Here are 100 books that Bioshock fans have personally recommended if you like
Bioshock.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
The child’s immersion into nature is a most relevant theme for me as an environmental educator, but it is critical to America as a whole. Our future depends upon it. We continue to live in a culture that shoves nature into the background, something viewed as pleasant scenery but not truly interactive in our lives. The “store” has become the source of things to many young people. The current generation of American parents is not equipped to teach children about nature and its indelible place in our survival as a species; therefore, books must become surrogates in this mission.
I loved this book for its dissection of the human relationships formed against a background of wilderness.
With survival comes tension, and though this throws discord into the lives of the characters, it makes for a compelling plot. This is one of those books that will form an indelible bond with the reader, who cannot help but imagine his/her interaction with the cast, should he/she have been part of the story.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve been fascinated with the paranormal since I was a little girl and used to talk to the old lady on the edge of my bed. That old lady turned out to be my grandma, who had passed when I was in my mother’s womb. My entire family is touched by the curiosity and love that comes with the paranormal, so much so my mother is a working psychic medium. For years, I have spent every birthday attending haunted houses with a paranormal team to “investigate.” For some strange reason, I love to be terrified, and I fear I will never stop chasing the thrill.
This was my first peek into the world of paranormal ghost stories through books. Before this spooky thriller, truth be told, I didn’t know there was such a genre as ghost thrillers.
I will forever be grateful to Riley Sager for not only opening me up to such a captivating genre but for writing such an amazing story.
This bookgives you the present perspective of a woman returning to a haunted house that ran her family away 25 years ago, alongside the perspective of what happened 25 years ago when she was a child from the lens of a “NYT-selling novel” written by her father.
In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
What was it like? Living in that house.
Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later…
As a child, my family and I would make scary movies to watch at our own annual family film festival. Horror has always been a passion of mine. The way horror can evoke emotions in you that you can’t otherwise access is a special kind of high. As a horror movie/game/book aficionado, I’ve tried to weave elements of horror into my stories. My favorite types of scary stories are the ones that would stand on their own, even if the ghosts were taken away. I am so passionate about horror with heart, which can be hard to find in a world of slasher movies and true crime.
I’ve always been fascinated by the Salem Witch Trials (my youngest daughter is even named Salem), and so, in my search for a good modern take on them, I stumbled across this book. The fact that it was based on a true story immediately drew me in.
Like other books on this list, this story isn’t outright horror. It’s subtle. Rather than using ghosts and violence to scare the reader, this book focused on mob mentality, hysteria, and bias in a way that was so real and relatable that it felt like this could actually happen to me or someone I know.
I think the most effective horror puts you into a situation that’s so familiar and plausible that it keeps you looking over your shoulder. In my opinion, people are always much scarier than ghosts, and so this book that studied mob mentality chilled me with just how easily…
A chilling mystery based on true events, from New York Times bestselling author Katherine Howe.
It’s senior year, and St. Joan’s Academy is a pressure cooker. Grades, college applications, boys’ texts: Through it all, Colleen Rowley and her friends keep it together. Until the school’s queen bee suddenly falls into uncontrollable tics in the middle of class.
The mystery illness spreads to the school's popular clique, then more students and symptoms follow: seizures, hair loss, violent coughing fits. St. Joan’s buzzes with rumor; rumor erupts into full-blown panic.
Everyone scrambles to find something, or someone, to blame. Pollution? Stress? Are…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
As a child, my family and I would make scary movies to watch at our own annual family film festival. Horror has always been a passion of mine. The way horror can evoke emotions in you that you can’t otherwise access is a special kind of high. As a horror movie/game/book aficionado, I’ve tried to weave elements of horror into my stories. My favorite types of scary stories are the ones that would stand on their own, even if the ghosts were taken away. I am so passionate about horror with heart, which can be hard to find in a world of slasher movies and true crime.
I love Edgar Allan Poe. His stories are so visceral and yet so simplistic in their scares. Of all of the stories by Poe, however, I think this book was a bit of a sleeper agent for me. It wasn’t until COVID-19 happened that I really saw how terrifying this story really was.
The idea of the rich hiding out from a plague that’s destroying the world was much too relatable in 2020. Just like in other titles in this list, the actual ghost itself isn’t necessarily what’s scary. It’s what the ghost represents. Not just death but pride, privilege, selfishness, guilt, and apathy.
