loosely based on the true story of Whitney Walton, on whom Jen Silverman also did a brilliant take in her audiobook The Miranda Obsession (performed by Rachel Brosnahan).

There are many ways to approach history. Donna Lucey brilliantly chose to usher readers into the world of the Gilded Age via the captivating canvases of that era’s most sought-after portraitist, John Singer Sargent. There are always more stories lurking behind Sargent’s luxurious depictions of his subjects, and Lucey gets beneath the paint and the posing to give us her own picture of four very real women whose lives are far more nuanced than any portrait sitting can convey.

This is a great book because love makes Mulligan reevaluate what matters most.

Mulligan isn’t a villain exactly, but he does less than admirable things. He believes money is the way to accrue power, and he tries to fix Justine’s problems with bribery. She can’t accept his methods as a way to solve problems, and he is faced with the choice to either rule the criminal world or love the girl.

Obviously, he picks the girl. His story arc is so satisfying because he will do anything for her!

What a surprise find! I was introduced to Fractured by the ABC/Hulu series Will Trent—credit to my wife. After watching the premiere episode together, she informed me it was based on a Karin Slaughter novel. While the characters' histories were the same in both media, they were quite different in print, physically, and culturally. They’re equally intriguing but different. 

Nevertheless, the main character is totally fascinating because of his background—raised in a children’s home, abused by foster parents, dyslexic, but incredibly observant—which makes him a great detective for the Georgia Bureau of Investigation. As the author, Slaughter must have done copious research for the background information and details. Her great writing made it all believable. I was—and am—hooked.

In The Givers David Callahan asks questions – and answers them – about the power philanthropists possess to influence public policy in America. 

He wonders how much influence donors have and what their goals are. He says that some of us are happy about the causes the wealthy promote, but are terrified about others. 

As well, he contends, the process is undemocratic. Philanthropy, he says, is a strong power center in its own right, and “is set to surpass government to shape society’s agenda.” He points out that private donors, who are accountable to no one, have more influence than the public officials who are accountable to the voters. 

Callahan is unafraid to question how much good philanthropists actually do.

I recommend The Last of Her Kind by Sigrid Nunez because I found it an absorbing portrait of a friendship in which I wasn’t sure if the two people in it even liked each other. Georgette, called George, is from a working-class family, and Ann is her wealthy college roommate. It is the late 1960s. For me, the book had a fresh angle on the protest movements. George’s focus in college is trying to pull herself up.

To me, George and Ann’s friendship is like a house on a cliff–dangerous, depending on what door you open. This book has stayed with me because it explores why people remain friends, even if the relationship is difficult to the point of pain. 

This beachside romance features a female entrepreneur who started her business at a young age, which I related to immediately, having started self-publishing books as a freshman in college.

She’s a go-getter with a knack for business and fights for her passions despite the people in her life telling her she shouldn’t. I adored the enemies-to-lovers romance between Cooper and Mac, as well as the message that not everyone is what they initially seem.