Books like Big Sky — picked by fans

Another writer-hero, Anthony Horowitz writes as himself in this page-turning whodunit. Well-known for his television work on Midsomer Murders, Poirot, and Foyle’s War, Horowitz knows how to craft a mystery. When ex-cop turned private investigator Nathaniel Hawthorne approaches Horowitz about ghostwriting a book about his cases, Horowitz isn’t interested. Annoying and eccentric, Hawthorne isn’t someone Horowitz wants to be around, let alone write about. But when a famous actor’s wealthy mother is murdered six hours after planning her own funeral, Horowitz gets pulled into the investigation anyway. Though very much a Sherlock Holmes and Watson relationship, Hawthorne and Horowitz are more adversarial, making them an entertaining team. You want them to be friends, but then again, you don’t. The word isn’t just murder, but funny, engaging, and endearing, too.  

One thing I really like about this mystery novel is the way it is told from multiple points of view, which is a very unusual technique in mystery fiction. That’s one reason that it felt, to me, so much like a literary novel.

The first character is a brilliant, tortured artist named Margot, who is already dead at the start of the novel. The second character is Kate, an ex-cop turned P.I. who is hired to find Margot’s killer. 

Both women are compelling, interesting characters, but I especially liked the way Kenna renders the hero, Kate. She’s a single mom in recovery from a drug addiction. Her ex is a creep, and most of her old (male) cop colleagues are, too. Her struggle in solving the case felt completely real and human to me. And that’s the signature quality of literary fiction.

It would be obscene to read this on a Kindle. This early Dashiell Hammett novel has to be read in paperback, the older a copy you can find, the better.

It has everything a great pulp novel should have; murder, crooked cops, gangs, and a rumpled too-honest-for-his-own-good hero. What I love about this book is how Hammett uses his own experience working for the Pinkerton Detective Agency (who were basically hired thugs) and a real historical event (a labor dispute in Montana that resulted in several deaths) to weave a solid crime novel.

I love the setting and atmosphere of the book, first and foremost. New York City in 1932, just before the end of Prohibition, so there are still bootleggers and gangsters and all that jazz (literally).

I love the characters of Nick and Nora Charles – witty, sophisticated, glamorous, and living a life I can only dream of (literally – I was born 50 years too late!). While it has its humorous elements, this is a hardboiled detective story.

I love the contrast between Nick and Nora and the underworld characters that they encounter, as well as the strong undertone of cynicism that runs through it. It feels more like real life than many other detective stories, where everything is resolved by the end. 

As a writer of crime thrillers, I also read a TON of crime thrillers. I also work in national security and law enforcement, and so finding a crime thriller that rings true is one of my great joys.

Don Winslow is an acknowledged master of crime fiction, one of the greatest of all time. But this book flies under the radar because it’s not a standalone novel or a chapter in one of his longer crime saga series. Rather, it’s a collection of six knock-down, drag-out crime novellas. Some of the stories follow familiar Winslow characters or take place in settings he’s already explored, but through a new lens. Every story is different, with characters and settings I loved, all imbued with Winslow’s gift for verisimilitude and wry turns of phrase. 

It’s a can’t-miss.

I love the character of Kinsey Millhone because she’s so human and relatable. Her life is messy; she gets herself caught up in situations where she knows she ought to let things drop but just can’t let them go, and she has a kind heart. She also has the endearing quality of being self-deprecating and not taking herself too seriously.

This book is set in the 1980s, and I enjoy seeing Kinsey’s legwork to solve her case without the benefit of mobile phones or the internet. I also love her relationship with her elderly neighbor and how protective she is of him when she feels that new people in the neighborhood are taking advantage of him.

In this historical mystery set in the 1920s, the hero-narrator is likable and a bit goofy. He reminded me of Bertie Wooster in the Jeeves stories by PG Wodehouse, but Heathcliff is more intelligent. The mystery was complicated and puzzling, with added fun from the 1920s setting. It’s hard to investigate when phone lines are down and roads become impassable in poor weather. I've read the rest of the series, and they’re all pretty strong. Some move the action to Scotland or Egypt for extra 1920s travel excitement. They’re perfect reads when you want a light cozy with historical charm and some chuckles along the way.

Patricia Wentworth is one of the most atmospheric writers I’ve read.

This is the first in her Miss Silver series, featuring an elderly lady who looks a lot like Miss Marple but pre-dates her. While still within the cozy genre, parts of this book, especially the opening section, where the mysterious man in the gray mask makes his first appearance, can make your spine tingle with that delicious feeling of tension that only a good mystery book brings.

Like Miss Marple, Miss Silver is adept at deducing what the various protagonists might do based on her reading of their psychology, but the characters are much better fleshed out in these books, as is the period in which it is set. And the romance is a definite bonus.

This is an absolutely brilliant pastiche of Victorian literature, starring the era’s two greatest fictional characters.

It weaves Holmes and Watson into the basic plot of Dracula, with Watson grumbling about setting the record straight because that ‘spurious monograph’ by some fella called Stoker missed out on Holmes’s involvement in the case!

A light, quite short, hugely entertaining read.

Tim Weaver has a way of getting under the skin of not just his characters but his readers, too. For me, it helped that his main character, like me, had lost his wife to cancer. I could instantly relate. But beyond that, the plot was gripping, drawing me in and holding my attention from start to finish.

While reading one of his books and for a long time afterward, your mind has only two ways to be—either reading his book or thinking about his book.