Re-reading this book back in 2020 was an experience much too understandable, and it really scared me in a way it hadn’t before. The message Poe was trying to convey stuck with me in a new and horrifying way.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Arguably America's most influential short story writer, Edgar Allan Poe's tales of suspense never fail to spook…
I love our planet. That’s the long and short of it. I have stretched belly-down upon the earth and hugged this whole world as if it is an extension of myself, or I am an extension of it. We are one, as I think we all are, with this world that is our home. After receiving my Master's in Nature Study and Environmental Education, I taught grade school for many years, spending as much time outside with the students as I could. At the same time, I have been writing stories and loving nature, loving our world, and working on stewardship. Eco-fantasy is a genre that just seems natural to this mission.
This was one of the first books to open my mind to the possibility of a country that would put social responsibility and ecological sustainability at the forefront of its goals.
Ernest Callenbach’s story is told through the journalist reports and personal writings of William Weston, who visits Ecotopia to report on this unique country, originally the Pacific Northwest and Northern California.
I love how Weston’s skepticism turns toward understanding. He eventually embraces what Ecotopia stands for and decides to live there himself to be a conduit of connection to the world outside of Ecotopia.
I was so moved by how a fictional story could so illuminate our own fears, our own hopes, and the possibilities of our future, that my own writing turned toward eco-fantasy after reading this book.
Twenty years have passed since Northern California, Oregon, and Washington seceded from the United States to create a new nation, Ecotopia. Rumors abound of barbaric war games, tree worship, revolutionary politics, sexual extravagance. Now, this mysterious country admits its first American visitor: investigative reporter Will Weston, whose dispatches alternate between shock and admiration. But Ecotopia gradually unravels everything Weston knows to be true about government and human nature itself, forcing him to choose between two competing views of civilization.Since it was first published in 1975, Ecotopia has inspired readers throughout the world with its vision of an ecologically and socially…
As host of ImmerseOrDie, I've tested over 600 indie novels so far, searching for books that can hold me in their spell for at least 40 minutes. Unfortunately, self-publishing is rife with the quirks and gaffs that burst such glamours: bad spelling, bad formatting, ludicrous dialogue... Even allowing three failures before bailing, only 9% survived. And reading those to completion whittled the herd still further.
So here then are the surviving 1%. A glittering few, plucked from the muck so that you don't have to. I don't promise you'll love them, but I do make one guarantee: they do not suck.
And in the Swamps of Indie, that is high praise indeed.
The books that grab me most firmly are the ones where the premise itself gets me in a headlock and screams: "READ ME!" at the top of its lungs while twisting my ear until I give in. Case in point: Catskinner's Book.
After years of failure, long-time loser James Ozwrycke has finally assembled a life. Sort of. He's got a tiny apartment and a crappy job, which might not be much to you, but it's enough to pay the bills and fuel his video game habit, and that's the best life James has ever known. So how did he manage to score this skid row utopia? By entering an unusual agreement. All he has to do is let a demon use his body every now and then. You know, to kill people. But that's not so bad. Is it?
Catskinner's Book is a science fiction/urban fantasy novel set in a surreal world unlike any that you have seen before. James Ozryck has a monster in his head. All of his life the entity that he calls Catskinner has made him a fugitive, afraid to get too close to anyone, afraid to stay in one place for too long. Catskinner kills, without compassion and without warning, and is very good at it. Now James has learned that Catskinner is not the only monster in the world, a world that has suddenly become a far stranger and more dangerous place than…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I am a queer transgender woman living in the Appalachian South. When I moved here in 2015 I threw myself into doing community-based LGBTQ history. I co-founded the Southwest Virginia LGBTQ+ History Project, an ongoing queer public history initiative based in Roanoke, Virginia. As a historian and an avid reader, I am fascinated by how queer and trans people think about the past, how we remember and misremember things, and what role historical consciousness plays in informing the present and future.
Queer theory can sometimes be head-scratching, but the first time I readCruising Utopia (on a camping trip in the mountains), I found myself gazing anew at the trees above me and my lover by my side. The late great theorist pushes us to reconsider how queerness is experienced and remembered in quotidian times and spaces. From sharing a bottle of Coke with a lover to memorializing abandoned toilets in the New York City subway, Muñoz revels in the ecstatic potential of “queer utopian memory” and queer world-building. Cruising Utopia is a marriage of critical theory and thoughtful storytelling, giving readers a much-needed injection of hope in these thoroughly anti-queer times.
A 10th anniversary edition of this field defining work-an intellectual inspiration for a generation of LGBTQ scholars
Cruising Utopia arrived in 2009 to insist that queerness must be reimagined as a futurity-bound phenomenon, an insistence on the potentiality of another world that would crack open the pragmatic present. Part manifesto, part love-letter to the past and the future, Jose Esteban Munoz argued that the here and now were not enough and issued an urgent call for the revivification of the queer political imagination.
On the anniversary of its original publication, this edition includes two essays that extend and expand the…
I’m an avid reader turned author. I’m a Canadian YA Speculative Fiction author who takes books along as I hike, cycle, and go to the beach. I love audiobooks! In the years leading up to writing my first novel, I must have read over three hundred books. My favorites were Young Adult Fantasy and Science Fiction. When I ran out of happy, positive, and wholesome books, I started writing them. I feel like I'm often called back to my favorites, and hope more authors will jump on the happy train! Now that the world has literally turned into a Dystopian Society, perhaps more authors will start writing about hope and change.
I love Cecelia Ahern’s earlier books and this was her first YA duology. The second book is called Perfect. This society also praises beauty and perfection, but mistakes are punishable offenses with a serious consequence of being branded, literally, are Flawed. The book is chilling in so many ways, but what I loved about it is that making mistakes is an inherently ‘human’ thing to do. Older generations have been taught to avoid making mistakes at all costs, or at least never own up to them. The younger ones are learning that it’s all part of life and we should all have a little more compassion. We’re all doing the best we can with what we have.
In her breathtaking young adult debut, bestselling author Cecelia Ahern depicts a society in Flawed in which obedience is paramount and rebellion is punished. And where one young woman decides to take a stand that could cost her everything.
Celestine North lives a perfect life. She's a model daughter and sister, she's well-liked by her classmates and teachers, and she's dating the impossibly charming Art Crevan.
But then Celestine encounters a situation in which she makes an instinctive decision. She breaks a rule and now faces life-changing repercussions. She could be imprisoned. She could be branded. She could be found…
I have a weird imagination and care deeply about being kind in all areas of life. I think people, in general, need to be kinder to one another and to the earth. I find humanity to be too anthropocentric and dismissive of the intelligence of other creatures. The incredible complexity and interconnectedness of nature fascinate me, and I constantly look for connections between two seemingly disparate systems. Writing my book allowed me to put insects at the focal point of planetary control. It was an incredibly fun story to write.
I love how Huxley depicts a utopic community in a sea of unrestrained capitalism. This book got me thinking about solutions to problems I didn’t know existed. It got me to rethink how I view family structures, community, responsible drug use, and meditation. I appreciate how he centered the conflict around his ideal world versus the world imposed on his ideals by reality.
For over a hundred years the Pacific island of Pala has been the scene of a unique experiment in civilisation. Its inhabitants live in a society where western science has been brought together with Eastern philosophy to create a paradise on earth. When cynical journalist, Will Farnaby, arrives to research potential oil reserves on Pala, he quickly falls in love with the way of life on the island. Soon the need to complete his mission becomes an intolerable burden and he must make a difficult choice.
In counterpoint to Brave New World and Ape and Essence, in Island Huxley gives…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
At one point in my life, I took Ph.D. classes in the morning, taught philosophy in the afternoon, and tended bar at night. I was always working, and money was tight. Then, one day at a faculty meeting, my colleagues and I discussed developing an appealing new course. I suggested one on the philosophy of work and ended up teaching it and writing my dissertation on work and moral values. I loved teaching the class to the part-time students. They came to class straight from work and shared their experiences. Those students taught me more about work than any book in the library. Years later, I wrote The Working Life.
This is a wise and witty philosophical reflection on the meaning of games and life. Suits asks: If we didn’t ever have to work again, would we have to replace work with things like the housebuilding game or the lawyer game? If so, would the game about work satisfy the need to work?
In the mid twentieth century the philosopher Ludwig Wittgenstein famously asserted that games are indefinable; there are no common threads that link them all. "Nonsense," said the sensible Bernard Suits: "playing a game is a voluntary attempt to overcome unnecessary obstacles." The short book Suits wrote demonstrating precisely that is as playful as it is insightful, as stimulating as it is delightful. Through the jocular voice of Aesop's Grasshopper, a "shiftless but thoughtful practitioner of applied entomology," Suits not only argues that games can be meaningfully defined; he also suggests that playing games is a central part of the ideal…
